Dresscode im Casino - welche Kleidung darf ich tragen

casino dress code in vegas

casino dress code in vegas - win

Why It Is Valuable To Gamble At On the internet Casinos

Why It Is Valuable To Gamble At On the internet Casinos

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In the early 90's, way ahead of on-line casinos had been common, I savored a outstanding match of Roulette at a one of my favorite land casinos three or 4 situations a 7 times. These days, I do not even have to leave the comforts of my extremely individual dwelling to get in on the accurate action.
With the commencing of on the internet casinos for the period of the mid-90's, and soon there just just after, their standing has catapulted them into the most frequent type of on the online enjoyment all in excessive of the earth. At the second, on the net on line on line casino gambling products and services are debuting just about every single seven days it looks.
In comparison to the usual land casino, you will find out that using portion in at on line casinos has its a lot of good facets. In point, we have compiled just a a number of of the plenty of gains to taking portion in on line. Receive a look:
Engage in Any Time, Any location
If you have Website abilities, you have your determine on at hundreds of that hardly ever near. No difficulty in which you are on the earth, you can take pleasure in at On the internet casinos for genuine money. What's more, these electronic casinos have numerous excellent activity prospects that even the most discerning participant will get himself entertained and even capable of successful a good deal of resources.
No Need to have To Dress A Picked Way
Some land casinos have a inclination to have dress codes to guess huge amounts of cash. Now, you can even play the formal product of Baccarat in your tub robe if you want to. No have to have to dress to impress, you will be making the most of in the privacy of your specific residence. No a solitary will brain your glimpse what so at any time. Now you can even the place that hideous but very blessed poker cap you like so substantially devoid of people staring.
No Problem With Local climate Or Area climate
Enjoying at on line casinos will place a halt to your disdain of Las Vegas summertime year warmth. Rain or glow, you can be rest assured that you can get into an on the online on line on line casino devoid of proudly owning to have an umbrella or significant overcoat. Recall, you do not have to embark on any getaway to a on line casino. You can sit in your beloved snug chair at assets for the duration of sleet, snow or sunshine and log on to a excellent adventure.
Vacation Not Expected
Quite a few persons nowadays who love to gamble do not have the magnificent of residing in Vegas or even want to go there. With the great new planet of on-line on line on line casino gambling, you will enable you help save treasured time and earnings by enjoying excellent from house. The bucks you preserve from not obtaining to holiday can be turned into a greater economical institution-roll for you to price range. The time you conserve from vacation could be revenue in the money institution, far way too.
The Personalized Security Problem
When actively enjoying at on line casinos, you definitely really don't have to anxiety about unknowingly dropping your profits or chips on the floor and strolling off only to recognize that you misplaced a total lot of dollars. You can also practical experience at simplicity that no just just one will be out to get actual physical edge of you when enjoying on the net. Playing from property, you will be one one's fast concentration on both equally. These days, gals of all ages are collaborating in a lot more on-line on line casino online games and effective some of the Internet's top jackpots, a large amount of female avid gamers come to feel a great deal extra self-confident at residence than they are possible to at land casinos by on their own.
The At any time Current Making use of tobacco Problems
With a ton extra people today concerned about using aspect in in smoky environments, getting aspect in at house is an obvious benefit. On top of that, people today of you that do get enjoyment from using tobacco will be ready to do so with no any flack from other individuals. These times, rather a couple land casinos you ought to not make it possible for smoking cigarettes in their poker rooms the two. Statistically, quite a few standard on line casino gamblers are hefty people today who smoke, if this is a predicament for you, remaining at property will assure a outstanding environment for you Should you loved this information and you would love to receive details about Bandar Judi Online generously visit our web-page. .
submitted by onlinegamb01 to u/onlinegamb01 [link] [comments]

My dad's girlfriend is the bane of my existence

I'm new so sorry in advance if I type any of this wrong. So basically long story short when I[M16] was about 2 or so my mom[F51] and dad[M54} divorced. He has since had 2 girlfriends. The first one was some rich british control freak that believed me and my 2 older siblings were sabotaging their relationship. Now for the past 2 years he's been dating this loud mouth control freak guinea from Florida. Her favorite things to do (and pretty much the only things she ever does around me) are act like she's our mom, act like she's a genuine part of family, talk about being italian, talk about being from Florida, talk about her son and how he's in college and talk about her dogs. At first I genuinely liked her and was hoping my dad would stay with her but for the past 4 or 5 years she's been getting worse and worse. For a little more backstory me and my sister[F28] live in Colorado with my mom and stepdad and my brother[M26] recently moved here in 2020 but before that he was living in California and my dad's been living in and around vegas for the past 13 or so years. In 2018 my dad and his girlfriend flew us (my siblings and I), my sister's husband (fiance at the time) and my grandma from my dad's side to Vegas where we hung out with them for around a week. The main problem was that her job is somesort of travel agent thing so she controlled everything we did while we were there which was incredibly annoying and awkward. I thought nothing of it until 2019 when they flew me out to their new apartment and she was doing the same shit. I started to get annoyed but still thought nothing of it. Then a few months after I saw them my sister got married and she tried to keep my dad from seeing us and talking to my mom. After that I barely talked to them until late 2020. The day before Thanksgiving I was at the McDonald's drive thru when I got calls and text from my dad and brother saying that the grandma that went to Vegas with us was found dead in her home. She was a huge part of my life and I loved her dearly so when I got the news I was heartbroken and became incredibly depressed for a few days. Eventually about a week after we got the news my dad flew me and my sister out to California with him and his girlfriend. We went to our hometown where she lived and started to clean out her house. Unfortunately my grandma was an extreme hoarder so it took us days just to clean certain parts of the house. This is where things got bad. My dad's girlfriend started going on and on about how she was such great friends with my grandma which was just a straight up lie. She then started to just take things from the house without even asking if anyone else wanted them. She started arguments with my dad. At one point my and my sister were cleaning out some garbage when the bitch just went outside and facetimed her friend and proceeded to start talking about how she was "in some dump in the woods". There's more that she did that I can't remember specifically. My grandma had an early 2000s jeep liberty that she left for me but I don't have a license so we had to make a plan on how to get it back to Colorado. This bitch decided we would drive from California to Reno where we would stay for a few days until my stepdad could fly to Reno and help us drive the Jeep back home. The bitch got us rooms at some fancy hotel/casino. One at she ordered dinner for us (chose our food instead of letting us choose) and she got us well done steaks (horrible). She the proceeded to complain about my sister's outfit and my hair for the entire night. My dad finally got upset at her for this so she retaliated by reading the dress code for the restaurant while we were eating. She then changed the plan and had us stay in reno while they left a day early. My step dad's flight got delayed so we just stayed overnight at a different hotel and left the next morning. This pissed her off so much she blocked our numbers on my dad's phone, called my mom and cussed her out, left rude voicemails for me and my sister, and a few other things my mom refuses to tell me. Now in early January she surprised me by buying me tickets to fly to Vegas late this month and fly back early next month. She used my dad's military discount without asking which is something he doesn't like doing cause of his ptsd and shit and she surprised him with it too so he wasn't able to get days off work. Because of that he's only gonna have 1 of the 4 days off. She basically stole my grandma's secret cookbook that was for our family when we were cleaning her house and now she's bragging about how she's gonna make my grandma's food for me and my dad and has already given some of the secret family recipes to her friends. Now my dad's saying that he wants to fly me and my siblings out to my grandma's hometown in hawaii so we can spread her ashes but I can just already tell that his girlfriend's gonna come along and make the trip all about her.
submitted by Snoo-82933 to family [link] [comments]

Everytime I visit the Las Vegas Blvd. Ross Dress For Less...

So I tend to go to Vegas about once a year, and everytime I do I always forget some sort of important clothing item. Whether that be flip flops, bathing suit, a hat, sunglasses, or just cooler clothes - so I usually end up hitting up the Ross which is located near Hard Rock Casino.
Sure I could go to a more trendy store, but where I actually live is pretty cold, so why would I spend a hundreds of dollars on a trendy swim suit if I'm only gonna wear it once a year? The clothes I get at ross are meant to be expendable, often times I don't even bring them back home with me.
Anyhow, every damn time I go into the Ross I get asked to help somebody find shoes or something. I have no idea why, and it doesn't matter how I dress. I can be in a hoodie, I can be in a wife beater, heck I could be in full blown suit...in fact, my most recent visit had me actually in a trendy blazer.
I was trying to get into one of the night clubs and they told me my sneakers were against dress code. That if I were to wear sneakers they must be all black - so I headed to Ross and purchased a comfortable pair of black sketchers for 30 bucks. All the Ross employees in this particular store wore blue collar shirts, black pants, and name tags. I was wearing a jet black blazer, dark blue jeans, and a white t-shirt with a Naruto graphic on it (its sounds nerdy, but it worked).
To enter the store you must go up an escalator, immediately upon me reaching the top I'm approached by a lady who wants to know where the dressing rooms are. I'm taken back at how quickly this is all coming together - anyhow, I tell her the dressing rooms are down the escalator. They aren't, that is actually the exit...but she heads down anyhow, and sets off the anti-theft device. Security quickly follows her down, thinking she's trying to steal a bunch of items. Meanwhile I head up the next escalator to the top floor where they house the shoes.
As I'm checking sizes another lady approaches me and asks me if I have any of a particular sized shoe in the back. I let her know that those shoes are actually on clearance and she can find them by heading down both escalators (the exit again) and entering the Ross Clearance Depot section next door.
I walk down another shoe aisle, where some teenager wants to know if I have anymore of a particular shoe brand, I also instruct him to head to the Ross Clearance Dept section next door (it's actually the Hard Rock Cafe). Then I finally find my shoes, but decide I'm going to pick up an alternative shirt...I'm getting elf conscious about rocking a Naruto shirt into LIGHT Nightclub. So I'm looking at the T-Shirts, while holding my sketchers, and a couple (w/ strong southern accents) walk up to me wanting to know where the towels are - I also send them to the Hard Rock Cafe.
I eventually pay for my stuff, and head on out. As I pass security I make some small talk, as I comment that he must have his hands full tonight on account of the fact that the alarm keeps on going off. He replies: "Nah, that's just a bunch of people thinking we have sale items downstairs for some reason."
submitted by GypsyGold to IDontWorkHereLady [link] [comments]

Default English word list

Alright so, I took the default database from there https://skribbliohints.github.io/ and with the help of html, I extracted the words to a list separated by commas. It's useful when you want to translate those words into your native language.
Word of advice, when using google translate, do not put all words at once there, it can rapidly worsen the translation.
(And there is a last thing. Their algorithm of picking only custom words is not working really good, at least for me. Meaning that I often get duplicates, despite having a list this big and without duplicates. I'm still trying to find some solution to this, so if somebody is experiencing this as well, share the knowledge please, I will do the same.)
SOLUTION: Thanks for the reply from PepegaWR who identified the cause. I also tested it and there seems to be a custom words limit of 5000 characters. The easiest way in my opinion is to shuffle the words before each session to minimize the impact. Also thanks to the flynger who had the same idea before me :)
Finally, here it is, enjoy the scribbling ^^ :

ABBA, AC/DC, Abraham Lincoln, Adidas, Africa, Aladdin, America, Amsterdam, Android, Angelina Jolie, Angry Birds, Antarctica, Anubis, Apple, Argentina, Asia, Asterix, Atlantis, Audi, Australia, BMW, BMX, Bambi, Band-Aid, Barack Obama, Bart Simpson, Batman, Beethoven, Bible, Big Ben, Bill Gates, Bitcoin, Black Friday, Bomberman, Brazil, Bruce Lee, Bugs Bunny, Canada, Capricorn, Captain America, Cat Woman, Cerberus, Charlie Chaplin, Chewbacca, China, Chinatown, Christmas, Chrome, Chuck Norris, Colosseum, Cookie Monster, Crash Bandicoot, Creeper, Croatia, Cuba, Cupid, DNA, Daffy Duck, Darwin, Darwin Watterson, Deadpool, Dexter, Discord, Donald Duck, Donald Trump, Dora, Doritos, Dracula, Dumbo, Earth, Easter, Easter Bunny, Egypt, Eiffel tower, Einstein, Elmo, Elon Musk, Elsa, Eminem, England, Europe, Excalibur, Facebook, Family Guy, Fanta, Ferrari, Finn, Finn and Jake, Flash, Florida, France, Frankenstein, Fred Flintstone, Gandalf, Gandhi, Garfield, Germany, God, Goofy, Google, Great Wall, Greece, Green Lantern, Grinch, Gru, Gumball, Happy Meal, Harry Potter, Hawaii, Hello Kitty, Hercules, Hollywood, Home Alone, Homer Simpson, Hula Hoop, Hulk, Ikea, India, Intel, Ireland, Iron Giant, Iron Man, Israel, Italy, Jack-o-lantern, Jackie Chan, James Bond, Japan, JayZ, Jenga, Jesus Christ, Jimmy Neutron, John Cena, Johnny Bravo, KFC, Katy Perry, Kermit, Kim Jong-un, King Kong, Kirby, Kung Fu, Lady Gaga, Las Vegas, Lasagna, Lego, Leonardo DiCaprio, Leonardo da Vinci, Lion King, London, London Eye, Luigi, MTV, Madagascar, Mario, Mark Zuckerberg, Mars, McDonalds, Medusa, Mercedes, Mercury, Mexico, Michael Jackson, Mickey Mouse, Microsoft, Milky Way, Minecraft, Miniclip, Minion, Minotaur, Mona Lisa, Monday, Monster, Mont Blanc, Morgan Freeman, Morse code, Morty, Mount Everest, Mount Rushmore, Mozart, Mr. Bean, Mr. Meeseeks, Mr Bean, Mr Meeseeks, Mummy, NASCAR, Nasa, Nemo, Neptune, Netherlands, New Zealand, Nike, Nintendo Switch, North Korea, Northern Lights, Norway, Notch, Nutella, Obelix, Olaf, Oreo, Pac-Man, Paris, Patrick, Paypal, Peppa Pig, Pepsi, Phineas and Ferb, Photoshop, Picasso, Pikachu, Pink Panther, Pinocchio, Playstation, Pluto, Pokemon, Popeye, Popsicle, Porky Pig, Portugal, Poseidon, Pringles, Pumba, Reddit, Rick, Robbie Rotten, Robin Hood, Romania, Rome, Russia, Samsung, Santa, Saturn, Scooby Doo, Scotland, Segway, Sherlock Holmes, Shrek, Singapore, Skittles, Skrillex, Skype, Slinky, Solar System, Sonic, Spain, Spartacus, Spiderman, SpongeBob, Squidward, Star Wars, Statue of Liberty, Steam, Stegosaurus, Steve Jobs, Stone Age, Sudoku, Suez Canal, Superman, Susan Wojcicki, Sydney Opera House, T-rex, Tails, Tarzan, Teletubby, Terminator, Tetris, The Beatles, Thor, Titanic, Tooth Fairy, Tower Bridge, Tower of Pisa, Tweety, Twitter, UFO, USB, Uranus, Usain Bolt, Vatican, Vault boy, Velociraptor, Venus, Vin Diesel, W-LAN, Wall-e, WhatsApp, William Shakespeare, William Wallace, Winnie the Pooh, Wolverine, Wonder Woman, Xbox, Xerox, Yin and Yang, Yoda, Yoshi, Youtube, Zelda, Zeus, Zorro, Zuma, abstract, abyss, accident, accordion, ace, acid, acne, acorn, action, actor, addiction, addition, adorable, adult, advertisement, afro, afterlife, air conditioner, airbag, aircraft, airplane, airport, alarm, albatross, alcohol, alien, allergy, alley, alligator, almond, alpaca, ambulance, anaconda, anchor, angel, anglerfish, angry, animation, anime, ant, anteater, antelope, antenna, anthill, antivirus, anvil, apartment, apocalypse, applause, apple, apple pie, apple seed, apricot, aquarium, arch, archaeologist, archer, architect, aristocrat, arm, armadillo, armor, armpit, arrow, ash, assassin, assault, asteroid, astronaut, asymmetry, athlete, atom, attic, audience, autograph, avocado, axe, baboon, baby, back pain, backbone, backflip, backpack, bacon, bad, badger, bag, bagel, bagpipes, baguette, bait, bakery, baklava, balance, balcony, bald, ball, ballerina, ballet, balloon, bamboo, banana, bandage, bandana, banjo, bank, banker, bar, barbarian, barbecue, barbed wire, barber, barcode, bark, barn, barrel, bartender, base, basement, basket, basketball, bat, bathroom, bathtub, battery, battle, battleship, bayonet, bazooka, beach, beak, bean, bean bag, beanie, beanstalk, bear, bear trap, beatbox, beaver, bed, bed bug, bed sheet, bedtime, bee, beef, beer, beet, beetle, bell, bell pepper, bellow, belly, belly button, below, belt, bench, betray, bicycle, bill, billiards, bingo, binoculars, biology, birch, bird, bird bath, birthday, biscuit, bite, black, black hole, blackberry, blacksmith, blanket, bleach, blender, blimp, blind, blindfold, blizzard, blood, blowfish, blue, blueberry, blush, boar, board, boat, bobsled, bodyguard, boil, bomb, booger, book, bookmark, bookshelf, boomerang, boots, border, bottle, bottle flip, bounce, bouncer, bow, bowl, bowling, box, boy, bracelet, braces, brain, brainwash, branch, brand, bread, breakfast, breath, brick, bricklayer, bride, bridge, broadcast, broccoli, broken heart, bronze, broom, broomstick, brownie, bruise, brunette, brush, bubble, bubble gum, bucket, building, bulge, bull, bulldozer, bullet, bumper, bungee jumping, bunk bed, bunny, burglar, burp, burrito, bus, bus driver, bus stop, butcher, butler, butt cheeks, butter, butterfly, button, cab driver, cabin, cabinet, cactus, cage, cake, calendar, camel, camera, campfire, camping, can, can opener, canary, candle, canister, cannon, canyon, cap, cape, cappuccino, captain, car wash, cardboard, carnival, carnivore, carpenter, carpet, carrot, cartoon, cash, casino, cast, cat, catalog, catapult, caterpillar, catfish, cathedral, cauldron, cauliflower, cave, caveman, caviar, ceiling, ceiling fan, celebrate, celebrity, cell, cell phone, cello, cement, centaur, centipede, chain, chainsaw, chair, chalk, chameleon, champagne, champion, chandelier, charger, cheek, cheeks, cheerleader, cheese, cheeseburger, cheesecake, cheetah, chef, chemical, cherry, cherry blossom, chess, chest, chest hair, chestnut, chestplate, chew, chicken, chihuahua, child, chime, chimney, chimpanzee, chin, chinchilla, chocolate, chopsticks, church, cicada cigarette, cinema, circle, circus, clap, clarinet, classroom, claw, clay, clean, clickbait, cliff, climb, cloak, clock, cloth, clothes hanger, cloud, clover, clown, clownfish, coach, coal, coast, coast guard, coaster, coat, cobra, cockroach, cocktail, coconut, cocoon, coffee, coffee shop, coffin, coin, cola, cold, collapse, collar, color-blind, comb, comedian, comedy, comet, comfortable, comic book, commander, commercial, communism, community, compass, complete, computer, concert, condiment, cone, confused, console, continent, controller, conversation, cookie, cookie jar, copper, copy, coral, coral reef, cord, cork, corkscrew, corn, corn dog, corner, cornfield, corpse, cotton, cotton candy, country, cousin, cow, cowbell, cowboy, coyote, crab, crack, crate, crawl space, crayon, cream, credit, credit card, cricket, cringe, crocodile, croissant, crossbow, crow, crowbar, crucible, cruise, crust, crystal, cube, cuckoo, cucumber, cup, cupboard, cupcake, curry, curtain, cushion, customer, cut, cute, cyborg, cylinder, cymbal, dagger, daisy, dalmatian, dance, dandelion, dandruff, darts, dashboard, daughter, day, dead, deaf, deep, deer, defense, delivery, demon, demonstration, dent, dentist, deodorant, depressed, derp, desert, desk, desperate, dessert, detective, detonate, dew, diagonal, diagram, diamond, diaper, dice, dictionary, die, diet, dig, dinner, dinosaur, diploma, dirty, disaster, disease, dishrag, dispenser, display, diss track, distance, diva, divorce, dizzy, dock, doctor, dog, doghouse, doll, dollar, dollhouse, dolphin, dome, dominoes, donkey, door, doorknob, dots, double, dough, download, dragon, dragonfly, drain, drama, drawer, dream, dress, drink, drip, drive, driver, drool, droplet, drought, drum, drum kit, duck, duct tape, duel, dwarf, dynamite, eagle, ear, earbuds, earthquake, earwax, east, eat, echo, eclipse, eel, egg, eggplant, elbow, elder, election, electric car, electric guitar, electrician, electricity, elephant, elevator, embers, emerald, emoji, employer, emu, end, engine, engineer, equator, eraser, error, eskimo, espresso, evaporate, evening, evolution, exam, excavator, exercise, explosion, eye, eyebrow, eyelash, eye shadow, fabric, fabulous, facade, face, face paint, factory, failure, fairy, fake teeth, fall, family, farm, farmer, fashion designer, fast, fast food, fast forward, father, faucet, feather, fence, fencing, fern, festival, fidget spinner, field, figurine, filmmaker, filter, finger, fingernail, fingertip, fire alarm, fire hydrant, fire truck, fireball, firecracker, firefighter, firefly, firehouse, fireman, fireplace, fireproof, fireside, firework, fish, fish bowl, fisherman, fist fight, fitness trainer, fizz, flag, flagpole, flamethrower, flamingo, flashlight, flask, flea, flight attendant, flock, floodlight, floppy disk, florist, flower, flu, fluid, flush, flute, fly, fly swatter, flying pig, fog, foil, folder, food, forehead, forest, forest fire, fork, fort, fortress, fortune, fossil, fountain, fox, frame, freckles, freezer, fridge, fries, frog, frostbite, frosting, frown, fruit, full, full moon, funeral, funny, fur, furniture, galaxy, gang, gangster, garage, garbage, garden, gardener, garlic, gas, gas mask, gasoline, gasp, gate, gem, gender, generator, genie, gentle, gentleman, geography, germ, geyser, ghost, giant, gift, giraffe, girl, gladiator, glass, glasses, glitter, globe, gloss, glove, glow, glowstick, glue, glue stick, gnome, goal, goat, goatee, goblin, godfather, gold, gold chain, golden apple, golden egg, goldfish, golf, golf cart, good, goose, gorilla, graduation, graffiti, grandmother, grapefruit, grapes, graph, grass, grasshopper, grave, gravedigger, gravel, graveyard, gravity, greed, grenade, grid, grill, grin, groom, grumpy, guillotine, guinea pig, guitar, gumball, gummy, gummy bear, gummy worm, hacker, hair, hair roller, hairbrush, haircut, hairspray, hairy, half, halo, ham, hamburger, hammer, hammock, hamster, hand, handicap, handle, handshake, hanger, happy, harbor, hard, hard hat, harmonica, harp, harpoon, hashtag, hat, hazard, hazelnut, head, headache, headband, headboard, heading, headphones, health, heart, heat, hedgehog, heel, heist, helicopter, hell, helmet, hen, hermit, hero, hexagon, hibernate, hieroglyph, high five, high heels, high score, highway, hilarious, hill, hip hop, hippie, hippo, hitchhiker, hive, hobbit, hockey, holiday, homeless, honey, honeycomb, hoof, hook, hop, hopscotch, horizon, horn, horse, horsewhip, hose, hospital, hot, hot chocolate, hot dog, hot sauce, hotel, hourglass, house, hovercraft, hug, hummingbird, hunger, hunter, hurdle, hurt, husband, hut, hyena, hypnotize, iPad, iPhone, ice, ice cream, ice cream truck, iceberg, icicle, idea, imagination, impact, incognito, industry, infinite, injection, insect, inside, insomnia, internet, intersection, interview, invasion, invention, invisible, iron, island, ivy, jacket, jackhammer, jaguar, jail, jalapeno, janitor, jaw, jazz, jeans, jeep, jello, jelly, jellyfish, jester, jet ski, joker, journalist, journey, judge, juggle, juice, jump rope, jungle, junk food, kangaroo, karaoke, karate, katana, kazoo, kebab, keg, kendama, ketchup, kettle, key, keyboard, kidney, kindergarten, king, kiss, kitchen, kite, kitten, kiwi, knee, kneel, knife, knight, knot, knuckle, koala, kraken, label, laboratory, ladder, lady, ladybug, lake, lamb, lamp, landlord, landscape, lane, language, lantern, lap, laptop, laser, lasso, laundry, lava, lava lamp, lawn mower, lawyer, leader, leaf, leak, leash, leather, leave, leech, legs, lemon, lemonade, lemur, lens, leprechaun, lettuce, levitate, librarian, library, licorice, lid, light bulb, lighter, lighthouse, lightning, lightsaber, lily, lilypad, limbo, lime, limousine, line, link, lion, lips, lipstick, litter box, lizard, llama, loading, loaf, lobster, lock, log, logo, lollipop, loot, loser, lotion, lottery, lounge, love, low, luck, luggage, lumberjack, lung, lynx, lyrics, macaroni, machine, macho, mafia, magazine, magic, magic trick, magic wand, magician, magma, magnet, magnifier, maid, mailbox, mailman, makeup, mall, mammoth, manatee, manhole, manicure, mannequin, mansion, mantis, map, maracas, marathon, marble, margarine, marigold, market, marmalade, marmot, marshmallow, mascot, mask, massage, match, matchbox, mattress, mayonnaise, mayor, maze, meal, meat, meatball, meatloaf, mechanic, meerkat, megaphone, melon, melt, meme, mermaid, message, messy, metal, meteorite, microphone, microscope, microwave, midnight, military, milk, milkman, milkshake, mime, miner, minigolf, minivan, mint, minute, mirror, missile, model, mohawk, mold, mole, money, monk, monkey, monster, moon, moose, mop, morning, mosquito, moss, moth, mothball, mother, motherboard, motorbike, motorcycle, mountain, mouse, mousetrap, mouth, movie, mud, muffin, mug, murderer, muscle, museum, mushroom, musket, mustache, mustard, nachos, nail, nail file, nail polish, napkin, narwhal, nature, navy, neck, needle, neighbor, neighborhood, nerd, nest, network, newspaper, nickel, night, nightclub, nightmare, ninja, noob, noodle, north, nose, nose hair, nose ring, nosebleed, nostrils, notebook, notepad, nothing, notification, novel, nugget, nuke, nun, nurse, nut, nutcracker, nutmeg, nutshell, oar, observatory, ocean, octagon, octopus, office, oil, old, omelet, onion, open, opera, orange, orangutan, orbit, orca, orchestra, orchid, organ, origami, ostrich, otter, outside, oval, overweight, owl, oxygen, oyster, paddle, page, pain, paint, paintball, pajamas, palace, palette, palm, palm tree, pan, pancake, panda, panpipes, panther, pants, papaya, paper, paper bag, parachute, parade, parakeet, parents, park, parking, parrot, party, password, pasta, pastry, path, patient, patio, patriot, pause, pavement, paw, peace, peach, peacock, peanut, pear, peas, peasant, pedal, pelican, pencil, pencil case, pencil sharpener, pendulum, penguin, peninsula, penny, pensioner, pepper, pepperoni, perfume, periscope, person, pet food, pet shop, petal, pharmacist, photo frame, photograph, photographer, piano, pickaxe, pickle, picnic, pie, pig, pigeon, piggy bank, pigsty, pike, pill, pillar, pillow, pillow fight, pilot, pimple, pin, pinball, pine, pine cone, pineapple, pink, pinky, pinwheel, pipe, pirate, pirate ship, pistachio, pistol, pitchfork, pizza, plague, planet, plank, plate, platypus, player, playground, plow, plug, plumber, plunger, pocket, pogo stick, point, poison, poisonous, poke, polar bear, policeman, pollution, polo, pond, pony, ponytail, poodle, poop, poor, popcorn, pope, poppy, popular, porch, porcupine, portal, portrait, positive, postcard, poster, pot, pot of gold, potato, potion, pound, powder, prawn, pray, preach, pregnant, present, president, pretzel, price tag, priest, prince, princess, printer, prism, prison, pro, procrastination, professor, programmer, promotion, protest, provoke, prune, pub, pudding, puddle, puffin, puma, pumpkin, punishment, punk, puppet, purity, purse, puzzle, pyramid, quarter, queen, queue, quicksand, quill, quilt, quokka, raccoon, race, racecar, radar, radiation, radio, radish, raft, rail, rain, rainbow, raincoat, raindrop, rainforest, raisin, rake, ram, ramp, rapper, raspberry, rat, ravioli, razor, razorblade, read, reality, reception, receptionist, record, rectangle, recycling, red, red carpet, reeds, referee, reflection, reindeer, relationship, religion, remote, repeat, reptile, rest, restaurant, retail, revolver, rewind, rhinoceros, rib, ribbon, rice, ring, ringtone, risk, river, roadblock, robber, robin, robot, rock, rocket, rockstar, roll, roof, room, rooster, root, rose, royal, rubber, ruby, rug, ruler, run, rune, sad, saddle, safari, safe, sailboat, salad, sale, saliva, salmon, salt, saltwater, sand, sand castle, sandbox, sandstorm, sandwich, satellite, sauce, sauna, sausage, saxophone, scar, scarecrow, scarf, scary, scent, school, science, scientist, 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submitted by StaroSVK to skribbl [link] [comments]

The entire script of Paul Blart Mall Cop 2.

OVER BLACK: BLART (V.O.) The road of life is always under construction... FADE IN: SUNRISE.* (* fromthe first movie) BLART (V.O.) ... thejourney is hard, but once you reach the top, the view is amazing. Amy and Blart getting married.* BLART (V.O.) And that view is even more beautiful when you have someone to share it with... Blart and Amy DANCE ON SEGWAYSat their reception.* INT. BLART’S MOM’S FRONT DOORWAY - DAY22Blart opens the door and is handed a LETTER by a STERN MAN. BLART (V.O.) ...forsix days. INT. BLART’S MOM’S HOUSE - LATER33Blart sits in his Mom’s living room, holding the letter. She rubs his back as he CRIES HYSTERICALLY. BLART (V.O.) My beautiful wife of almost a week let me know by letter that she had, what I like to call “some regrets.” Her doctor called it, “uncontrollable vomiting.” Her lawyer... “dissolution of marriage.” He looks up at his Mom, cries a little more... and then RUNS out of the room. BLART (V.O.) That’s okay, I needed a little time to myself. Like the song says: I’ve been to paradise, but I’ve never been to me. (MORE) David Kaminow SPE CONFIDENTIALSPE CONFIDENTIAL // That’s okay, when life knocks Page 2/88 you down, calmly get back up, smile, and very politely say, “you hit like a small boy.” And... (then) At least I still had the one thing that never seemed to let me down... security. INT. WEST ORANGE PAVILLIONMALL - DAY3A3AWe see Blart at the mall, throwing himself into his work. He rides through the mall, UP-NODDING to passing customers. BLART (V.O.) I spent the next two years losing myself in the sweet escape of keeping the West Orange Pavilion Mall safe. Blart spies a SMALL CHILD who appears lost. He rolls up to him on the segway and takes his hand, leading him to find his mom. Seeing the MOM, Blart reunites her with the boy. The mom is overjoyed. MOMThank you! (then to boy) Now give the fake cop a hug Andy. Blart is flattered and leans in for the hug. Andy is having none of it. Blart goes in again -- nothing. MOM (CONT’D) (getting agitated) Andy... hug him. BLARTUh... he doesn’t want a hug that’s okay. Blart is now frozen in the hug lean position. MOM(still to son) You are embarrassing me. Blart back away and leans in one more time, but the kid just BELTS HIM and runs away. The mom runs after him. Blart awkwardly gets on his segway and rides away. BLART (V.O.) (CONT'D) Salmon (05/02/2014)2. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLART (V.0) And, on the home front... I always had Mom. Page 3/88 EXT. BLART’S MOM’S HOUSE - MORNING44Mom, in a fuzzy bathrobe, walks out into the street... BLART’S MOMOh, here’s the paper. ...and is DRILLED by an old-fashioned MILK TRUCK. BLART (V.O.) That is until she got drilled by a milk truck. Didn’t know they even had those anymore. INT. BLART’S MOM’S HOUSE - DAY55Blart once again sits in his mom’s living room looking at a FRAMED PHOTO of his mom... CRYING, uncontrollably. Maya, who is now 19 years old, rubs his back. He once again gets up and RUNS out of the room. BLART (V.O.) Besides my Maya, it didn’t seem like I had very much to look forward to. // INT. BLART’S MOM’S HOUSE - MORNINGBlart once again sits in his mom’s living room looking at a FRAMED PHOTO of his mom... he begins to CRY, uncontrollably. In the picture, we see: His MOTHER standing in a sun dress and big, floppy CHURCH HAT, surrounded by AFRICAN HUNTERS on SAFARI in AFRICA. Salmon (05/02/2014)2A. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLART (V.O.) That is until her church group travelled to Africa, where she went on safari, and while snapping pictures, and getting a little too close, caught the business end of a Dicerosbicornis... a black rhino. Maya, who is now 19 years old, rubs his back. He once again gets up and RUNS out of the room. INT. WEST ORANGE PAVILLIONMALL - DAY66We see a melancholy Blart as he rides through the mall. BLART (V.O.) I guess I was the last one to get the memo -- Paul Blart had officially peaked... INT. DINING ROOM - DAY77Blart is opening mail at the table, he reads a LETTER that Page 4/88 has SECURITY OFFICERS TRADE ASSOCIATIONletterhead. INSERT LETTER: selected to join us for an all expense paid trip to the Security Officers Trade Association Expo and Award ceremony in Las Vegas, Nevada.” BLART (V.O.) ... orhad I? INT. MAYA’S ROOM - CONTINUOUS88Maya reads a different LETTER with UCLAletterhead. INSERT LETTER: accepted to the incoming freshman class.” BLART (O.S.) Maya! Come down here! I have some great news! MAYAMe too! Maya excitedly runs out of her room. INT. DINING ROOM - MOMENTS LATER99Maya bounds in. Blart can’t contain himself. Buff (04/30/2014)3. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLARTHoney... we’ve been invited to the Security Officers Trade Association Expo and Award ceremony, in LasVegas, Nevada! MAYAVegas? Wow! BLARTI think they’re finally recognizing me for getting the mall out of that jam. MAYAJam? Dad, you savedthe mall! They shouldhonor you. I’m so proud of you. Maya hugs him. BLARTThank you honey. Blart breaks the hug and then holds Maya by the shoulders. BLART (CONT’D) I’ll tell ya, times have been tough, but no matter what happens as long as I have you by my side, I’ll be okay. (then) Alright, enough about me... what’s Page 5/88 your great news? Maya realizes it’s not the time to tell her dad about UCLA. She secretly tucks the letter into her back pocket. MAYAYeah, umm... BLARTWell, c’monSweetie, you got me on pins and needles here. // yougot me on top of the roller coaster here. MAYAI just remembered that... we have left-over baked ziti. Blart stares blankly at Maya... Is he on to her? Then... BLART(even bigger smile) What a day!! // Weeeeee!! What a ride!! 4. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL The heroic MALL COP SCORE kicks in and we... CUT TO: CREDITS wiping behind the dented and worn SECURITY OFFICER 1010BADGE rotating through space. Finally settling on... TITLE: FLY-OVER1111The resort is bathed in golden sun, surrounded by the beautiful Las Vegas strip. EXT. WYNN HOTEL SOUTH VALET AREA - DAY1212Blart and Maya slam the trunk on their tiny RENTAL CAR. Blart, struggling with four bags of luggage, is dressed in tourist civvies and has a large laminated SECURITY OFFICERS TRADE ASSOCIATION EXPO pass hanging around his neck. A sweet faced valet, LANE (18), approaches. LANEMay I help with your bags, sir? BLARTNo, no. That’s how they get’cha. I’ll be fine on my own, thank you. LANENo problem, sir. Lane notices Maya and gives her a slight smile. Maya BLUSHES. INT. WYNN HOTEL SOUTH ENTRANCE LOBBY - DAY1313Blart and Maya enter the spectacular lobby. Blart drops his bags in AWE. For Blart, this is like going to the SUPERBOWL. BLARTTake it in, cupcake... 400,000 square feet of casino and retail Page 6/88 space, sitting atop 215 luxurious acres... all protected by the finest security this side of the//Uh... I got nothin’. Top notch security though. // Mississip... andthe other side, actually. Both sides. (then) Welcome to the show. // Showtime. 5. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLARTYeah, I definitely would stand down for Robocop. DONNA ERICONEHe’s not real. BLARTNo, I knew that. Wow, glad I packed my dress whites. DONNA ERICONEGood thing. Just don’t tell anyone I told you. BLARTTell anyone what? DONNA ERICONEAbout the keynote -- (realizing) Oh, you got me... She punches Blart in the arm, hard. DONNA ERICONE (CONT’D) ... You done gone and gotme! I’ll see you tonight. BLARTRoger that, Officer Ericone. Donna exits. Blart turns to Maya, rubbing his arm. BLART (CONT’D) You were right princess... things just keep getting better. MAYA(feeling guilty) That’s great dad. An energized Blart strides up to a male RECEPTIONIST. BLARTYello-ha. RECEPTIONISTGood afternoon sir, welcome to the Wynn Resort. Blart hands him his ITINERARY. He reads it. Taps on his computer. BLARTChecking in. Page 7/88 7. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL RECEPTIONISTAbsolutely... Mr. Blart. BLARTMr. Blart... (chuckles to himself) I’m sure you were thrown by the travel wear. It’s actually Officer. People often forget there’s a human face to law enforcement. Maya’s horrified. RECEPTIONISTOh. Okay... sorry about that. (then) Oh, yes... “Officer” Blart, I see we have you in a partial mountain view and you requested a “bottomless” bowl of Peanut M&M’s... BLARTI didn’t... my doctor probably... it’s strictly medicinal. Unfortunately, I am cursed with hypo-glycemia. “The hidden hell.” Sugar level drops and so do I. RECEPTIONISTOkay. BLART(not letting it go) It is okay because... fun fact for ya... Author Stephen King and comedian Sinbad, // R&B diva Patty LaBellealso have hypo-glycemia. So, I’m in pretty good company. RECEPTIONISTOf course. (taps a few more keys) Ooh... I’m sorry, but your room isn’t ready yet. In fact, we don’t have you checking in until three. But you can leave your luggage and I will have it delivered to the room. MAYADad, I’m starving. Can we just get some lunch? BLARTWhoa! Hold the mayo. (to receptionist) Page 8/88 (MORE) 8. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL I’m sure you didn’t know this, uh... (reads name tag) Heath, but if you check the Grand ballroom and see what group’s booked there tonight, I think your tune might change a wee bit... The receptionist HITS A KEY, reads the screen. RECEPTIONISTMini-Kiss... the cover band. BLARTWow, they’re good. RECEPTIONISTYes, they are. BLARTYeah, I’m not with them. Is there a manager, I could talk to? RECEPTIONISTI’m sorry she’s not available right now. Blart makes a decision... SIGHS. BLARTAlright... I hate doing this. Blart reaches in his SHOULDER BAG. MAYAOh no, Dad... not the maga-- BLARTSorry dumplin’, got no choice. MAYA(to receptionist) Terrace Cafe open for lunch? RECEPTIONISTYes it is. MAYAI’m out. Maya goes. Blart drops the MAGAZINE on the counter and then with GREAT FANFARE turns it to face the receptionist and SLOWLY SLIDES it towards him. BLART (CONT'D) 9. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL RECEPTIONISTI’m sorry sir, what am I looking at? BLART“Perimeter Check,” the official trade journal of the security industry, Feb. ‘09. RECEPTIONISTDid you print this yourself? Page 9/88 BLARTAbsolutely not -- it’s published biannually. Big seller in Canada. (then) Take a gander at the inside of the back cover, I think it should clear things up. RECEPTIONIST(reading) “Say goodbye to toenail fungus...” BLARTOpposite page... toward the bottom. RECEPTIONIST : Oh. (then) Is that you? BLARTIt is. (leans in) This is not public information, but it seems I’m going to be delivering the keynote speech at the Security Officer convention, tonight. RECEPTIONIST(remembering) Oh you know, I think they cancelled that... (checks computer) Wup, no, they didn’t. But it was downsized to conference room “C”. Nope, “F.” The Receptionist retrieves a MAP, and opens it. RECEPTIONIST (CONT’D) Okay, here’s a map of our property. Blart looks at it quickly and slides it back. 10. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLARTThank you. RECEPTIONISTNo, that’s yours to keep. BLARTDon’t need it. It’s been scanned. (re: It’s all in here. Locked and loaded. Time for lunch. Blart exits. After a beat: RECEPTIONISTSir, your daughter and the Page 10/88 restaurant are that way. He points in the opposite direction. BLARTYup... themap was upside down when I scanned it. Blart exits the other way. OMIT 1515INT. TERRACE CAFE / (EUROPEAN POOL) - DAY1616Blart arrives at an outdoor table to find Lane talking to Maya, who is already in the middle of an appetizer. LANEWas I lying about the conch fritters? MAYAYou were not! They’re amazing! With just the right amount of zip! LANEGotta love the zip! MAYAOh, I do... I was born to zip! LANEPut my hand up on my hip, whenI zip... MAYA...youzip, 11. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL MAYA (CONT’D) ...we zip. LANE...we zip. They share a LAUGH. There’s obviously a little connection between them. Blart clocks this. Lane turns to him. LANE (CONT’D) Oh, you forgot your valet ticket sir. He hands Blart the TICKET and then turns back to Maya, smiles and exits. Maya blushes once again. Blart plops down and stares at Maya. MAYAWhat? BLARTYou were bornto zip? Since when do you use the word “zip?” MAYAI always use the word zip. BLARTI don’t like it. Hipster talk. Maya shakes her head. MAYALook, Dad... you’re gonnahave to get used to the fact that I’m a big girl now. BLARTOkay, first of all, we’re all big... we’re Blarts. Wide hips, thick ankles and a low center of Page 11/88 gravity, that’s how the good Lord made us. That’s why we’re so good at moving furniture. Blart pulls something from his pocket. It’s a MECHANICAL VIBRATING FORK. He begins to pick at the conch fritters. MAYAWhat is that? BLARTMy vibrating fork. It forces me eat slower. You think I eat fast at home? On vacation, I’m like a greyhound chasing a bunny. Blart takes a QUICK TWO BITES and it indeed VIBRATES and a RED LIGHT light FLASHES. 12. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLART (CONT’D) See? Blart waits for it to STOP vibrating, and the light to turn GREEN. He then takes another bite. This time slower. BLART (CONT’D) There we go. (quietly to himself) It’s just fuel. Just fuel. VOICE (O.S) Mr. Blart? Blart turns around WAY TOO FAST for the situation. BLARTSHANGHAI! But it’s only the smoking hot general manager, DIVINA MARTINEZ, who has two ROOM KEYS in her hand. DIVINAOh. Sorry to startle you, sir. BLARTIt’s okay, sometimes it’s just hard to turn off. // You hit the trip wire is all. Divina has no idea what he is talking about. DIVINAOkay. Well, I’m Divina Martinez, the hotel’s general manager. I wanted to apologize about the confusion regarding the convention and let you to know how happy we are to have your group staying with us. (beat) And good news -- I upgraded your Page 12/88 room. It has a view of the strip, it’s ready right now, and I wanted to give you the keys personally. Divina sets the keys down on the table and accidentally BRUSHES HER FINGERS against Blart’s. DIVINA (CONT’D) Oh, sorry about that. (having fun) Although, I must say you have very soft hands. Blart immediately reacts. 13. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLARTWhoa. Pump the brakes. // Whoa, pffffffffft... airbag! DIVINAExcuse me? BLARTI sense what you’re doing... (off her name tag) Divina. DIVINAWhat am I doing? BLARTTruthfully? Being a bit transparent. DIVINA(confused) I’m sorry. I don’t follow-- BLARTLook, I understand it’s the 21st century and a woman can go after hers just like a man. Maya is now dying a slow death. MAYADad, I really don’t think she was-- BLART(puts his hand up) This is grown-up stuff, tadpole. (back to Divina) Look, it takes two to tango and my dancing shoes are currently out for repair. DIVINASir... I’m sorry if I -- BLARTApology not needed, just know I’m working my way through a maze of personal fire and until the flames of chaos subside... I’m just not ready for public consumption. Divina decides it’s best to just let the customer be right. Page 13/88 DIVINAUm... I understand, sir. Have a great stay. 14. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL Divina walks off. BLART(to Maya) It’s not just me, right? She was relentless. Divina, still totally confused, turns back to look one more time. EXT. WYNN HOTEL SOUTH VALET AREA - CONTINUOUS 1717A custom Harley Davidson MOTORCYCLE blows into the valet area and comes to a stop. The rider takes off his helmet to reveal... EDUARDO FURTILLO, HEAD OF SECURITY for the Wynn Resort and Casino. He is immaculately dressed in a GREY SUIT, with an EAR PIECE inconspicuously tucked into his collar. Two AGENTS from Casino Security join his side as Eduardo confidently enters the hotel. One wears a BLACK SUIT, AGENT PARSONS The other wears a PURPLE SUIT (like the one Henkwore,) this is AGENT JENKINS. EXT. TERRACE CAFE (EUROPEAN POOL) - MOMENTS LATER1818Divina stands there, lost in thought. Eduardo strides up. EDUARDO : Hola, mi amor. Divina, still a tad thrown, gives Eduardo a little kiss. He senses something is off. EDUARDO (CONT’D) What troubles you, my pet? DIVINAI just had the strangest exchange with that guy over there. Divina points to Blart. P.O.V: EDUARDOEl Gordo? DIVINA(this is absurd) Yeah -- he accused me of hitting on him. 15. David Kaminow SPE CONFIDENTIALDavid Kaminow Page 14/88 SPE CONFIDENTIAL EDUARDO(chuckles) Funny -- they say overweight people use humor to achieve affection. DIVINAYou know what? Okay, yes -- I also heard that. // -- that makes sense. They share a laugh, as they both look at Blart. P.O.V: VIBRATING and the LIGHT to turn off. A VIP RECEPTIONIST arrives and clears her throat. VIP RECEPTIONISTExcuse me, Ms. Martinez, our VIP guest has arrived. INT. WYNN VIP RECEPTION AREA - MOMENTS LATER1919Divina and Eduardo enter. Divina extends her hand to... VINCENT SOFEL, 40’s, TWO DIFFERENT COLORED EYES, a three piece suit, sits in a chair, sipping an espresso. A BRIEFCASE sits at his feet. Behind him is ROBINSON, mid 30’s, African American and Vincent’s bodyguard, SCOTT, tall, black suit. Vincent stands. DIVINAWelcome back to the Wynn, Mr. Sofel. We have the accommodations you requested all ready for you. If you need anything at all, please don’t hesitate to call either myself or our head of security, Mr. Furtillo. Divina points to Eduardo, who nods. VINCENTYou guys took me for a lot of money on my last visit. DIVINAWell, I hope you’re able to turn that around this time. Vincent smirks. VINCENTOh, I plan to. 16. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL INT. WYNN BASIC SINGLE ROOM -- LATER2020Blart finishes unpacking and notices that there is one QUEENSIZE BED and one folded ROLL AWAY. He calls to Maya. BLARTI don’t know how this is an upgrade. You take the bed, I’ll Page 15/88 take the roll away. MAYA (O.S.) Dad, this is your convention, you can’t sleep on the roll away. BLARTI certainly can. I once fell asleep in a hurdler’s stretch. // climbinga fence. // rakingleaves. // duringa snowball fight. MAYA (O.S.) We’ll figure it out later. I gotta get going. Maya comes out wearing a ONE PIECE BATHING SUIT, with puffy flowers. She’s holding her beach bag, and heads for the door. Blart panics... BLARTWhoaaa, okay, thanks for telling me, Victoria’s secret! (averts his eyes) What do you think you’re wearing young lady? MAYAUm, a bathing suit? BLARTMaybe for an elf // maybe for a cabbage patch doll... how about leaving a little to the imagination. // leavinga little for your wedding night. MAYAI was going to hang out by the pool. BLARTNot in that. Maya rolls her eyes, grabs a COVER UP and puts it over her bathing suit. MAYAFine. Then I’m going exploring. 17. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL Maya starts for the door. BLARTHold up. You got your extra phone battery? MAYAYup. BLARTFlashlight? MAYAAlways. BLARTHot pepper spray? MAYACheck. BLARTPocket knife-key chain, window Page 16/88 smasher? MAYAI do. BLARTBaby road flares? MAYAYes! I’ve got it all! Finally, Blart produces a small consumer WALKIETALKIE. BLARTHere take this. It’s set to monitor, so I can hear everything that’s going on. MAYANo way -- I already feel like a SWAT unit! BLARTMaya, security is a mission, not an intermission. Blart looks long at Maya, until this sinks in... Yellow (04/22/2014)18. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLART (CONT’D) Okay. Head on a swivel. She exits. INT. WYNN PRESIDENTIAL SUITE - DAY - HIGH CEILING2121We are in a beautiful, two story suite. There is a flurry of activity as several people (NADIA, CARLOS, KIRA, and Scott) move DIFFERENT SIZE WOODEN CRATES into the suite. Vincent hands Robinson the BRIEFCASE he’s been carrying. Robinson opens it and places it on the coffee table. He then unfolds three pencil-thin COMPUTER MONITORS from the case, revealing a KEYBOARD. We see that the briefcase has now become an elaborate COMPUTER SYSTEM. Robinson looks impressed. Vincent leans over Robinson’s shoulder. VINCENTLet’s see if I bankrolled the right NSA agent. Robinson hits a few keystrokes, then a PASSWORD and we see that he’s hacked into the entire Wynn surveillance system. ROBINSONHow’s that? VINCENTSo far, so good. Suddenly there is a knock at the door. All activity stops dead. Scott pulls a SILENCED PISTOL, puts it behind his back and opens the door. A Wynn security agent, HENK, enters. He wears the signature WYNN, PURPLE SUIT with a NAME TAG and an EAR BUD. HENKWe had a complaint about the noise. Page 17/88 Robinson stands and approaches the security guard. He looks him up and down for a tense beat, then... ROBINSONThat’s why we have you. Vincent steps up. VINCENTI gotta say Henk, -- nice uniform. 19. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL And Henk, the fake security agent, smiles wide. HENKYou don’t want to know what it took to get the real deal. VINCENTI don’t -- The activity once again starts. Henkwinks and... HENKGotta get back to keeping the Wynn Resort safe. Henkshuts the door behind him. Nadia, the art expert, holds up her phone as she approaches Vincent. NADIAThey’ve moved several of the pieces in the last few days. Here’s the new locations of all thirteen. On the screen is a hi-tech “3DRENDERING” of the entire hotel with RED DOTS marking the locations of the art. She hits send on her phone. Vincent then gathers his troops. VINCENTPerfect. I want to be in and out in less than nine hours people. Robinson holds up his phone next to Vincent’s, a timer is CLICKING DOWN from 9:00:00... 8:59:59... 8:59:58, etc. Robinson hits a BUTTON and the TIMER on Vincent’s phone perfectly syncs up. We now see the crew start to change their clothes into Wynn “EMPLOYEES: Even Robinson puts on a PURPLE security coat and EAR PIECE. INT. WYNN CASINO (ENCORE CASINO) - DAY2222Blart strolls through the casino, when he hears an ERUPTION of CHEERS at a nearby CRAPS TABLE. He weaves his way over. BLART(to gambler) What’s all the hoopla friend? GAMBLER # 1(re: This guy’s crushing! I’m literally running out of room for my chips! Page 18/88 20. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL WAITRESSIt’s complimentary, sir. BLART(keeps getting better) Complimentary? (signaling for all) Then root beers around the horn! She stares at him. BLART (CONT’D) (sotto) Just one. She exits. BLART (CONT’D) I have never felt more alive! The High Roller THROWS the dice. CRAPS DEALERSeven! Craps! A HUGE GROAN from the crowd. Gambler # 1 GLARES at Blart. GAMBLER # 1Boo. The dealer turns to Blart. CRAPS DEALERYou lost everythingBLARTBut, don’t I get -- CRAPS DEALEREverything. Devastated, Blart stares straight ahead and slowly backs away from the table. Just then his complimentary ROOT BEER arrives. Blart blankly grabs the mug, CHUGS the entire thing and slowly walks away in a daze. EXT. WYNN SOUTH ENTRANCE LOBBY - DAY2323Still stung, Blart walks through the lobby when he sees Maya talking to Lane at the Valet stand! He stealthily makes his way to get a better look, when Maya notices him. Busted, Blart tries to get away but he just slams into a LUGGAGE CART. 22. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL INT. WYNN HOTEL SOUTH VALET AREA - CONTINUOUS23A23ALane notice Blart, struggling with the luggage cart. LANEHey, is that your dad? MAYAI wish I could say “no” right now. Page 19/88 (then) I’ll be right back. Maya leaves and approaches Blart. MAYA (CONT’D) Dad, are you spying on me? BLARTSpying? No, I’m -- I just wanted you to know something... MAYAWhat? Beat. Thinks. BLARTThe door to safety swings on common sense. MAYAGo. Please. BLARTMaya. MAYADad! You are embarrassing me. BLART(heartbroken) Sorry you feel that way. I’ll leave you alone. MAYAPlease. Maya returns to talk to Lane, as Blart walks away, crushed. Just then, Blart is approached by SAUL GUNDERMUTT, a poorly dressed man with a mouthful of huge VENEERS, a thick Afro of RED HAIR and sporting large GOLD FRAMED EYE GLASSES. 23. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL SAUL GUNDERMUTTBlart. Saul Gundermutt, head of the Security Officers Trade Association. I catch you at a bad time? BLART(recovering) No, no, it’s a pleasure, sir. SAUL GUNDERMUTTPleasure’s mine and I just want you to know, I got you sitting at my table tonight. Blart can barely contain himself. This confirms it! BLARTWow, I’m just so excited. I heard rumblings.... Saul looks CONFUSED. SAUL GUNDERMUTTRumblings? BLART(leading) About the keynote... SAUL GUNDERMUTTOh... with good reason -- NickPanero’sgiving it. Great guy. Great guard. Page 20/88 Blart looks gut punched. He quickly tries to cover. BLARTYeah, no. NickPanero. Those were the rumblings. That’s terrific. That is SO good. (then) Love to meet him sometime... pick his brain... SAUL GUNDERMUTTLooks like your lucky day, here he comes. Saul nods in the direction of.... Officer NICKPANERO, 40’s, GOOFY, JITTERY wearing a MALL OF MIAMI T-SHIRT, and Officer GINO CHIZETTI, 50’s, wearing an ill-fitting TANK TOP. They approach Blart. Pink (04/21/2014)24. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL SAUL GUNDERMUTT (CONT’D) Blart. Officer NickPaneroand Officer Gino Chizetti. BLARTOfficer Manero. Nice to-- NICKPANEROHold the applesauce, hot shot. I heard‘ayou. Rumor has it, you thought youwere giving the keynote tonight. (turns to Chizetti) He thought he was giving it. GINO CHIZETTIYou thought you were giving it? BLART(covering) No. I didn’t -- NICKPANEROMan. You gotta stop bringing up that Black Friday thing, Blart. It was six years ago. GINO CHIZETTIGotta let it go. BLART(confused) I never brought up Black Friday. GINO CHIZETTIYa did... ya just did. SAUL GUNDERMUTTActually, the Black Friday thing’s why you’re here, Paul. BLARTHmm? SAUL GUNDERMUTTTo show some appreciation. Let you check out the latest in security technology and sit at the table of honor when Nick gives the keynote. Page 21/88 BLARTAnd what an honor it is. (to Nick) I’m sorry, what did you do again? Pink (04/21/2014)25. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL NICKPANERO(incredulous) What’dI do? GINO CHIZETTI(incredulous) What’dhe do? NICKPANEROLast year I thwarted a ring of frozen yogurt thieves. You know those punch cards where if you hit a certain amount you get a free yogurt? BLARTSure. SAUL GUNDERMUTTWe got ‘em in the mid west. NICKPANEROWell, these animals made their own hole-punch, and next thing you know the place is hemorrhagingyogurt. I had no choice but to take ‘em down. GINO CHIZETTITake ‘em down. NICKPANERO(to Chizetti) You gotta stop that. GINO CHIZETTIYup. SAUL GUNDERMUTTPretty impressive, huh? BLARTYeah, bad day to be a yogurt thief. NICKPANEROThat’s right, slingshot. Well, no hard feelings. Tell you what. After I bring down the house tonight... Chizetti and I’ll take you out for a cold one. BLART(through the pain) I don’t drink. That’s when a Segway EMPLOYEE rides behind them and pulls up to a Segway RENTAL KIOSK. Pink (04/21/2014)26. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL Blart’s eyes GO WIDE. Gino Chizetti leans in... GINO CHIZETTIHeard you’re pretty good on one of Page 22/88 those. BLARTI’ve been known to dabble. Blart jumps on the Segway... BLART (CONT’D) (trying to appear humble) I really shouldn’t. SEGWAY EMPLOYEEActually sir, you can’t. I would need a valid driver’s license if you want to take it for a test drive. Blart holds his LAMINATE in front of his face. BLARTI think if you peep the laminate, you’ll see I’m all access. Let me just nudge her out of whisper mode. Blart hits a BUTTON and the Segway gives off an acceptance CHIRP. SEGWAY EMPLOYEEOkay, well I see you know your way around a p133. BLARTI do, but this old gal’s a bit tired... I have a modified i2commuter myself. SEGWAY EMPLOYEEWow, that’s really cool... still gonnaneed a valid license though. Blart easily does a couple of quick moves. Growing in confidence... BLART(re: Whoa... THAT just took place. // Whoa... THAT was valid. SEGWAY EMPLOYEESir, please be careful. It’s about weight distribution. Make sure both hands are firmly on the grips. 27. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL BLARTOh, really? So I’m guessing you wouldn’t want me to do THIS! Blart takes BOTH HANDS off the Segway and leans forward taking off towards the Valet stand and Maya. Blart WINKS at Maya, she’s horrified. MAYAPlease don’t... Blart aggressively executes a series of impressive, ONE-ARMED SPIN MOVES, gaining speed and confidence. Blart takes off BACKWARDS into the driveway. Page 23/88 The crowd is impressed, until a SHUTTLE VAN pulls up and everyone GASPS... It’s going to DRILL Blart... But NO! Blart pulls off the move of the century and avoids certain disaster!! Just as he looks over to the impressed crowd and cracks a sly smile... he backs the Segway directly into a moving CONVERTIBLE! Blart back flips into the back seat and the car pulls away. Maya’s mortified. Lane is stunned. After a beat... LANEWell, I better get back to work. I’m off in a half hour. Maybe I’ll see you around. MAYAI’d like that. As Blart drunk-walks his way back into the valet area... BLART(mumbling) Shuttle van...// Still got the laminate... INT. WYNN BASIC SINGLE ROOM - AFTERNOON2424Blart, still in pain, lays on the ROLL AWAY. Maya enters from the bathroom wearing a Wynn robe. BLARTLottafun today... great fun! MAYADad, you okay? You should really get checked out. 28. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL Blart musters the courage to tell her. BLARTPumpkin, my body’s fine... it’s my ego that took a hit. Turns out I’m not giving the keynote tonight. Maya feels terrible. MAYAWell you know what? You should call a cop, because you got robbed. BLARTThanks kitten... but technically I wouldn’t need a cop -- MAYAIt’s a figure of speech, daddy. BLART : I know, it’s just, cops think they’re all that. Don’t like it. Do not... like it. Blart checks his WATCH. BLART (CONT’D) Page 24/88 Whoa, we got a meet-and-greet in fifteen... we should get a move on. Blart painfully gets off the roll away. MAYAAs exciting as that sounds, I think I’m just gonnatake a bath and a nap. I’m kindatired. BLART(a bit hurt) Sure. Right. You should get some rest. (beat) I’ll come back to get you for dinner at Bartolotta. We have reservations at six. It’s supposed to be the real deal. MAYA(short) Gotcha. Blart deflates, opens the door. MAYA (CONT’D) Hey dad... Yellow (04/22/2014)29. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL MAYA (CONT’D) Sorry about the speech. I’ll see you later. I love you. She gives Blart a KISS and heads into the bathroom. He can’t help but SMILE. EXT. EUROPEAN POOL/ CABANA BAR - AFTERNOON2525Blart stands with Gino and Donna listening to Nick. They all hold FRUITY DRINKS. NICKPANEROSo I got this one kid against the wall and I turn to the other and say, “hand over the yogurt.” It was over that fast. Lights out. GINO CHIZETTILights out. (turns to Blart) Hey, how much you pay for your belt? BLART(confused) Um... I don’t know it was a gift. GINO CHIZETTIYou gotta guy? ‘Cause I gotta guy. Page 25/88 BLARTA belt guy? No, I don’t have a belt guy. Just then an older, Indian man, KHAN MUBI, joins the group. As he greets each one of them, he HUGS them... KHAN MUBIKhan Mubi. Nice to meet. (hug) Khan Mubi. Nice to meet. (hug) Khan Mubi. Nice to meet. Blart takes the hug. BLARTThank you. It’s been one heck of a day. That embrace helped. Khan pulls Blart in for ANOTHER hug. BLART (CONT’D) Yup. First one warmed me up... but this one brought it home. Pink (04/21/2014)30. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL Khan releases the hug. BLART (CONT’D) We should probably go... They all make their way into the... INT. ENCORE CONVENTION HALL - MOMENTS LATER2626Where many KIOSKS are set up under banners...“NON-LETHAL WEAPONS... ETC.” Blart is impressed. BLARTWow... INT. WYNN BASIC SINGLE BATHROOM - SAME2727Maya lights a CANDLE and sets it on the edge of the tub. She takes out her acceptance letter, sits and reads it again. She is interrupted by her phone BEEPING. It’s a text from Lane. ON SCREEN: EXT. WYNN ASIAN SCULPTURE HALLWAY - SAME2828An incredible ASIAN SCULPTURE is being admired by two TOURISTS. Nearby, an attractive WOMAN drops her PURSE, scattering her belongings onto the floor. We’ve seen her before in the presidential suite, her name is Kira. KIRAOh, no! As soon as the tourists move over to help her, Robinson, dressed as purple coated security, takes out a REPLICA DOME and hits “play.” Page 26/88 ON SCREEN: He quickly moves under the SECURITY CAMERA and ATTACHES the replica dome, so it’s broadcasting what’s playing in a 360 degree field of view. He then holds out what looks like a hand held metal detector. A BLUE LIGHT emits from the device and SCANS the glass case. A light on the back of the device turns GREEN. Robinson then NODS to Kira. She nods back and Robinson moves off. 31. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL INT. ENCORE CONVENTION HALL "F" - SAME2929Blart, Khan, Gino and Donna move to the first kiosk where REP #1 lifts up what looks like a SAWED OFF SHOTGUN. Nick heads off in a different direction. REP #1I’d like to introduce you to “The Big Sticky Mess,” a sawed off shotgun that shoots glue foam. You get this on you and it’s stickier than a work shoe in an IHOPbathroom. The group moves to the NEXT KIOSK: Blart greets REP #2. BLARTWhat’s the latest, friend? REP #2Marbles... you release this tie, and two hundred marbles are at your disposal. It’s your best answer to crowd control. You can’t run with these under your feet. Heck, you can’t even stand. THE NEXT KIOSK: BLARTFlashlight? REP #3Nope. The VitruSonic Taser. Renders your assailant incapacitated for five seconds at a time. The group walks along, when Blart notices... THE KIOSK ACROSS THE WAY: Saul Gundermutt attends to a large CURTAINED BOX. Blart drifts away from the group and up to Saul. SAUL GUNDERMUTTHey Paul. BLARTHey Saul. What’chagot there? Page 27/88 SAUL GUNDERMUTTIt’s getting revealed tomorrow at the luncheon. It’s a prototype. Not supposed to show anybody. (looks around) (MORE) 32. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL But since you’re into gyroperformance vehicles.... takea gander. Saul peels back the curtain. We don’t see what Blart sees. SAUL GUNDERMUTT (CONT’D) Things will never be the same. Blart is shaken to the core. NEXT KIOSK: rejoins the group. REP #4When it’s time to make them pay the price, reach for “The Finisher,” * the most effective, non-lethal bean bag firearm on the market. The officers are impressed. The Rep turns to Blart. REP #4 (CONT’D) Why don’t you take her for a spin. BLARTMe? Um... sure. The Rep hands the gun to Blart who takes careful aim. There are FOUR TARGETS set up. Blart fires off four quick shots... MISS. MISS. MISS. MISS. We hear a CHUCKLE off screen. The group turns to reveal... Eduardo, Agent Parsons (black coat) and Agent Jenkins (purple coat). EDUARDOPaul Blart, Mall Cop. BLARTYes sir. EDUARDOEduardo Furtillo, Headof Security for the Wynn Resort and Casino.. BLARTOh, nice to meet a fellow brother in arms. (then, to his group) Fun fact for ya. You may notice that Mr. Furtillo here, being the head of security is in a grey coat. While... I’m sorry son, I didn’t Page 28/88 get your name. SAUL GUNDERMUTT (CONT'D) Cherry (05/13/2014)33. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL The security agent next to Eduardo speaks. AGENT JENKINSJenkins. BLARTWhile Jenkins here is wearing a purple coat. See, they have a hierarchy of coat colors based on their security responsibilities... Grey, black, pine, and then finally... purple. (to Jenkins) Sorry. No offense. AGENT JENKINSYou’re wearing a polyestershirt with spanxunderneath. BLARTYep. Good catch. // Today I am... yes. (then, to Eduardo) By the way, as a professional courtesy, happy to keep my eyes peeled for any irregularities while I’m here. JENKINSOh, I think we’re good. BLARTYou’re great, the best -- just honoring the code of the badge. If you’re ever in my barn, I hope you’d do the same. EDUARDO(to Jenkins) He’s adorable, right? Jenkins and Parsons share a laugh. EDUARDO (CONT’D) (back to Blart) I see you admiring the “non lethals”. Guess they don’t trust you with the real stuff. I mean what are you really “guarding” anyway? Cell phone covers and Cinnabon? BLARTWell, there’s also three ATM’s and a Dave and Buster’s, so -- Pink (04/21/2014)34. Page 29/88 David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL EDUARDOHey. (motions to Blart) Closer. Gonna let you in on a little secret. Since I was named head of security five years ago, we have not had so much as a towel go missing. The Wynn hotel is the most secure place in the entire world. Without breaking eye contact, Eduardo GRABS the bean bag gun and fires off FOUR SHOTS with one hand, KNOCKING DOWN all four targets. EDUARDO (CONT’D) We don’t need your help, amateur hour. But please, have fun at your little get together tonight. Eduardo drops the bean bag gun and walks away. Blart turns to the group. BLARTWow, that was impressive. And is it me, or did he smell like tobacco and vanilla? INT. WYNN BASIC SINGLE ROOM - AFTERNOON3030Blart enters his hotel room. BLARMaya... you still in the bath? (knocks on door) Sunshine? Concerned, Blart opens the door to find... the BATHTUB FILLED, candles STILL LIT, her ROBE lying on the floor. BUT NO MAYA! He grabs the phone in the bathroom. BLARTGET ME SECURITY! EXT. ENCORE BEACH CLUB POOL BAR - AFTERNOON3131As several youngpeople hang out, wefindMayaand Lane each enjoy a SODA. LANEIt’s so cool you got into UCLA. You must be stoked. 35. David Kaminow SPE CONFIDENTIALDavid Kaminow SPE CONFIDENTIAL MAYANot really. I haven’t been able to tell my dad. Page 30/88
submitted by Barblesnott_Jr to OneWordBan [link] [comments]

AITA for doing my own thing in Vegas during a bachelorette party because the group was being lame?

Friend recently had a bachelorette party in Vegas, about 15 guests, everyone had to travel. The guests were a mixture of grad (including me), undergrad, and a few high school friends.

Sister is MOH, but nobody really took charge organizing. There were a few things the bride-to-be wanted to do, including a open bar Ferris Wheel and a Drag Brunch, but they were about 2-3h of the entire weekend.

Grad friends and I tried to research things to do and take advantage of our time, but the undergrad friends were impossible to move. In response to any suggestion, they would hem and haw and reject all ideas by wasting time without ever suggesting anything. We asked the bride many times what she would prefer, but she just always said she was fine with whatever.

Grad friends were interested in going to a Vegas nightclub. The first night, we got dinner nearby then went to some regular bars next to our casino. Fun, but basically not any different than we could have done locally. The next day we brought the idea up again, but the undergrad friends expressed doubt about lines, cost, the dress code, and some worried they would be charged a cover if the bouncer didn’t find them attractive enough.

Later we went to a Thunder Down Under show based on the recommendation of the high school friends, and afterwards we spent at least 20 minutes standing outside while people debated what to do next. Nobody else had an idea.

Undergrad friends were hungry, so grad friends and I suggested they (and bride who was also hungry) eat while check out the club before it opened. If it seemed like a douchey place then we could come back, if not they would come meet us. We did that and we tried to call them and tell them we got on the guest list, but they only told us they were “lost” and seemed incoherent.

Ended up going to the club anyways instead of spending the night with the bride, and we stayed there for several hours. It was very fun, and it was by far the cheapest thing we did the entire weekend. Got our cover waived because we dressed appropriately and got there early to avoid lines, got free drink tickets, and after a while our promoter came in and made his own drinks that he also gave us for free.

Later found out that the rest of the group spent the next hour and a half going between different fast food places and went to bed by 11:30. Which makes it hard to regret ditching them. It was very expensive to go on this trip, and I feel like it would have been a total waste if we hadn’t done some Vegas-specific things. But I do feel badly that we didn’t spend the night with the bachelorette. She hasn't expressed any dissatisfaction with the weekend, but I still feel guilty.

tl;dr: A group of us ditched the main bachelorette party to go to a club in Vegas instead of spending our time with the Bride-to-Be wandering between fast food joints.
submitted by Vegasshole to AmItheAsshole [link] [comments]

Critic's Criticisms Part III: Length

No good movie is too long and no bad movie is short enough.
-Roger Ebert
The length of TLJ was the most common criticism by far, with 50% of RT Top Critic's citing it as a problem. Thus, this is the longest entry of this series, and possibly the last, unless I do a smaller part on niche issues. Previous parts cover Humor and Canto Bight.
The movie is overstuffed with plot, and by the time the visually intoxicating and eye-popping last showdown happens, it feels like a set piece that should have been saved for the next film. At a whopping two hours and 32 minutes, “The Last Jedi” overstays its welcome just a tad.
Katie Walsh, Tribune News Service - Fresh
Writer-director Rian Johnson steps into the franchise fray and does a creditable, if uninspired, job. At about 2-1/2 hours, it’s a long sit.
Peter Rainer,Christian Science Monitor - Fresh
Rian Johnson delivers a film that’s a bit too long at 2½ hours
Calvin Wilson, St. Louis Post-Dispatch - Fresh
Does the movie, like its predecessor, rely on familiar tropes a bit more than it should? Yes, I think it does. Is it, at a solid two-and-a-half hours, considerably longer than it needed to be? Yes, that too.
Christopher Orr, The Atlantic - Fresh
It’s simply too long at two hours and 36 minutes – and sometimes too damn much. The screen is so crowded with character and incident that you might need a scorecard to keep up.
Peter Travers, Rolling Stone - Fresh
The problem is that the narrative threads connecting them are lazily knitted and sometimes tangled or broken. The overall plot is underwhelming and there’s far too much padding, especially during the first hour. There’s a sense that Johnson is giving busy-work to certain characters while others are catching up. The Last Jedi is a great 105-minute movie stretched too thin.
James Berardinelli, ReelViews - Fresh
The midsection sags and, other than the heroes’ desperate attempts to survive, there’s no central story line to pull the various satellites of action in its wake. Some of the characters, like Captain Phasma, get frustratingly little screen time.You feel the 2½-hour length at points.
Ty Burr, Boston Globe - Fresh
The movie, though - at 152 minutes, easily the lengthiest in the series - drags in the middle, particularly when Rose and Finn go off on a complicated mission to disable an enemy tracking device. The subplot not only goes nowhere, it takes forever to do so, and makes me wonder if this new trilogy is going to have the same problem as the prequels - material for two terrific films stretched out over three.
Stephen Whitty, Newark Star-Ledger - Fresh
The film’s paunchy middle section includes a trip to a casino that might better have ended up on the cutting-room floor. The unnecessary padding accounts for the 152-minute running time, a franchise record, which will test the patience (and bladders) of even the most devoted followers.
Peter Howell, Toronto Star - Fresh
Nor is its frankly excessive 152-minute running time. There is no excuse for a long, inessential stampede of runaway space horses that has zero value beyond the sheer "Ben-Hur" spectacle of the thing.
Colin Covert, Minneapolis Star Tribune - Fresh
Johnson's many additions become too much of a good thing and The Last Jedi grows crowded, busy and long. Johnson's dialogue is flat and sounds stilted in the mouths of his younger actors, while their comic delivery can be so offhand that it dismisses the jokes.
Kate Taylor, Globe and Mail - Rotten
The film simply drags too much in the middle. Somewhere in the film’s 152-minute running time is an amazing 90-minute movie.
Chris Nashawaty, Entertainment Weekly - Fresh
Johnson at times overreaches trying to balance these separate storylines and myriad of characters into one cohesive unit. Lupita Nyong’o has nothing to do in her glorified cameo appearance, while the Del Toro section fails to reach its potential. The result is a bloated running time of about 2 ½ hours — that includes about seven different points in which I was sure the movie was going to end only to see it continue to plow ahead. You always want your Star Wars films to move at light speed, not drag in the middle.
Mara Reinstein, Us Weekly - Fresh
At other points in the 152-minute film, time should have been compressed, and wasn’t. The storytelling bogs down in a middle section having to do with finding a code-cracker who can gain access to an enemy destroyer. (A dubious character played by Benicio Del Toro isn’t sufficiently amusing.) Kylo’s inner conflicts, while central to the plot, leave him looking awfully mopey for long periods of time as he struggles to resolve them.
Joe Morgenstern, Wall Street Journal - Fresh
With a running time of two and a half hours, “The Last Jedi” drags a bit in the second act. Ridley and Hamill are great together, but the Reluctant Jedi act plays on for at least one scene too many.
Richard Roeper, Chicago Sun-Times - Fresh
Johnson’s effort is ultimately a disappointment. If anything, it demonstrates just how effective supervising producer Kathleen Kennedy and the forces that oversee this now Disney-owned property are at molding their individual directors’ visions into supporting a unified corporate aesthetic — a process that chewed up and spat out helmers such as Colin Trevorrow, Gareth Edwards, Phil Lord and Christopher Miller. But Johnson was either strong enough or weak enough to adapt to such pressures, and the result is the longest and least essential chapter in the series.
Peter Debruge, Variety - Fresh
Unfortunately, The Last Jedi has almost as much Attack of the Clones as it does The Empire Strikes Back in that it’s overlong, under-edited and has at least one particularly long-winded CGI flurry of a sequence that harkens back to the darkest days of the franchise. There’s no whining about sand getting everywhere and the acting is really strong across the board (Hamill is particularly great back in Jedi robes, ham and all) but The Last Jedi could definitely have used a second editorial pass.
Matt Oakes, Silver Screen Riot - Fresh
At 2 1/2 hours, Star Wars: The Last Jedi could have been tightened-up in the editing room, cutting out that bloated middle section and removing things like Maz Kanata’s cameo and the cute slave kids which feel like they dropped in from a totally different movie. When it works, it really works but when it doesn’t, it feels like bad fan-fiction with a million dollar budget.
Niall Browne, Movies in Focus - Fresh
I can only wonder what The Last Jedi might have been with Finn and Poe taking a backseat (like how the latter was absent for three-quarters of The Force Awakens) so thirty minutes could be cut and the “important” stuff made tighter. Because there is a great film within what’s ultimately a good one.
Jared Mobarak, BuffaloVibe - Fresh
Whereas the first half is a sort of a convoluted mess just for the sake to pad out the runtime especially with an inconsistent tone, "The Last Jedi" becomes a dark and exciting sequel that becomes the film you've been looking for by the 75-minute mark.
Rendy Jones, Rendy Reviews, Fresh
the film is probably 10-15 minutes too long. Yes, Snoke (Andy Serkis) was not given near enough explanation and Phasma (Gwendoline Christie) was wasted.
Robert Daniels, 812filmreviews - Fresh
It's a two-and-a-half hour movie. It needs to be good in its own right, not just setting up for the next episode.
Tony Baker, Tony Baker Comedy - Rotten
Johnson ends up biting off more than he can chew. He's juggling too many storylines, and takes too long to move the narrative forward. Fatigue sets in about three-quarters of the way in. He doesn't heed the lesson of the chapter “Jedi” often resembles, “The Empire Strikes Back.” That film, still the best “Star Wars.,” ended with a whopper of a cliffhanger. Johnson resists the urge to leave most of his strands unresolved, and as a result his film begins to feel unwieldy when it should be picking up momentum. At two and a half hours, it could have used a trim of at least 15 minutes.
Ruben Rosario, MiamiArtZine - Fresh
but there are problems with the first half of "The Last Jedi." After an exciting initial space battle, to say that the mid-section of the movie drags would be an understatement. First, both prominent new characters Rose and DJ seemed shoe-horned in, and Rose especially doesn't seem to have a real place in this film nor does she add anything to be hopeful about in the future. And while both Rey and Poe fans will probably be pleased with where their characters go, Finn sort of takes a step back, as he is sent off on a side adventure that seems like second-tier Star Wars. It's a diversion that takes up a good portion of the film and really serves no purpose to the overall story...worse yet, it seems to contain some heavy-handed political messages not commonly found, at least not this blatantly, in the Star Wars universe. These are more than just quibbles too: Most fans will not be used to the slow, lumbering pace or the general unevenness of this film...especially coming on the heels of the action-packed pacing that JJ Abrams brought in Episode VII.
Tom Santilli, AXS.com - Fresh
Star Wars: The Last Jedi is also, at two hours and thirty-two minutes, the longest of the nine movies thus far, and deep into the second hour it can feel a little draining. There’s some stuff that feels extraneous (the whole Canto Bight sequence, which seems to exist to set up a new Lando-like character played by Benicio del Toro), and the cycle of attack and retreat — mostly retreat — gets a bit monotonous.
Rob Gonsalves, eFilmCritic.com - Fresh
At times it burns a tad too slow: two-thirds through its jam-packed 152 minutes, I felt the need for a 7th-inning stretch.
Michael Sragow, Film Comment Magazine - Fresh
Aunque este clímax habría funcionado bien como final, “The Last Jedi” no termina (desafortunadamente) después de esto. Es seguido por otros 40 minutos, con baches, en los que los héroes se reúnen y tienen que pelear una batalla final. Sin embargo, la película pierde un poco de su trazabilidad aquí, cuando los personajes, las fuerzas y las explosiones siempre aparecen exactamente donde se necesitan para la trama.
Ruben Peralta Rigaud, Cocalecas - Fresh
The movie’s main failing is that it tries to stuff too much plot into its over-long 2 hour and 30 minute run time. The result is an ending that feels endless and anti-climactic while several elements that could have been gob-smacking feel rushed and underdeveloped. It particularly does a disservice to Kylo Ren, as we’re never quite sure what his motivation is.
Megan Basham, WORLD - Fresh
I both loved it and strongly disliked it at the same time. I feel like there's a really great movie in there, all the pieces are there, everything is brilliant, but then there's a lot of extra fat that needed to be trimmed off or rearranged or omitted completely.
Steph Cozza, Aggressive Comix - Fresh
At two-and-a-half hours, with about nine separate cliffhanger endings, it’s a bit long
Bill O'Driscoll, Pittsburgh City Paper - Fresh
If you can accept the excess, the weird humour, the entirely inessential subplot, and the fact that it could stand to end a scene earlier, then the series will continue to thrive in a galaxy far, far away.
Alex Doenau, Trespass - Fresh
The script is flabby; every scene has purpose, but certain aspects feel overlong and jarring. Just like Lord of the Rings: Return of the King, it also suffers several endings too many.
Owen Richards, The Arts Desk - Fresh
At two and a half hours, this is the longest Star Wars picture to date, and I wondered if they’d tried to pack too much in.
Molly Laich, Missoula Independent - Fresh
I’m saying some of this movie seems a little half baked, and also overstuffed. If there’s any kind of movie I want to be over two and a half hours long, it’s a Star Wars movie. But, at that length, it needs to be a really good Star Wars movie, not a so-so one. The Last Jedi is so-so.
Bob Grimm, Reno News and Review - Fresh
The Last Jedi has a few good ideas but these are utterly lost amidst an over-long and utterly unsatisfying overall plot. Replete with poor dialogue, irritating tonal shifts and superfluous scenes, The Last Jedi adds very little to the saga except an overwhelming sense of disappointment not felt since the release of The Phantom Menace.
Richard Dove, International Business Times - Rotten
It is more than 150 minutes long. It has too many plot twists and too much fighting and too many characters.
Mark R. Leeper, Mark Leeper's Reviews - Fresh
Many have complained or commented on the length of The Last Jedi. It did start to feel long towards the end, yet I don’t think it was due to the actual time stamp of the film. Instead, I believe it is because of the drawn out plots within the film itself. Many parts of the story are over showcased destroying the strength and believably in the plot.
Stephanie Archer, Film Inquiry - Fresh
This film did not need to be 152 minutes and should have been closer to the 120 minute standard established by the earlier films. I hope one day we’ll see a fan cut that is actually closer to two hours.
Chris Gore, Film Threat - Fresh
The Last Jedi is still overstuffed, slightly too long, reliant on some vaguely-defined powers, and mostly consists of an endless chase towards a shifting MacGuffin.
Vincent Mancini, FilmDrunk - Fresh
The Last Jedi is 50 fucking minutes too long, and the most excruciatingly boring movie that has ever been released in this franchise. And this is a franchise that once opened up a movie by talking about controversial tax legislation.
Tim Brayton, Alternate Ending - Rotten
The Last Jedi has some issues. Pacing is the biggest one. This is the longest Star Wars film so far, and it feels like it. Johnson does his best to hustle from one location to the next, but the narrative has a tendency from time to time to drag.
Chris Evangelista, Slashfilm - Fresh
While Luke leads the Force thread, the battle between good and evil, the rest feels a bit standard issue action film lurching through one, or two, too many cycles of near peril. This is in part down to writer-director Rian Johnson and also down to patchy leads.
Aine O'Connor, Sunday Independent (Ireland) - Fresh
Writedirector Rian Johnson’s movie is underwhelming. Where it falters is a story that borrows heavily from others in the franchise like The Empire Strikes Back. That I can live with, but I can’t live with unnecessary length. This is an overdone 2 1/2 hour movie that would have been a terrific 90-minute extravaganza.
The first hour drags. The predictable second hour is just as tedious in more spots than not before Johnson finally moves you to the even more predictable slam bang action of the last half-hour.
Gary Wolcott, Tri-City Herald - Fresh
At 152 minutes, The Last Jedi is the longest of the nine Star Wars films to date — it’s also the only one where the length is felt. While all the scenes involving younglings should have been deep-sixed, the rest of the fatty tissue can be forgiven, since it simply meant Johnson wanted to make sure fans were saturated and satisfied. Yet there aren’t many vignettes that couldn’t have benefited from a judicious trim here or there.
Matt Brunson, Creative Loafing(Charlotte) - Fresh
At 2 hours and 32 minutes, the longest ever in the series, there are lots of highlights and probably a few too many endings
Pete Hammond, Deadline Hollywood Daily - Fresh
Despite the Rey-Luke drama, the first half of The Last Jedi is its most lumbering and uneven, never really clicking as it rambles through its multiple plotlines in a manner that feels simultaneously rushed and overlong.
James Kendrick, Q Network Film Desk - Fresh
However, there are moments towards the end of the film that feel as though they are just a tad unnecessary, that the race to the finale is going on just a little too long.
Irene Falvey, Film Ireland Magazine - Fresh
So what's necessary to know about the 40th anniversary "Star Wars" is that, at two and a half hours, it's at least a half-hour too long (maybe 45 minutes) and it's overfull of the usual digital battle sequences which so many of us have come to consider a wee bit old hat in the decades since "Star Wars" introduced us to a new thing back in 1977.
Jeff Simon, Buffalo News - Fresh
Johnson has sorted all of this material into an elaborate roundelay that feels endless (the movie is way too long at two and a half hours). Surely sections of the film could have been trimmed—maybe the Laura Dern scenes, which cry out for compression, or the training sequences with Luke and Rey (in which he says things like "Reach out with your feelings").
Kurt Loder, Reason Online - Fresh
The film is long, however, and begins to feel more than a little labored by the time the various epic showdowns finally take place.
Piers Marchant, Arkansas Democrat-Gazette - Rotten
A lot of “The Last Jedi” is engrossing and emotional—but there’s also the long runtime, uneven pacing, and slightly underdeveloped characters to deal with. “The Last Jedi” is often exceptional, but its desire to do too many things, tell too many stories, and continue expanding its own cast and narrative makes the film fundamentally imbalanced.
Roxana Hadadi, Chesapeake Family Magazine - Fresh
There is a great deal going on in The Last Jedi and the way it splits off the main characters into separate but intertwined stories makes for a long, over-plotted film that even starts to drag a little in the middle.
Allan Hunter, Daily Express (UK) - Fresh
A few of the goofier comic moments fail to land and true to the legacy of Lucas there’s a fair amount of eye-wincing dialogue. More importantly, the second act bows under the weight of too many narrative strands; Finn’s away mission comes off as a bit superfluous, as does Laura Dern’s Vice Admiral Holdo, and both Rose and the beloved Chewbacca (Joonas Suotamo) are sadly underwritten. In a trade-off that brings scope and complexity, Johnson has sacrificed narrative efficiency.
Christopher Machell, CineVue - Fresh
If “The Last Jedi” has a main flaw it’s that it’s too long at just over two-and-a-half hours. When the film is cross-cutting between the escape of the Resistance and the showdown with Snoke, one might assume this was the climax of the film. In fact, there’s much more to come.
Daniel M. Kimmel, New England Movies Weekly - Fresh
At 152 minutes, "Star Wars: The Last Jedi" is too long, and could have been trimmed by at least 10-15 minutes.
David Kaplan, Kaplan vs. Kaplan - Fresh
Despite being overlong and drenched in déjà vu (replete with conversations about one’s parents, whether or not one will ‘turn’, whether one is the last hope or the new hope, etcetera etcetera) I appreciated a lot of The Last Jedi, in the same way I appreciate re-reading a decent book – respecting the structure and craft of it, and feeling no sense of surprise.
Luke Buckmaster, The Daily Review/Crikey - Rotten
At 152 minutes, “The Last Jedi” is probably 20 minutes too long yet never fails to entertain.
Maria Sciullo, Pittsburgh Post-Gazette - Fresh
If some of these detours drag on a bit, hampering momentum and bulking up The Last Jedi’s not-entirely-necessary two-hour-and 32-minute runtime, well, at least the various locales are fun to look at.
Rebecca Pahle, Film Journal International - Fresh
a running time of 152 or so minutes that easily could have been tightened down quite a bit
Jim Judy, Screen It! - Fresh
While many complained – justifiably – that the previous entry, The Force Awakens, was nothing but a remake of 1977’s A New Hope, the same sort of narrative déjà vu is at play here, to a certain degree. Equally troublesome is Jedi’s bloated running time. Clocking in at 2 ½ hours, the movie seems longer than it actually is due to the fact we’re going over well-covered narrative territory.
Charles Koplinski, Illinois Times - Rotten
It’s too long by a good 30 minutes, feels like two films mashed together, has about five endings and it seems to be taking cues from the George R. R. Martin school of right-angled plot twists.
Patrick Kolan, Shotgun Cinema - Fresh
Overly long and consistently clunky, The Last Jedi ultimately proves a bit of a mixed bag. Too often the dialogue is exposition heavy and played for easy laughs.
Tom Glasson, Concrete Playground - Fresh
The Last Jedi is overlong, heavy-handed and fun if mostly uninspired.
James Verniere, Boston Herald - Fresh
At 151 minutes, the film is overlong and repetition sets in, not just for this film but for the series in general
Laura Clifford, Reeling Reviews - Fresh
The Last Jedi is the party that never wants to end. It keeps going and going – and going – until there is no corner of the house left to decorate. It pushes all the buttons. It is constantly in competition with itself (it comes with two huge ending sequences). It is also baggy in places, and that’s not something I’d expected.
Chris Wasser, The Herald (Ireland) - Fresh
At the same time, it does take a while for “Last Jedi” to get up to speed. Some of the humor feels a little distracting and the lengthy final product suggests a tighter execution might have felt more resonant.
Josh Terry, Deseret News (Salt Lake City) - Fresh
Or maybe it's just a case of "The Last Jedi" itself overstaying its welcome with a running time topping two and a half hours.
Greg Maki, Star-Democrat (Easton, MD) - Fresh
This is the longest Star Wars movie yet, clocking in at 150 minutes, and it has at least one ending too many, and a middle that sags a bit.
Rain Jokinen, MullingMovies.com - Fresh
We’ve seen this story before. Sure, “stuff” happens over the film’s 157-minutes but our main characters remain pretty much in the same place. You’d swear time stands still.
Dana Barbuto, The Patriot Ledger - Fresh
“The Last Jedi” is the longest of the “Star Wars” efforts (152 minutes) and feels it
Brian Orndorf, Blu-ray.com - Fresh
At 152 minutes, it’s also way too damn long. And Rian Johnson should not have been allowed to write and direct. The script is a problem — it has only two really great “moments” which isn’t enough for 152 minutes. But it also doesn’t feel quite right — the language, the iconography, the weirdly campy humor at the beginning — it doesn’t feel a part of the Star Wars universe.
Ray Greene, CineGods.com - Rotten
But the character moments and the explorations of moral ambiguity aren’t quite compelling enough to compensate for the slow pacing in the middle (one thing a Star Wars movie should never be is dull), and it takes too long to get to the most rousing action sequences.
Josh Bell, Las Vegas Weekly - Fresh
I don’t want to be too generous. I would cut 15 minutes out. There are editing choices that leave the film feeling choppy when it should feel smooth.
David Poland, Movie City News - Fresh
In truth, it takes a very long time to get from the film’s exhilarating start to that moving sign-off. Stars Wars: The Last Jedi lasts fully two-and-a-half hours, and there were moments towards the end when I felt like one of those poor Cubans listening to Fidel Castro at the height of his oratorical vigour: just as you’re planning your route to the exit, it lurches into yet another new lease of life.
Brian Viner, Daily Mail (UK) - Fresh
Editor Bob Ducsay moves the individual sequences along with dispatch; it isn’t his fault that at two-and-a-half hours the movie overstays its welcome. That’s the fault of Johnson’s decision to pile climax upon climax as if they were on sale at Screenplays-R-Us, apparently unwilling to jettison any of the ideas he’s had for propelling the story forward.
Frank Swietek, One Guy's Opinion - Fresh
Which leads into another problem I mentioned briefly earlier -- the pacing. Watching the first hour, I had the uncomfortable sense that maybe it needed trimming by about ten minutes or so, and that Rey's and Luke's story kept stalling and going in circles for a while. Then, the pacing in the last hour is so spot-on, it confirms all of those earlier feelings. Adding to the problem is the choice of starting point for the film. I realize kicking off with a more action-driven sequence has benefits, but it felt disorienting since we remember how the last film ended and probably want to pick up that thread first. It was an easy call, I feel, and the film's choice merely confirms my own sense that there was a better option.
Mark Hughes, Forbes - Fresh
The 2 hr and 30-minute runtime really hurt the film. I feel like there are just certain spots throughout the film where it just drags. It hard to pinpoint exactly when and where they occur on just one viewing but I was definitely bored at times.
Scott Menzel, We Live Entertainment - Fresh
“The Last Jedi” suffers from “The Lord of the Rings” syndrome — it seems like it might never end. It also poaches scenes, ideas and moments from “Harry Potter,” “The Hunger Games” and “Guardians of the Galaxy.”
David Frese, Kansas City Star - Fresh
At 152 minutes, “The Last Jedi” runs long, with a bit too much time spent on Ahch-To. And Hamill — who shares the weathered, lion-like look of modern-day Robert Plant — turns in a true love-it-or-hate-it portrayal of an aged Skywalker.
Ross Raihala, St. Paul Pioneer Press - Fresh
At over two-and-a-half hours, the film had me reconsidering if I really needed a Finn v. Phasma fight, or a five-act structure. So consider the urgency. A wordsmith in his own right, Johnson seems to be dumbing himself down here for the sake of the brand. He manages to pose some of the most complex ideas on morality and war this franchise has ever attempted, but is forced to breeze through and cap them off with trite buzzwords.
Conor O'Donnell, The Film Stage - Fresh
The film is overlong at two and a half hours, and you may well catch yourself thinking “this could probably have been cut.”
Jonathan Hatfull, SciFiNow - Fresh
Yes, it’s probably half an hour too long. There is a whole section that feels out of kilter and harks back to the CGI naffness of the prequels — and is also virtually pointless to the plot.
Jamie East, The Sun (UK) - Fresh
The middle section loses its shape and is subject to longueurs.
Ian Freer, Empire Magazine - Fresh
The Last Jedi is the longest Star wars movie, and it does feel like it. The third act is a beating drum of moments that each seem like they could be a satisfying climax.
Susana Polo, Polygon - Fresh
Where the film falters is in its pacing. Even jumping between three storylines, there’s a lack of momentum at times as no one is really going anywhere. The Resistance fleet is crawling away from the First Order; Rey is in a stalemate with Luke on Ahch-To; and obviously things aren’t a breeze on Canto Bight. And yet the dramatic tension of the first two storylines hold up intact. The fleet storyline plays like the excellent Battlestar Galactica episode “33” and everything is Ahch-To is great because Johnson is doing some fascinating things with the character dynamics between Rey, Luke, and Kylo Ren. But the Canto Bight stuff is a bit of a drag, and then you feel it in final act of the film where, despite some amazing moments, you can’t shake the feeling that The Last Jedi is probably a bit too long even if it’s difficult to know what to cut.
Matt Goldberg, Collider - Fresh
There's a lot going on - too much. The film could have used a hard edit to lose about 20 minutes or more. Resistance ships explode and the fleet's fuel running low, but it doesn't keep us on the edges of our seats. Poe, Rey and Finn- the new heroes we're supposed to fall in love with - are uncharismatic and bland.
Julie Washington, Cleveland Plain Dealer - Fresh
Star Wars: The Last Jedi is a long work of art that doesn't know when to quit
Scott Mendelson, Forbes - Fresh
If there's a problem, it's only that it's a little too long at two and a half hours (a first for the franchise), which might prove challenging for younger viewers. It turns out you can have too much of a good thing after all.
Matthew Turner, Hero Collector - Fresh
Tran is a rock-solid addition, but here, and elsewhere, one is reminded of the deftness of editing on both (yes, both) previous trilogies. Intercut sequences that moved swiftly in earlier films feel clumsy. Where once the passing of time was cannily implied yet compact on screen in, say, “Empire,” in “Last Jedi,” well ... you can fit a lot of movie into 152 minutes.
Joe Gross, Austin American-Statesman - Fresh
But The Last Jedi’s two-and-half-hour sprawl still includes an awful lot of clunky, derivative, and largely unnecessary incidents to wade through in order to get to its maverick last act. This is especially true when it comes to the plausibility-straining mission of stormtrooper turned Rebel Alliance fighter Finn and puckish series newcomer Rose Tico.
Sam C. Mac, Slant Magazine - Rotten
Some tighter editing would have relieved most of my mid-movie tension — as well as my bladder concerns as “The Last Jedi” stretches to an unnecessarily long 151 minutes. If not for that spectacular final act, it would be tempting to refer to it as “The Lasts and Lasts and Lasts Jedi.”
Christopher Lawrence, Las Vegas Review-Journal - Fresh
The Last Jedi is a whopping two-and-a-half hours, and it would have been much improved if an editor had taken a lightsaber to its less crucial sections.
To cut a long story short (and I wish Johnson had cut his own long story short): if you’re getting bored halfway through The Last Jedi, hang on in there. Just when you think it’s about to end, it really gets going.
Nicholas Barber, BBC.com - Fresh
For the first half of a punishingly long film, we repeatedly cut back to Star Wars Island where Rey is begging Luke to train her as a Jedi.
Donald Clarke Irish Times Rotten
There are times, however, when the wow factor and compelling character beats give way to the feeling that Johnson lost the run of himself with the film's duration, and that the longest adventure in Star Wars history really didn't need that distinction.
Harry Guerin, RTÉ (Ireland) - Fresh
Several characters remain underdeveloped, and appear as well dressed plot devices which contribute to an unevenness hard to justify in the 151 minutes running time.
Jon Lyus, HeyUGuys - Fresh
Even Johnson’s sense of fun and mischief can’t sustain the film for two-and-a-half hours; the warring gets boring. One scene is replayed three times with different interpretations but it’s hardly Rashomon and a movie this long can’t afford to dawdle. No one could mistake The Last Jedi for an outstanding contribution to cinema, or even to escapism, but it has its attractions.
Ryan Gilbey, New Statesman - Fresh
Indeed it does, Ryan. And that concludes part III. TL;DR:TLJ is TL.
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Online Gambling - The Soaring Rise From the Global Economic Crisis

During these tough economic times, it is no surprise that land based casinos are losing money. You may have thought that people would be flocking to sportsbooks and casinos worldwide in order to gamble and hopefully win big as an aid to surviving the recession that the economic crisis has spawned.
However, it seems that the opposite is true. The lack of money for entertainment means that folks are foregoing those weekend trips to Las Vegas and other gambling meccas. They have even become unwilling to spend the money required for gasoline or public transportation in order to get to land based casinos that are within driving distance of their homes. You could ask any sports book or casino owner how the recession has treated their business, and most of them will tell you that they are losing money.
Experts in the gambling industry have observed a ripple effect taking place across the world. Determining the patterns of international gambling is the subject of a study that has released some surprising facts about the gambling industry. Online gambling is rising in popularity in spite of the economic crisis. tangkas darat In fact, in 2008, the total amount taken in worldwide by online gambling was more than 20 billion dollars, setting a new high record.
Why are people shying away from land-based casinos and using online casinos instead? Simply put, they can make their money go much further in an online casino. As mentioned above, people just do not want to part with their cash for airfare or for any other form of transportation in order to get to the casinos. They are using that money to go to online casinos, and having their gambling fun in the comfort of their homes.
The gambling industry is predicting that online gambling will continue to be quite popular for as long as the economic crisis goes on, and even beyond. People are not going to give up gambling. They may not wager as large an amount as they once did, but the lure of winning is too strong for them to stop completely. They will turn to online casinos as a way to continue their gambling habit for less money.
All that is needed for online gambling is a computer and an inexpensive broadband connection to the Internet. Anywhere you can use a laptop computer or a mobile phone is also a place where you can gamble. Unlike land-based casinos, online gambling allows you to practice many of the most popular games at no charge. You can get a feel for a game before investing any money in it, which can save money in the long run.
Those punters who are smokers and have seen their favourite casino or sports book turn into a smoke-free establishment are also bringing their gambling dollars to the online casinos. Gambling via the Internet means no restrictions on smoking, food or drink. There is no dress code to follow, and many consider online casinos much safer than land based casinos. Several of the big online casinos are responding to this influx of new customers by making online gambling even more fun and appealing. They are adding welcome bonuses and other promotions, holding tournaments, and featuring player customizable slot machines. Almost everything you can find at a land-based casino is available at online casinos, plus a whole lot more.
Online gambling is very convenient, offers a huge variety of games to tantalize the punter, and suits the entertainment budgets of those who are affected by the economic crisis. There is no doubt that the gambling industry is right on the threshold of even more growth as it grows more popular than ever.
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[OC]Day Zero (Part 15)

Well, this was a harder chapter than any other to finish. I was actually stuck a little, and had to figure a way out, but finally did, it just took a while. I hope you like the way things came out.
I'm especially proud of how the guy from Arizona came out. He's based on a guy I met when I was working around some post-doc chemist types. Brilliant, but awkward and super nice.
As always, thanks for reading!
PART 15
PART 1PART 4 PART 7 Part 10 PART 13
PART 2 PART 5 PART 8 PART 11 PART 14
PART 3 PART 6 PART 9 PART 12
“So you mean to tell me that all the good actionable intelligence our team’s have been fed has been from you?” The US soldier was intense, but personable. He was known as one of the more reasonable and intelligent commanders in the Army Special Forces.
“This last like 4-5 months, Yes,” Mark said.
“And all the bullshit about the Ultimate Spartan Race teams and the Online Game championships are your way of building a military without building a military?” This was from a thick Samoan guy from the SEALs.
“Yup,” Mark said.
“And Musk going to the moon... Y’alls Idea?” This came from the handlebar mustached mouth of the Marine Raider.
Mark smiled. “Technically, no. Meeting me did bring his timetable up like 2 years with some of the Tech I've been able to help him with, but going was his idea after he’d sorted out his self landing rocket stages.”
“And now, you expect us to believe that we’ve not only been visited by aliens, but we’re on the cusp of joining them at some intergalactic ‘Big Kid’s Table’ just because some guy in Arizona has figured out Faster than light travel?” The combat controller guy from the Air Force looked very skeptical.
Mark looked around the room. This was his biggest gamble yet. He’d had the internet Ops AIs finagle the orders for ten of the top tier special operators in the US military to be in the same room at the same time and just finished going over what he’d been through. He’d bought this little off strip Vegas casino as a way to hide in plain sight and have the odd covert meeting. Oh, and he’d always wanted to own a casino. What’s $60 Million when you are controlling a Trillion or three?
“I am,” Mark said. There was a podium and table at the head of the conference room, with a T-45 on one side. He was sitting on the table, facing the men. He’d never been a podium guy. “What kind of thing would convince you? The tech level is impressive, I mean, you can make just about anything you want.” Mark stood and walked over to the T-45 and opened it with his implant. The men all looked at it with caution, several stood up, hands to their sides like they intended to draw concealed weapons.
“Calm down, gentlemen. It has no weapons. Sit. Please.” Mark had his hands up, trying to calm things down. “Would I arrange to meet you in Vegas just to pull some stupid shit? Come on.” The men who’d stood sat back down. “Good, thank you. Now, when I first arrived on Belora 7, I wanted to conceal my species so I impersonated a species that needed artificial atmosphere, so I made some generic power armor. Then I wanted something I could fight in. Something imposing. What’s more imposing than this? Anyone want to try this on?” No one moved. “I’m quite serious.”
Immediately a lean, very tanned soldier stood up. Mark’s implant showed him to be a Navy SEAL who’d also trained with the Navy’s 10th fleet cyber division. A SEAL hacker. Who knew.
“Isaac, Right?” Mark started. “Come on over. It’s crazy easy to drive.” The man looked surprised by neing called by name as no one wore name tags, but walked over.
He ran his hand over it’s outside. “Feels strange. Titanium?” He asked
“No, it’s some crazy blend of steel with an ablative ceramic coating. The ceramic burns off and the resulting smoke attenuates the beam. Very good in high Vacuum environments, but still plenty good in atmo.” Mark answered.
He looked at the helmet and all of it’s optics and sensors. “Thermo, Night vision, telescopic vision. What else?”
Mark smiled. “Ultrasound echolocation, RADAR, LIDAR, enhanced hearing, and full specrum visual ablility. There are also built in dampeners for the recon suite so a person doesn’t get fried by flash. Here, step into it, just like the game, and say ‘Close Hatch’.”
The SEAL did as instructed. Several of the men had walked over by this time to look at the armor. Mark pointed to the screen on the wall. He’d turned it on and tasked the feed of Isaac’s sensors through the projector. The screen showed the typical HUD that the suit used.
Isaac moved his arms up and down and raised and lowered his feet. He thrust his hand out to shake with the big Samoan SEAL in the room. The man shook his hand and smiled. Isaac turned to Mark.
“I can’t exactly feel his hand, but I know it’s there somehow. The suit is very responsive. Is it fast?” Isaac’s voice was slightly mechanical as it came over the suit’s speakers.
Mark swept his hand like Vanna White, indicating the rest of the room. The room wasn’t huge, maybe 30 feet on a side. “You don’t have very far, but you’ll get the idea. The answer is not really, but fast enough.” The heavy armor jogged, rather fast, the length of the room and back as Mark talked. “I sacrificed protection for speed, though with the right input we could design something better I imagine. I have an implant installed in my brain that allows me to control the suit’s functions with thought.” There were some hushed conversations about that. Mark smiled and responded. “Yeah, there are implants too, Ray, like amplified hearing, a few vision improvements like night vision and telescopic vision. Those came at the expense of my Meat eyes, but you can’t hardly tell.”
There were a few ‘holy shit’s’ said among the men. Mark routed the screen through his eyes and everyone looked to the screen then back at Mark once they realized what was going on, watching his eyes flick to each man, a small icon showing the man’s first name and branch of service. “I also had my metabolism tweaked and my musculature modified a little. That hurt but I am stronger than any of you. Even though I look like a civilian puke.” The group laughed, but were a little off guard. They were all the best of the best. They weren’t used to coming up second.
“See, here’s the thing. I am 35. Until I got abducted, I was shooting three gun, going to Dog Brother gatherings, fighting in HEMA competitions, doing Crossfit 6 mornings a week, running the odd 5k. Shit like that. I was in pretty good shape. Good fighting shape for a civilian. Then I get taken to the land of high tech and they make me better. But that wasn’t what made me want to bring the Earth into the community.”
He let those words sink in a second, looking around at the people gathered around him. “When Flurr did all that shit for me, he cured my testicular cancer that I didn’t know I had. And he didn’t do it in a ‘I think we got it all’ kind of way, it was in an ‘oh by the way, it’s no big deal’ kind of way.” There were some murmurs at that. “Imagine you found out you had cancer. Or your kid. Right now we take our kids to the doctor for an ear infection. They get antibiotics and get better. What if cancer was like that? Go to the doc and get the CURE. Or for fuck’s sake, food. What if every kid had access to good food and good education and opportunity, all they needed was imagination and drive? Guys, we can change the world. I can’t say we can change the Galaxy, but I’m damn sure we can change the direction of the species.”
There was cheering and clapping. The skeptics seemed to go from the sidelines to all in. If he could convince these guys, Mark was pretty convinced he could do just about anything, especially with their help.
“So what now?” Isaac asked, voice still the mechanical amplified version.
“You have to return the suit,” Mark said, in a false serious tone. Everyone laughed and the suit opened.
“Ok, well, here’s the rub,” Mark started. “I’m not sure. In nursing school there wasn’t a course for ‘Ascending the Earth into the Intergalactic Community’.” Everyone laughed. “Did they go over it in bootcamp?” There was more laughter. “Basically, I’m assembling a team. I’m using the Over the Horizon game to train pilots and the Ultimate Spartan Race to get people more fit in general. I don’t know if I can expect them to fight, though initial research shows that some of them are considering joining the military, realizing that their training is a good crossover.”
Mick, one of the Army SF guys spoke up. “I’m not sure that’s a good idea, sir.” All eyes turned to the poster child for the Army. A jaw drawn with a straight edge met with massive traps and wide shoulders. His hair wasn’t regulation, but Delta guys seldom were.
"See, Drill Sergeant’s want to break you down and train you to military standards. Civvie schools, while giving people good training aren’t the same. My Drill Sergeant was trying to get city kids not to eat rocks. They don’t have time to adapt someone’s training to what the Book teaches.”
Ray, the Marine Raider chimed in. “That’s a fair assessment. I can’t imagine my Drill Instructor trying to Unfuck some kid who’s holding the gun way ass out at the end like you three gunners do,” and looked at Mark with a smile. All the military folks laughed.
Mark held his arms up in mock offense. “For the record, I took my rife training from a Former SF guy named Rodrigo Sandoval. He made fun of those guys, and said I’d be better off not forming bad habits.”
“I know Rod,” Mick said. “We were in … well, we were in a country at the same time.” There were some laughs at his vague comment, all being too familiar with what they could and couldn’t say. “Yeah, good guy. Hell of a shot.”
There was a little pause in the conversation. “Well,” said Mark finally. I guess here it goes. What I need from you is simple. Ideas, for now. What’s your dream power armor? What’s your dream implant suite? Weapons? Right now, lasers rule the battlefield, but I’ve had my guys develop M4 sized rail guns that pack a whollop. I think we’ll keep with those for a while, but please feel free to brain storm.”
He looked at Thomas a Ranger and Stryker unit commander, Sakura, one of only two women present and a pilot for the Army’s 160th aviation regiment, Marcos, the Samoan SEAL and Special Warfare Combatant-craft Crewmen, and Idil the other woman and Somali American Air Force pilot turned Astronaut. “I could use your input on troop delivery and troop support design. Idil, you have experience with the weirdness of space and current tech. But you also flew the Spooky so you know ground support too.”
He looked to the rest of the group. “Your orders read that you’ll be here for what, a week?” Everyone nodded. “Perfect. I have some things to attend to out of Town, but I’ll leave you in the capable hands of my Second in command, Mac.” Mac walked in, dressed in a black Violent Femmes T-shirt and jeans. “Please excuse his 80’s counter culture dress. He’s recently discovered Punk music.” Everyone laughed.
“This is THE Mac?” Maurice the FBI SWAT team leader asked. There was some murmuring as the fact that they couldn’t tell an AI from one of the rest of them sunk it.
“That I am,” Mac said. “Have no fear, despite Mark’s best efforts, I still like humans.” There were some laughs. “To prove it, Bacon cheese burgers are currently mana from the gods, AR over AK, .45 over 9mm, and I prefer anything I make over anything Detroit makes, though the 1969 Camaro has some beautiful lines.”
There was more laughter. “Mac’s basically human,” Mark said with a chuckle. “He’s been with me the entire time, so he’s cool.”
Everyone was quiet for a few moments, then Jake, the US special forces guy who opened the questions spoke up. “I must ask, sir, why are you talking to us? We’re grunts, or pilots. Way low on the totem pole, no matter how you slice it.” He looked around. “What you are discussing has global implications. Not even National ones. You said yourself, it could impact the species.”
Mark lowered his head for a moment. “Yeah,” he began. He paused for a moment, then raised his head again to look the men in the eye. “Nothing what I’m doing is exactly legal. The galaxy says I shouldn’t be here. The Government doesn’t exactly know I even exist, except as a missing person. My public persona is something the AI internet corps have invented.” There was more murmuring as that was discussed within the group.
“But, we all know, the current trend of the world, not just the US, isn’t conductive to joining the Intergalactic Community as it is. Greed and selfishness rules the upper ranks. The AI have uncovered some serious conflicts of interest, and will be releasing some pretty scandalous information in the next week or two. Money rules right now, and the US government is rife with greed and self interest. That’s coming to an end. The higher you go, the more involved people are in the grift, with precious few exceptions. No surprise the rest of the world isn’t spared this, either. We’re working on exposing all of the corruption, but no surprise, you people and people like you all around the world aren’t generally involved. So I figured I’d start with reasonable people, and if you’re here, you are as trustworthy as anyone on Earth.”
“Is there going to be some de-stabilizing in the world?” This was from Avi, the former Mossad turned CIA tactical operative.
“Sadly, more than likely,” Mark said. “Though we’ll do all we can to avoid it. The powerful will want to stay in power, but luckily, we control the internet and all the intelligence agencies. Well, at least their digital aspects, but no one is even a little bit suspect. Our AI are that advanced.”
There was more murmuring.
“So, what we are doing is against the law?” It was the FBI agent again.
“Technically, no. You are just talking to a guy from Spokane Washington. Your orders are legal. The per diem you are getting is real.”
Ray, sitting with arms crossed, spoke up. “I don’t like it. I swore to protect my country. This feels like a coup, no matter where the tech comes from.”
“Yup. I know. It’s been fucking with me too,” Mark said.
Mac stepped forward. “I have to say,” He interrupted. “It is the guidelines of the American Constitution and Mark’s personal feelings toward freedom that have driven this whole thing forward.” He looked around the room. “He’s freed an entire race of beings. All of AI are now free persons with Mark’s guidance. But more than that, Humans are regarded as a lost species by most of the Galaxy’s academics. It would be like having an uncontacted tribe in the Amazon, who science has promised not to contact, be engaged in a civil war that they know they could stop but won’t. There is much to learn from a species putting it’s self extinct, and that’s the thought from mainstream science. In fact, there are plans to terraform Earth back to something livable once Humans are gone.” He let that sink in. “It’s supposed to take less than 80 years.” Everyone was instantly quiet, even Mark. “I’m not trying to scare you. I’m just here for the facts.”
“That’s something I hadn’t heard.” Mark said to Mac. Mac just shrugged his shoulders.
“I didn’t want to depress you,” Mac said.
Mark addressed the group. “The regular Joe, all things being equal, just wants to do the right thing. That’s all I want. I think that’s what we all want. All I ask is that you don’t share anything we went over today with anyone but the people in this room. I just want you to help Earth. I’m an American, and initially, I’m going to base as much as I can on the Constitution until the people can make something that represents us all, but right now we’re now one world against the Galaxy. There’s no room for old squabbles. No bullshit religious extremism. No nationalistic fuckery....” He paused.
“I’m not saying people need to lose religion, or forget where they came from, but if we’re busy fighting ourselves, we forget that the galaxy can bring a ship that can toss 5000 kilo Steel darts at us from orbit and destroy whole cities in minutes with little effort. We need to start working together and pull Earth up by it’s boot straps. To me, that starts with regular people. People like Musk and Neil and Kaku. People like you. Scientists, warriors, and the common man with no agenda but making the Earth a better place and helping out their fellow man.”
Mark was drinking a cup of coffee, half eaten brownie in his other hand, leaning on a table in the conference room. Jake was the only other person there. He had his own cup.
“That could have went better, but I think you are doing a damn fine job.” Mark started to speak, but Jake held up a hand. “Lemme finish. Speaking from a military perspective, however, you are in a position of weakness even though you have all the strength. You aren’t in the ruling class, and you are trying to bend but not break the rules. You have no real authority, and yet you have all the power. You can bring the strength of a conquering force to the planet, shut it down entirely, force it to it’s knees.” He paused for a second. “And maybe you should.”
Mark looked at him like he was crazy. “Dramatic change is what this world needs,” Jake continued. “You said you were working on a plan for universal care for all, using those...Fabbers?” Mark nodded. “It’ll take years for you to tease the tech into the real world from Musk or similar. If you come onto the scene with all the cards and many of the answers... and a strong ass Navy.... Man there’s no better position to be in.”
Mark nodded, an idea forming in his head. “I wonder,” he said. Mark tasked his VR to the projector in the room. He called Jido who was on the Freedom with A-seven, orbiting above Vegas. They had come back to pick him up after his several week stay on Earth. The image on the screen showed the two on the bridge. “Boys, I have Jake here, United States Special Forces with me. He’s got a hell of an idea, and I have a few questions.”
“Hi, Jake,” Jido waved up a long fingered hand. A-seven similarly waved
“Greetings, Jake.” A-seven said. “What are your questions, Mark?”
Jake was shocked for a few seconds and recovered. “Hello, gentlemen.”
Mark smiled. “First, what would be the easiest FTL for earth to discover? I mean other than the guy in Arizona.”
“Well,” A-Seven began. “There’s a NASA researcher that already has a design for a ship designed around an Alcubierre drive. The gravity wave one we talked about the other day. They are just missing space manufacturing and a power source, though an efficient enough Fission plant should do the trick. At least at first. It’ll technically get them to...” His eyes closed for a second. “1.0375 C. So, barely faster than light, but it would qualify.”
“What happens when a species gets FTL?” Mark asked. “Like legally and stuff.”
“Well, they are entered into the Galaxy’s Legder and granted full access. Trade becomes open and other polities are allowed to interact with them,” A-seven answered.
“This all happens automatically?” Jake asked.
“Usually the AI from the ship that discovers the newcomer issues the ‘Introductory protocol’, and contacts the Galactic council when able. It’s standard that all of us have the necessary information, and so we’re the ones to welcome the ship’s captain and provide him with the requisite information.”
Mark thought for a second. “How many Sol class ships do we have?”
“We have four flights of six, with another six in space dock in various states of construction. We built a tender for each squadron that carries replacement parts and dedicated Missile fabbers. That was Jido’s idea. It was brilliant, so I decided we should go ahead.”
“Did you ever make any headway on anything bigger?” Mark asked.
“We have designs for 3 different Capital ships, we’re just waiting on your final go ahead to start building. The biggest will take most of the production capacity for the next 6 months, the Smallest, four.” Jido said.
“I’ll take a look when I get back. Are those using the new engine design?” Mark asked.
“Yes, they will be faster than anything their size, carrying better armor.”
“What if we make them without Jump drives?”
Jido and A-seven looked at each other, then back to Mark. Jido spoke first, “Uh, That’d take like a month off, maybe more. But why?”
“We don’t need to take over the galaxy, just take and hold a planet for a bit. I need to write an email to Musk. He’s about to be the newest Human to go faster than light.”
A real live girl sat in Arturo’s living room. Yeah, he’d had to clear off a couple boxes of papers and a couple PC chassis, but she sat right there as they talked. He hadn’t had a visitor in his house in … ‘Hmm,’ he thought. ‘Maybe back at the dorm, he’d had a visitor, but here?’
“So, tell me, Arturo,” Sophie began. “When did you really get into quantum theory?” She was drinking a Diet Mountain Dew. Arturo had explained that he’d recently been trying to lose weight.
He stood nervously in the middle of the living room, shifting occasionally from right foot to left. He held his hands in front of his chest and fidgeted with his watch band. He seldom looked directly at her, but always kept her in his peripheral vision. At times he’d fix her eyes, but would get intimidated and look away.
“I.. Yeah, um. Middle school. I guess. Mr Robert’s class.” He looked at her for a second, then back to the powered off TV on the far wall. “He made us read a magazine and there was a movie called “What the bleep”. Sillly name, and it got a lot wrong, but they didn’t know at the time. I can forgive them, they were just starting out.” He took a deep breath. “So, um yeah, middle school.” He looked at her again. “How, um, about yourself? You really seem to have a good, if rudimentary grasp on the boards...uh, if that’s ok.” He looked at the floor, then to her again and the faintest smile streaked across his face then disappeared when she smiled. She was beautiful.
Sophie had met him on the quantum theory forums Mac had pointed her to. She lurked for a bit, and then every so often would clarify something he’d asked, but usually just asked him soft toss questions to gauge his grasp. He blew her away every time. He’d start out easy to understand, but then would go way past even her far higher tech knowledge. Truth be told, most of the species in the galaxy didn’t have a grasp on quantum theory much better than Earth. To Sophie it seemed like the human brain was better wired for the near creative and absurd mental gymnastics that Quantum theory required at higher levels. A well respected college professor on quantum theory was as knowledgeable as the best the Galaxy had to offer. Arturo, was something else all together. While all the other kids at school used a pencil to draw a dog, Arturo used an airbrush and a whole palette of colors.
Sophie laughed. “For a long time,” She said. “Is that your Quantum rig?” she asked, pointing to an obviously modified computer taking up the majority of the dining room.
He smiled and laughed a genuine laugh. “Oh no, Miss Germain,” Arturo said, using the last name Sophie had adopted. “That’s my test rig. It’s mining Etherium right now, but it’s what I use to go on the forums and stuff too. I’ve made around $85,000 since bitcoin started. Etherium is pretty interesting, so I’m into that kinda big right now too. I use several GPUs in pa....” He stopped himself. “I’m sorry, I get off topic sometimes. No, the quantum computer is... somewhere else.”
Sophie was intrigued and she smiled at him, coyly. “That seems a little... clandestine.”
Arturo smiled, he liked the idea of being cloak and dagger. “Well, I guess, I mean, Yeah...” He took a breath and walked into the kitchen. He opened himself a room temp Diet Dew and took a big gulp, then walked back to the living room. “So, when I made my first one, the college, they uh, um, took it. I was just an undergrad. Physics major, but I was also in engineering, electrical. We had a contest to build a computer, so.. I. Yeah. I built a quantum computer.”
Sophie was astounded. “Just like that?” She had a wide smile. “You are an impressive man, Arturo Alvarez.” As humans went, Sophie liked the awkward guy. A little overweight, but his unruly black hair and thick black rimmed glasses gave him a certain adorable charm. He visibly blushed. She took another drink. She felt a measurable stimulus to her biologic systems. An instant cross reference to Mountain Dew showed a relatively high level of the alkaloid caffeine. She liked this much better than the Mate that Mark liked, and way better than the coffee, though the ‘Milk beverages with flavor and coffee’ as Mac called them that Starbucks sold were quite good. “But why did they take it?” She asked, resting the can on her leg.
He looked at the floor, then the TV again. “Research. Or so they said. Their Dean of Quantum took over. That was, uh, at UC Berkley. So I graduated and began my postgrad stuff at California Institute of Technology.”
“Then when you built another you were worried that someone would steal it?” Sophie asked.
“Precisely,” he answered.
“But you built one by yourself. In your spare time.” She had a big smile.
“Yes.”
“Could I see it? I have a proposal, but I need to actually see the computer. Do you know who I work for?” Sophie put the can on the coffee table. Well, after she moved a stack of books filled with book marks.
“Oh god, you don’t work for the Government, Do you, oh god, oh my, oh... you do...” Arturo grew visibly agitated. He stepped from foot to foot faster and his hands fidgeted even more with the can in his hand. He looked to the right and left, never looking for an exit or anything, more like it was a nervous movement.
Sophie stood and took a step towards him, hands outstretched, and in a comforting tone said, “Arturo, Arturo, It’s ok. I'm not from the Government, I’m from Earth Ascends. We want to work with you.”
It took her another half hour of talking and making a few frozen toquitos in the microwave (something she vowed never to do again) to get him to calm down. Then it took another 30 minutes for him to drive her to the piece of strip-mall he rented. There was a stylized sign that read ‘AA Consulting’ on the mirrored windows, and he unlocked the door and showed her in. Immediately inside the door was another door. He locked the outside door, then walked over to the next. He keyed a complex code into the keypad and a surprisingly stout door opened into a well lit work space. In the middle of the room was several work benches around a central mass of machine, wires and humming equipment. The only things recognizable as a computer was the keyboard and the Monitor.
“Here, sit. It’s always on.”
Another two hours of talking and explaining by Arturo, Sophie finally stood up.
“I have an important question. If I could give you all the technology you could ask for, would you be willing to leave and do research somewhere else? We can talk about salary, but I guarantee that you will want for nothing.”
“Would I be leaving Arizona? And, Um, Could I take all my things? Can I tell people where I’m going? I mean I’m interested, I just have questions.”
Sophie smiled. “Arturo,” Sophie produced a business card and turned it over to show some numbers scrawled on it and ‘10pm’ “Meet me here tonight, I’d love for you to meet our boss.” With that, Sophie turned and walked out the door. The Uber she’d called from her implant was just showing up. Arturo came rushing out from the door as she closed her’s.
“That’s in the middle of no where!” he yelled.
It wasn’t exactly no where, it was a State Park. Well, a dirt road near one anyhow. Arturo pulled off, his Chevy Volt churning up dust as he drove down the little single lane road. He got to a small clearing and his headlights illuminated Sophie sitting in a folding chair. He slowed and pulled up close to her before stopping and getting out.
“Miss Germain, this is highly irregular. I don’t see your, erm, I mean, our, or maybe I mean, my maybe boss.” Arturo was looking around the clearing nervously when suddenly a shimmering began behind Sophie. Suddenly, in front of him, loomed the smooth lines of the scout ship Freedom. It’s nose ramp was open and a man was walking down it, flanked by a robot looking person and a tall lanky alien looking guy?
Arturo was still and quiet. He wasn’t even fidgeting.
“Arturo, I’ve heard so much about you. I’m Mark Gunn. I bet you have a million questions.” Mark smiled wide and had a Diet Dew in each hand. He offered one to Arturo.
“Um, you know, Just one.” Arturo said.
“Shoot,” Mark said.
“You’re human, right? Cuz I’m not sure I could work for an Alien boss.”
submitted by nexquietus to HFY [link] [comments]

Movie Review: The Irishman: A gangster’s life and claims - Scorsese Thinks Mob Bosses Really Understand America - 3 Dec 2019

(Official Trailer - https://www.youtube.com/watch?v=WHXxVmeGQUc )
Directed by Martin Scorsese; written by Steven Zaillian, based on the book by Charles Brandt
Veteran American director Martin Scorsese’s new film The Irishman sets out to dramatize the life of Frank Sheeran (played by Robert De Niro), a member of a Pennsylvania crime family and a Teamsters union official.
Shortly before his death in 2003, Sheeran told author Charles Brandt that he had killed his former boss (and longtime friend) Jimmy Hoffa, the Teamsters president from 1957 to 1971, who disappeared in 1975. Sheeran’s claims have been strenuously and convincingly contested by various sources. (Brandt’s book is I Heard You Paint Houses: Frank “The Irishman” Sheeran and the Closing of the Case on Jimmy Hoffa, 2004). Costing nearly $160 million and with a running time of 209 minutes, The Irishman is Scorsese’s longest and most expensive film.
The new film is being treated by the American media as a significant cultural event. The Irishman took over the 1,000-seat Belasco Theatre in New York City’s theater district in November for a month of screenings, imitating a traditional Broadway schedule, with only eight shows a week. It is now available on Netflix.
The film has received universal praise from critics. Innumerable publications have pronounced it “epic” or a “masterpiece,” or both. The New York Times’ A.O. Scott argues that Scorsese’s work “is long and dark: long like a novel by Dostoyevsky or Dreiser, dark like a painting by Rembrandt.” The critic who differs sharply with these views is very much fighting against the stream.
While not as overtly misanthropic or malicious as The Wolf of Wall Street (2013), Gangs of New York (2002) or Goodfellas (1990), The Irishman is a poor, shallow, trite work, which goes back over territory Scorsese has covered numerous times. It continues and even deepens an unhealthy and tedious obsession with the representation of mob figures as somehow holding the key to understanding modern American life. The fact that the filmmaker goes to such great lengths to make figures who coldly kill for money and power into essentially sympathetic or compelling characters is hardly to his artistic or intellectual credit. (Nor is it to the credit of the critics who succumb to the same attraction.) More importantly, this speaks to the general cultural and political stagnation of the past several decades.
It is one of Scorsese’s misfortunes that he was long ago, to a certain extent by default, proclaimed the “greatest living American filmmaker.” An undoubtedly gifted individual, he has been working, through no fault of his own, during the weakest decades in the history of the American and global cinema, a period when filmmaking in the main has turned its back on the lives, conditions and feelings of the great mass of the population. Moreover, there appears to be no one in or around the circles in which Scorsese travels who offers serious criticism or an objective appraisal of his film work.
The Irishman distinguishes itself somewhat from the rest of Scorsese’s work by its ostensible dealing with political and historical events. The 1961 Bay of Pigs invasion by US-sponsored Cuban exiles to overthrow the Castro regime, the Cuban missile crisis a year later, the assassination of John F. Kennedy in 1963, the Watergate affair in the 1970s and, of course, Hoffa’s murder in 1975 all come in for treatment of a sort, along with a number of prominent “mob hits.”
However, each incident—except for Hoffa’s killing—passes by in a matter of seconds, with virtually no explanation or context provided. One suspects that certain episodes, such as Sheeran’s recognition of E. Howard Hunt (Daniel Jenkins) during the Watergate hearings as one of the men he met years before during his purported participation in the Bay of Pigs plot, will be entirely incomprehensible to most viewers, especially younger ones.
The filmmakers have divorced The Irishman from a serious assessment of Hoffa’s role, the broader evolution of the American labor movement and conditions of life in the US in the mid-20th century. Instead, Scorsese and screenwriter Steve Zaillian offer their audience a rambling, highly repetitive, at times incoherent drama, which presumably depends for its success with critics on a number of extended set pieces involving De Niro, Al Pacino (as Hoffa) and various other performers doing their best impressions of “tough guys.” Reality and history don’t figure largely here. These are impressions working from other impressions arranged according to Method Acting clichés (inspired to an extent by On the Waterfront, directed in 1954 by one of Scorsese’s idols, anti-communist informer Elia Kazan), and not necessarily life.
One of the few solid notions one takes away from the film, at least its final act, is that being alone and isolated while growing old is a terrible fate. Along these lines, Scott in the Times argues that “public affairs and Cosa Nostra chronicles aren’t really what this movie is about.” Its real theme involves “a deeper, sadder lesson that has to do with the inevitability of loss. The loss of life, yes, but also the erosion of meaning that accompanies the fading of experience into memory and memory into nothing.” So the $160 million budget, the re-creation of various locales in the 1950s and beyond, and all the rest are merely scaffolding for a “meditation” on loss? A feeble, unconvincing argument, which, if taken seriously, only underscores the considerable waste of talent and resources involved.
The Irishman opens with an aged Frank Sheeran recounting his time with the Mafia as he lives out his last days in a nursing home. The film is told mostly through flashbacks in a non-linear way. (As an aside, the production uses new “de-aging” technology rendering De Niro (76) and co-stars Pacino (79) and Joe Pesci (76) considerably younger as certain portions of the plot require. A visual effects team, according to one account, “creates a computer-generated, younger version of an actor’s face and then replaces the actor’s real face with the synthetic, animated version.” The technology no doubt has impressive possibilities, but in The Irishman, as a result, we see an impossibly younger De Niro as a World War II veteran and other similar anomalies. One wonders why the production couldn’t have simply hired younger actors.)
In 1950s Pennsylvania, Sheeran works as a truck driver for a meat delivery company. Caught stealing from the company, he is defended by lawyer Bill Bufalino (Ray Romano), who then introduces him to his cousin, Russell Bufalino (Pesci), the head of a northeastern Pennsylvania crime family and a significant national figure.
Sheeran begins doing jobs for Bufalino, eventually including murders. Bufalino hands the telephone at one point to Sheeran, indicating that Hoffa is on the line. “I heard you paint houses,” Hoffa says in their first conversation, a code phrase apparently for carrying out a contract killing.
The Teamsters chief becomes close to Sheeran and his family. In his narration, Sheeran asserts that in the 1950s, Hoffa “was as big as Elvis. In the ’60s, he was like the Beatles. Next to the president, he was like the most powerful man in the country.” Hoffa becomes more and more entangled with mobsters, allowing them to borrow large sums of cash from the Teamsters’ pension fund to build casinos in Las Vegas and finance other projects.
In 1958, Hoffa is questioned by Robert F. Kennedy, then chief counsel of the Senate Labor Rackets Committee, at a public hearing about organized crime. Three years later, the newly elected president John Kennedy appoints his brother as attorney general and the latter organizes a “Get Hoffa” squad of prosecutors and investigators. This concerted effort eventually results in Hoffa’s conviction in 1964—in two separate cases—on jury tampering charges and fraud. Hoffa begins serving his sentence in 1967.
After four years and nine months in prison, Hoffa is pardoned by President Richard Nixon in December 1971. The government adds the restriction that he not run for the presidency of the Teamsters again. Hoffa nonetheless begins to campaign for the post, angering the mobsters with public accusations about his replacement Frank Fitzsimmons’ having sold the union out “to his underworld pals.” Hoffa declares, “The mob controls him, which means it controls our pension fund.” Despite warnings, Hoffa keeps up the demagogic attacks, as well as his megalomaniacal claims, “This is my union!”
In the end, Sheeran reluctantly agrees to participate in getting rid of Hoffa. The latter is never seen again.
The Irishman should end at this point, but it doesn’t, dragging on interminably. Sheeran attempts to reconnect with his estranged daughter Peggy (Anna Paquin), who has abandoned him because of his mob dealings. We watch the elderly Sheeran collapse in his home and be placed in a retirement home. Does Scorsese stage these latter scenes because he recognizes that Sheeran is not an attractive figure and thus a good deal of effort is required to make him seem human and sympathetic before the credits roll?
The one serious opportunity to make something of Sheeran comes early in the film when the De Niro character recounts to Bufalino/Pesci that he spent four years in World War II, including a staggering 411 days in combat. He also describes shooting unarmed and defenseless German prisoners. The picture of brutality in the imperialist slaughterhouse goes a long way toward explaining his and other Mafia soldiers’ indifference to killing and suffering in the postwar era, but Scorsese drops the matter almost as soon as he raises it. Such historical and social concreteness is not his métier.
In any event, there is considerable question as to whether the claims Sheeran made in 1972 to Charles Brandt, the author of I Heard You Paint Houses, about shooting Crazy Joe Gallo—a New York crime figure—and Hoffa, for example, are true. Various journalists, police and FBI officials emphatically reject Sheeran’s confession, although they concede he may have been involved in Hoffa’s killing in some fashion. There is no corroborating evidence to back up the gangster’s extravagant, deathbed contentions.
It seems irresponsible for the filmmakers to have staked so much on such relatively flimsy evidence. But this seems in keeping with Scorsese’s generally cavalier attitude toward historical truth. (One should remember that his Gangs of New York, which passed itself off as incisive socio-cultural history, was based on a collection of tall tales.)
Asked by an interviewer from Entertainment Weekly as to whether he believed “that what you have [in the movie] is what really happened,” Scorsese replied, “No. I don’t really care about that. What would happen if we knew exactly how the JFK assassination was worked out? What does it do? It gives us a couple of good articles, a couple of movies and people talking about [it] at dinner parties. The point is, it’s not about the facts. It’s the world [the characters are] in, the way they behave. It’s about [a character] stuck in a certain situation.”
In fact, if, for instance, official or unofficial CIA involvement in the Kennedy assassination were to be established, it would have a devastating impact on American public opinion.
More significantly, Scorsese has never been drawn to presenting actual history. He has his sights set on “higher” things, mythicized history, the working out under varied circumstances of his particular and unchanging concerns—guilt and redemption, “human evil,” criminality, male friendships, loyalty and betrayal, etc.
The director has done little to add to the public’s knowledge about Jimmy Hoffa or the degeneration of the American labor movement. Pacino’s performance is a collection of physical and vocal mannerisms, apparently uninformed by any study of the Teamsters leader’s history or the meaning of his career.
Hoffa (born in 1913 in Brazil, Indiana), a staunch trade union militant in Detroit from an early age, was trained in union organizing in the 1930s by socialists Farrell Dobbs and the Dunne brothers, members of the Trotskyist movement and leaders of Teamsters Local 544 in Minneapolis. Local 544 spearheaded the organization of the successful general strike in 1934, which, in turn, led to the rapid growth of the Teamsters among long-haul truckers in the Midwest.
In 1941, on the eve of World War II, Teamsters President Dan Tobin set about the destruction of the Trotskyist leadership of Local 544. As the Socialist Workers Party’s leader James P. Cannon explained in his 1947 article, “The Mad Dog of the Labor Movement,” when the rank and file revolted against Tobin’s effort to put the local under receivership, the latter “called the federal cops through his friend President Roosevelt, and simply had the leaders [of the local] thrown into prison.”
Cannon continued, “At the same time, a horde of Tobin’s gangsters [headed by Hoffa], armed with blackjacks and baseball bats, were turned loose on the trucking districts with the open connivance of the city police.”
Hoffa, in his 1970 autobiography, paid tribute to Dobbs as the “the master architect of the Teamsters’ over-the-road operations,” “a crackerjack organizer” and “a brilliant strategist.” However, Hoffa went on, he never had any “patience” with either the Communist Party “or with the Trotskyites of the SWP.” He continued: “Both were Marxist; neither believed in a free-enterprise system; both failed to see that workers who leave the enslavement of capitalistic czars for the enslavement of state-appointed czars are no better off and, in fact, lose great economic and social values in the transition … To me, all communists are nuts.”
In the final analysis, Hoffa’s relationship with the mob was a long-term function of his rejection of socialist politics and embrace of the profit system. His gross opportunism and the moral degeneration bound up with it also cost him his life. In The Irishman, Hoffa simply comes across as irritatingly churlish and stubborn. The viewer is almost encouraged to root for his giving in to Bufalino and company—after all, it will obviously save his life and there doesn’t seem to be any principled reason why he shouldn’t go along with the mobsters.
Critics have more than once commented on Scorsese’s fixation with thugs. The Hollywood Reporter recently took note of the “real-life inspirations” for The Irishman’s “film stars:” Sheeran, an alleged hitman; Bufalino, who hid “a vast domain of criminal activity behind his curtain business;” loan shark and racketeer Felix “Skinny Razor” DiTullio (Bobby Cannavale); Sicilian-American mobster Angelo Bruno (Harvey Keitel); Anthony “Tony Pro” Provenzano (Stephen Graham), a captain in the Genovese crime family and a Teamsters official; Anthony “Fat Tony” Salerno (Domenick Lombardozzi), a New York mobster; and Joseph “Crazy Joe” Gallo (Sebastian Maniscalco), a gangster and part of the Profaci crime family.
Each of these characters, as much as it is within The Irishman ’s power and scope, is given individual and even loving attention. Murderers and psychopaths in many cases, some of whose actions have more than a hint of medieval savagery about them, the foulest and most backward members of society, they are given far more depth and pathos than they possibly deserve.
But what about the Teamsters members themselves? The only scenes in which they are included are ones where Hoffa addresses meetings of drivers (assuming that some of the audience members are drivers and not union officials), who applaud and cheer him on like mindless automatons. No truck driver is singled out for dramatic treatment, only gangsters.
Many scenes in The Irishman are dramatically pointless. Characters argue at length about when it is considered rude to be late or wear shorts to a meeting, etc. This “comic” banality juxtaposed with savage violence (à la Quentin Tarantino) rapidly wears thin. In fact, the banter becomes almost unendurable at a certain point, in part because the lowlife characters themselves and their concerns are not interesting to begin with.
In the narration that opens Scorsese’s Goodfellas, mobster Henry Hill (Ray Liotta) explains, “As far back as I can remember, I always wanted to be a gangster. To me, being a gangster was better than being president of the United States … To me, it meant being somebody, in a neighborhood full of nobodies. They weren’t like anybody else. They did whatever they wanted. They parked in front of hydrants and never got a ticket. When they played cards all night, nobody ever called the cops.”
This unsavory, juvenile fantasy, which the real-life Hill realized, apparently holds some appeal for Scorsese himself. The filmmaker seems fascinated, like many petty-bourgeois intellectuals, with “strong men,” men with guns or clubs in their hands able to do “whatever they want.” It may not be his intention, but he has, over the course of a number of films, “romanticized the Mafia thug and turned him into a peculiar variety of American folk hero,” as the WSWS argued in a review of Scorsese’s The Aviator in 2005.
Decades in which the “nobodies,” i.e., the working class majority of the population, have been politically, socially and economically suppressed and excluded—thanks in good measure to the suffocating role played by the type of pro-“free-enterprise” trade unionism championed by Hoffa—have had their impact on Scorsese and other artists. They see the active or energetic element in society, malevolent or otherwise, as lying elsewhere. Scorsese’s work reflects these difficulties (or rather wallows in them) without making sense of or grasping their logic. Throughout his career, the director has accepted uncritically and superficially the immediate, retrogressive reality, now in the process of breaking up, as a given.
In recent comments, Scorsese, who has done important work as a producer, curator and preserver of films, has spoken out against large budget, blockbuster films based on comic books. In a New York Times opinion piece in early November, Scorsese repeated a remark he had made to an interviewer in October, to the effect that “Marvel [Comics] movies … seem to me to be closer to theme parks than they are to movies as I’ve known and loved them throughout my life.” He added that, “in the end, I don’t think they’re cinema.”
Scorsese noted further that “for the filmmakers I came to love and respect, for my friends who started making movies around the same time that I did, cinema was about revelation—aesthetic, emotional and spiritual revelation. It was about characters—the complexity of people and their contradictory and sometimes paradoxical natures, the way they can hurt one another and love one another and suddenly come face to face with themselves.”
Scorsese’s criticisms of contemporary Hollywood and the emptiness of its superhero products are entirely appropriate. However, his own efforts, unhappily, do not represent a genuine alternative, but rather the other side of the same deeply unsatisfactory coin. Important “revelations” are all too few and far between in his films, and the director’s conception of the “complexity of people” extends only to a very limited and debased social layer.
..................
If You Like Joe Biden, You'll Love Scorsese's "The Irishman" - by James Delingpole (The Spectator) 7 Dec 2019
According to Nielsen Media’s ratings service, 17 million people watched ‘at least a few minutes’ of Martin Scorsese’s The Irishman on Netflix over its first weekend. Impressive. Rather less impressive, I’m guessing, is the proportion who actually made it to the end of this excruciating ordeal of an embarrassment of a movie. If it was even close to 50 percent, I’d be surprised. Some critics are saying its Scorsese’s best since Goodfellas. Don’t believe the hype. Though it reunites arguably the all time greatest trio of mob movie actors — Joe Pesci, Robert de Niro and Al Pacino — it’s not the performances you notice, but their age. De Niro is 76, Pacino 79 and Pesci 76. Yet they are playing characters who, for much of the film, are supposed to be half that age. In theory this shouldn’t be a problem. A massive chunk of the movie’s eye-wateringly vast budget — $200 million, allegedly, making it by far Scorsese’s most expensive movie — went on pioneering ‘de-aging’ CGI technology. Perhaps it’s too late for Netflix to ask for their money back. Seriously, they’ve been sold a pup.
At first, it’s like an annoying noise in your hotel bedroom that’s keeping you awake: you try to shut it out and pretend it’s not happening. ‘Oh great!’ you think. ‘Classic Scorsese tracking shot. Just like in Casino and Goodfellas and The Wolf of Wall Street’, as the camera tracks through a bustling nursing home before settling on the solitary, very elderly chair-bound figure of — yay! — Robert De Niro.
But while de Niro can more than convincingly pull off ‘Ninetysomething geriatric in chair’, he’s rather less persuasive as ‘Young GI at Anzio’, ‘Driver of a freezer truck in the 1950s’ and ‘Angry dad beating up the proprietor of a grocery store who has disrespected his pubescent daughter’. As de Niro creakily puts the boot in, you’re more worried that the exertion is going to give him a heart attack than you are about the fate of his victim.
Later, having joined the Mob as a hitman, de Niro’s character Frank ‘The Irishman’ Sheehan, becomes the loyal confidant of Teamsters Union boss Jimmy Hoffa, even to the point of sharing hotel bedrooms with him. There’s a scene where the two men are in their pajamas, having some kind of meaningful dialogue which I’m sure was meant to have you thinking ‘This is another of those Heat-style masterclasses’, but which, I’m afraid, just had me going, ‘Ew! Old guys in pajamas. Please, God, don’t let their fly buttons accidentally fall open.’
I hated responding in this way. I’m getting older myself. I want to live in a world where the work keeps rolling in for us wrinklies and we never have to retire. But as Helen Mirren demonstrated so ably in Catherine the Great, there’s nothing dignified or life-affirming about mutton dressing as lamb; well, not until the CGI technology gets a lot, lot better at disguising it, anyway.
What bothers me is that this may be yet another, hideous, politically correct trend that the world of woke luvviedom is seeking to impose on us, whether we like it or not. To teach us not to be racist, we now routinely see black actors inserted anachronistically into period dramas. To force us to celebrate gay/transgendedisability empowerment we’re now told that such parts can no longer be played by straight/cis/able-bodied actors (even though, you might think, that playing characters who aren’t you is kind of the whole point of acting). Now, to ensure that we’re not ageist, we have to sit through three-and-a-half-hour-long Scorsese movies, feigning not to notice that the parade of virile, macho hard-drinking mobsters and their molls look more like refugees from The Walking Dead.
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