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Welcome to Lost in the Sauce, keeping you caught up on political and legal news that often gets buried in distractions and theater… or a global health crisis.
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Election shenanigans

I put the latest info on Trump's phone call to Raffensperger in this comment.

According to experts, Trump’s conduct has potential criminal exposure:

A federal statute makes it a crime when one “knowingly and willfully … attempts to deprive or defraud the residents of a State of a fair and impartially conducted election process, by … the procurement, casting, or tabulation of ballots that are known by the person to be materially false, fictitious, or fraudulent under the laws of the State in which the election is held.”
A Georgia statute similarly provides that a “person commits the offense of criminal solicitation to commit election fraud in the first degree when, with intent that another person engage in conduct constituting a felony under this article, he or she solicits, requests, commands, importunes, or otherwise attempts to cause the other person to engage in such conduct.”
…The hard part for prosecutors would be proving Trump’s state of mind, because the statutes require proof of knowledge and intent. Prosecutors would have to show that Trump knew that Biden fairly won the election, and Trump was asking for Georgia officials to commit election fraud. And it’s not clear prosecutors could make that case.

At least 12 Republican senators plan to challenge Biden’s Electoral College win on Jan. 6, when Congress is set to officially count the votes. The effort is being led by Sen. Ted Cruz (R-Tex.) and includes Sens. Ron Johnson (R-Wis.), James Lankford (R-Okla.), Steve Daines (R-Mont.), John Kennedy (R-La.), Marsha Blackburn (R-Tenn.), and Mike Braun (R-Ind.), as well as new Senators Cynthia Lummis (R-Wyo.), Roger Marshall (R-Kan.), Bill Hagerty (R-Tenn.), and Tommy Tuberville (R-Ala.). Separately, Sen. Josh Hawley (R-Missouri) is pursuing a similar plan.

"Congress should immediately appoint an Electoral Commission, with full investigatory and fact-finding authority, to conduct an emergency 10-day audit of the election returns in the disputed states. Once completed, individual states would evaluate the Commission’s findings and could convene a special legislative session to certify a change in their vote, if needed," the senators said in a joint statement. “Accordingly, we intend to vote on Jan. 6 to reject the electors from disputed states as not ‘regularly given’ and ‘lawfully certified’ (the statutory requisite), unless and until that emergency 10-day audit is completed."

Their plan is not going to succeed in preventing Biden from taking office, as majorities in both the House and the Senate would need to support a challenge against a state’s electoral votes. For an objection to be made, at least one member of both the House and Senate would need to submit it in writing. Then, the House and Senate separately convene to consider the issue. Debate is limited to two hours for each objection. After debate concludes, the House and Senate vote to uphold the objection and throw out the state’s votes. If the majority of the House AND the majority of the Senate does not uphold the objection, the state’s electoral votes are counted as cast.

• Vice President Mike Pence’s role is simply to preside over the joint session, opening and presenting the certifications from each state. In his absence, the Senate pro-tempore Sen. Chuck Grassley (R-Iowa) will lead the session. At the end of the process, the presiding officer announces who has won the majority of votes for president and vice president.

The most immediate danger from Trump and Cruz’s doomed election gambit is rightwing terrorism and general violence: Trump, in particular, is inciting his supporters to swarm D.C. on Jan. 6. “JANUARY SIXTH, SEE YOU IN DC!” Trump tweeted last week. Four rightwing rallies are scheduled, including one headlined by George Papadopoulos and Roger Stone.
The Proud Boys and other extremists are planning to attend the rallies and may set up an “armed encampment” on the National Mall, according to the Washington Post. On social media platform Parler, the leader of the Proud Boys said that members will be there “incognito” and may “dress in all black” to impersonate leftwing protestors.

Enrique Tarrio: "The ProudBoys will turn out in record numbers on Jan 6th but this time with a twist...We will not be wearing our traditional Black and Yellow. We will be incognito and we will spread across downtown DC in smaller teams."

Rep. Louie Gohmert has more explicitly tried to incite violence, saying the failure of his legal challenge to the election means “you gotta go the streets and be as violent as Antifa and BLM.” (clip)

• At the same time, pro-Trump lawyer Lin Wood suggested that Pence could “face execution by firing squad” for “treason” if he doesn’t go along with the attempt to subvert the election.

Obstructing the transition

Biden’s transition director has accused the Office of Management and Budget of stonewalling the incoming administration’s team. OMB Director Russ Vought is not allowing key staff to meet with the transition team to help prepare the president-elect’s first annual spending plan, a move that could delay major proposals. Vought pushed back on the charges, saying that his agency needs to focus on finalizing the Trump administration’s regulations before the president leaves office.

“OMB leadership’s refusal to fully cooperate impairs our ability to identify opportunities to maximize the relief going out to Americans during the pandemic, and it leaves us in the dark as it relates to Covid-related expenditures and critical gaps,” [Biden transition Exec. Dir. Yohannes] Abraham said.

Earlier last week, Biden himself said Trump officials are not cooperating with his team, singling out the Defense Department for obstructing information on crucial national security issues. “Right now, we just aren’t getting all the information that we need from the outgoing administration in key national security areas. It’s nothing short, in my view, of irresponsibility,” Biden said. The Defense Dept. finally scheduled meetings with the incoming team this week, after not briefing the transition for weeks.

• The timing of the resumption in meetings is notable because it comes after the one year anniversary of the U.S. assassination of Iranian Maj. Gen. Qassem Soleimani on Jan. 3. NATO officials are reportedly worried about the lack of coordination from the Trump administration: "We need the incoming Biden administration to be fully briefed and ready to deal with these very dangerous issues facing NATO's security."

Sabotaging the Biden Administration

U.S. Agency for Global Media CEO Michael Pack is taking steps to keep control of Radio Free Europe and Radio Free Asia during the Biden administration. As chairman of the boards of Radio Free Europe and Asia, Pack and his fellow members have added binding contractual agreements that will make it impossible to remove him or other pro-Trump allies from the board in the next two years.

In other words, although President-elect Joe Biden has already signaled he intends to replace Pack as CEO of the parent agency soon after taking office in January, Pack would maintain a significant degree of control over the networks.

The State Department is likely to designate Cuba as a state sponsor of terrorism “as an 11th hour effort to create hurdles for the incoming Biden administration.” The label, which requires the approval of Secretary of State Mike Pompeo, would undo a major accomplishment of the Obama administration. To take Cuba back off the list, the Biden team would need to conduct a formal review, a process that might take several months.

Such a designation would impose restrictions on US foreign assistance, a ban on defense exports and sales, certain controls over exports and various financial restrictions. It would also result in penalization against any persons and countries engaging in certain trade activities with Cuba.

The Trump administration has been rushing to finalize a myriad of rules before Biden’s inauguration. Since Election Day, the Trump administration has issued about three to four times as many new regulations as it did during other periods of Trump’s presidency. Rules that haven’t been finalized or taken effect can be suspended by an incoming president, which Biden has said he intends to do. By contrast, rules that are finalized can take months, or even years, to undo.

“As a general rule, it takes at least as much process to undo or modify a rule as it does to put the rule in place,” said Jonathan H. Adler, a professor and an administrative law expert at Case Western Reserve University School of Law. “The Trump administration is magnifying that challenge for the Biden administration.”

Trump loyalists are urging the president to stymie Biden’s efforts to rejoin the Paris climate agreement and the Iran nuclear deal. Sens. Ted Cruz and Lindsey Graham are working to get the agreements submitted to the Senate for ratification, requiring a two-thirds vote, with the goal of failure. While such an outcome wouldn’t prevent Biden from rejoining the accords, Cruz and Graham hope it would make their resurrection more problematic.

A vote against them would signal GOP opposition to the world and, they hope, undermine any unilateral action by Biden to rejoin the agreements. One senior congressional aide told RCP that sending them to die in the Senate “would be the final nail in the coffin.”

Further reading: “Biden To Be Saddled With Trump’s Payroll Tax Deferral Mess,” Forbes.
Further reading: Biden will inherit a backlog of tens of thousands of visa requests from the wars in Iraq and Afghanistan — and a bureaucratic tangle that refugee advocates say President Trump ignored or made worse.

Trump money and properties

Manhattan District Attorney Cyrus Vance is employing forensic accounting specialists to examine Trump’s finances and business operations. Vance is looking “for anomalies among a variety of property deals” and trying to determine “whether the president’s company manipulated the value of certain assets to obtain favorable interest rates and tax breaks”.

The analysts hired by Vance probably have already reviewed various bank and mortgage records obtained from Trump’s company as part of the ongoing grand jury investigation, and they could be called on to testify about their findings should the district attorney eventually bring criminal charges

In yet another shady business deal connected to Trump, the United States sold the ambassador’s residence in Israel for more than $67 million. The person who bought the residence is none other than Trump mega-donor Sheldon Adelson. The property only became available due to Trump's controversial decision to relocate the U.S. Embassy from Tel Aviv to contested Jerusalem. Furthermore, State Dept. representatives reportedly lied to Congress about the sale, perhaps to hide that Adelson purposefully overbid.

For now, there is no alternative residence for the ambassador, David Friedman, Trump’s former lawyer, who currently uses a suite at Jerusalem’s King David Hotel or rooms at the former Jerusalem Consulate General when he spends nights in Jerusalem… As a result, the United States appears likely to end up leasing the residence it has owned since 1964 from the GOP-affiliated casino mogul.
“It is very strange that we are now paying Sheldon Adelson,” a congressional aide told The Daily Beast. “It is not above board. We have a number of questions. Did they get two independent appraisals? Was it a sweetheart deal? Was Adelson the highest donor? Was there a reason to sell it now?”

Trump’s businesses have taken in $10.5 million of donor money over the course of his presidency. $8.5 million came from the Trump campaign and related entities that Trump controls directly; $2 million came from other Republican candidates and committees. The biggest beneficiary was Trump’s NYC hotel, taking in $3,039,979 over the four years of his presidency, with $891,003 of that in just the final four months of the campaign.
Trump’s DC hotel is ramping up room prices and requiring a two-night minimum stay for two key events this month, as the president tries to squeeze more profit out of his office. On Jan. 6, when Congress is set to formally count the votes cast by the Electoral College, room rates are listed at over eight times the price of surrounding dates. Trump is encouraging his supporters to attend a protest of Biden’s win on the 6th. A room during the inauguration costs five times the normal rate, at $2,225 per night.
Trump’s Turnberry Resort in Scotland posted a £2.3 million ($3.1 million) loss in 2019, marking the sixth year in a row it has failed to turn a profit under his ownership. Since Trump took over the historic property in 2014, its losses now total nearly £45 million ($61.5 million).

The fact Turnberry remains in the red comes in spite of significant tranches of payments it has received from the US government during Mr Trump’s single term in office… the US Secret Service spent nearly £25,000 to accommodate its agents at the resort during business trips by Mr Trump’s son, Eric, an executive vice-president of the family firm. Since Mr Trump’s election, the property has received close to £300,000 from the Secret Service, US State Department, and US Defence Department

A Florida state lawmaker is calling for Mar-a-Lago to be penalized - and possibly shut down - for flouting coronavirus restrictions during a New Years Eve party. While Trump and the first lady did not attend, son Don Jr., attorney Rudy Giuliani, Rep. Matt Gaetz, and Fox News personality Jeanine Piro were captured on video among the maskless crowd. Guests paid as much as $1,000 for access to the ballroom to be entertained by Vanilla Ice.

State Rep. Omari Hardy: “My constituents are not snowbirds like @DonaldJTrumpJr & @kimguilfoyle. My constituents live here. This is their home, and they're going to have to deal w/ the consequences of a potential super-spreader party at Mar-a-Lago long after Junior & wife leave here on their private jet.”

Are you ready for a Donald J. Trump Airport? According to the Daily Beast, Trump has been asking aides about the process of naming airports after former U.S. presidents.
Further reading: “Jared Kushner’s family real estate business wants to raise at least $100 million in capital through Israel’s bond market… Kushner has helped spearhead a series of moves that have been applauded by the conservative pro-Israel community, including moving the U.S. Embassy to Jerusalem from Tel Aviv and recognizing Israeli sovereignty in disputed areas such as the Golan Heights. Kushner also has close ties to Israel’s prime minister, Benjamin Netanyahu.”

Miscellaneous

The Census Bureau missed it’s end-of-year deadline to produce numbers that determine representation in Congress and the Electoral College for the next decade. The agency is working toward Jan. 9 as an internal target date for completing the current stage of processing records. "If we miss Jan. 9, it's hard to envision that we would get apportionment done before inauguration," a Census employee told NPR.

The final timing of the 2020 census results' release could undermine President Trump's efforts to make an unprecedented change to who is counted in key census numbers before leaving office… If the first census results are not ready until after Trump's term ends on Jan. 20, it would be President-elect Joe Biden, not Trump, who would get control of the numbers, which are ultimately handed off to Congress for certification.

(Note: be warned, kind of long background info here, but I think it’s needed)
As far as interesting lives, few can beat Benjamin ‘Bugsy’ Siegel. Born February 28, 1906 in Brooklyn, New York, Siegel came from a poor Jewish family. Before he was even twenty, he’d established a profitable protection racket and a lengthy rap sheet, including armed robbery, rape, and murder. Siegel had connections—he was childhood friends with Al Capone and familiar with many of the well known New York City mobsters of the day—and he also had a taste for violence. Soon, he’d established a small mob specializing in hits for the numerous bootleg gangs of the time with Meyer Lansky, a fellow mobster. His violence and short temper led some to say he was “crazy as a bedbug,” giving him his famous nickname ‘Bugsy,’ which he even more famously despised.
Siegel was making money, which he was happy to flaunt, but he wanted more. He carried out several hits for Charles “Lucky” Luciano, and eventually formed Murder Inc. with his associates, establishing himself as a skilled hitman for the National Crime Syndicate, an organization of mob families. But Siegel was already making enemies, and several assassination attempts were made on his life, some of which came very close to being successful. So, it was time to move out west.
In California, Siegel helped establish gambling rackets, drug trade routes, and prostitution rings. His star was rising outside of the Underworld too, and in addition to the numerous politicians and police on his payroll, he befriended stars like Cary Grant and Clark Gable. Incredibly, while in Italy with a socialite in 1938, he met Hermann Goering and Joseph Goebbels, whom he immediately disliked and offered to kill. The offer was declined by his lady friend. Yet Siegel was not always looked upon fondly by the upper echelons of Hollywood; he borrowed exorbitantly from celebrities, knowing he would never be asked to pay it back, and began to develop extensive plans to extort movie studios. After several trials and acquittals for failed and successful hits, it was time to leave California.
Siegel’s next stop was Las Vegas where, in 1945, he purchased and developed the Flamingo Hotel & Casino, the first luxury hotel on the Vegas strip. As you might imagine, that was expensive, and over the course of its construction, costs were equivalent to over $61 million in today’s money each year. Siegel’s checks were bouncing, and many of the locals felt threatened by him. Mob bosses were beginning to lose patience with Siegel too, and he was refusing to report on business, claiming he was running the California Syndicate himself. For now, they left him alone—he'd been valuable in the past, after all.
The Flamingo Hotel was a dismal failure, and people—very powerful people—were starting to get tired of waiting for the promised money to materialize. By 1947, it was gradually turning around—with the help of Meyer Lansky, now in Vegas—but for most, it was too little too late.
Death:
On June 20, 1947, Siegel was gunned down in the Beverly Hills home of his sometimes-girlfriend Virginia Hill. He was 41. Somewhat suspiciously, Hill had taken an unscheduled flight to Paris the day (or by some sources, week) before. As Siegel sat reading the newspaper with associate Allen Smiley, an unknown assailant fired with a .30 caliber military M1 carbine through the window, striking Siegel many times (NSFW). Two shots hit his head, with one passing through his right cheek and the other his nose. Though he was not hit directly through the eye (NSFW), a bullet-in-the-eye death became a popular trope in Mafia media, including in the Godfather, where a character based on Siegel is murdered in the same manner.
The death was covered extensively in the media, which portrayed Vegas as a bastion of sin and mafia activity. As early as the day after Siegel’s death (or, as some sources have it, during Siegel’s death), however, more personal things were changing: Lansky walked into the Flamingo and took over operations.
Theories:
The mob is famously tight-lipped, and Siegel’s death was no exception. Despite the extensive speculation, no precise motive has ever been confirmed. There was a massive police investigation, but in a case like this, that doesn’t mean much, nor does the media coverage. The media in particular salivated over the potential for splashy crime stories, and the circumstances of this case have been complicated by contemporary coverage. Several days after Siegel’s death, for example, one newspaper ran the headline “BUGSY'S BLONDE EX-WIFE GIVES CLUES TO HIS KILLERS,” while another read “BUGSY'S EX NO AID IN HUNT.” As far as the most popular theories:
A Mob hit: A mob hit seems like the most obvious cause, and it's a theory that’s been popularized by several novels and the 1991 movie Bugsy. It would certainly make sense; it was the mob’s money Siegel had been spending wildly on his unsuccessful hotel after all, and he’d been growing uncooperative. Of the proposed hitmen, the most often mentioned are Frankie Carbo (Ralph Natale, former Philadelphia boss and Mob squealer, claimed Carbo as the true killer) and Eddie Cannizarro, both Syndicate hitmen. But even here, there are several proposed reasons for the hit. As some have it, mob money from the Flamingo’s funding was going missing and Siegel was skimming off the already meager profits. Skimming could have been forgiven, if the Flamingo was a success. It was not. After a meeting of the Syndicate’s “Board of Directors,” it was allegedly decided that Siegel would die, with Lansky reluctantly agreeing. Others believe that a hit might have been ordered whether Siegel was skimming or not; the Flamingo was simply too expensive. As one historian put it, “Bugsy was a dreamer. And he was dreaming with other people’s money.”
Yet many have also argued against this theory. According to one of Siegel’s emissaries in Vegas, for example, no one would have dared to order a hit on Siegel. He and Lansky were close until the end of their lives, and Lansky would never have agreed to it. And if Lansky would not agree, then Charles “Lucky” Luciano, who was “the head of everything,” would never have agreed either. And as others have argued, the method of execution (NSFW) didn’t match with typical mob methods; firing a weapon from outside a house increased the risk of missing as well as the risk of being seen. The preferred method was a clean shot to the back of the head. According to some, the oft-referenced money problems of the Flamingo also wasn’t an issue. At the time, Lansky was paying back any investor who wanted out, and the gradual uptick in its profits was quickening by the day. Personally, I don’t think the financial uptick invalidates the theory. If the hotel was starting to make more money, then that might be all the more reason to get rid of the difficult-to-manage Siegel and take over.
Wire Business: At the time of his death, Siegel was embroiled in a dispute with Jack Dragna, dubbed the Capone of Los Angeles. Siegel and Dragna had had an uneasy partnership in previous years, but Dragna, far less powerful than Siegel and the New York gangs, resented the income and respect Siegel commanded. This came to a head when a racing wire service (a way of cheating on bets) between the two of them soured. Siegel wanted control for himself, and ordered Dragna to turn it over or be killed, to which Dragna agreed. After Siegel’s death, control was returned to Dragna. He had a motive, but his story would only have been one among many for a man as ruthless as Siegel, which, in a way, complicates things further—there’s a real possibility that the culprit in Siegel’s murder was someone never even considered. His list of enemies was long, varied, and probably mostly unknown. Yet another man who had reason to want Siegel dead, for example, was his bodyguard and muscle Mickey Cohen. A Cleveland gangster, Cohen was given control of the Syndicate’s West Coast gambling operations. If Siegel still lived, he would never have gotten it. Interestingly, he, like Al Capone before him, was eventually felled by tax evasion.
Virginia and/or brother: The same emissary of Siegel who shot down the mob hit theory believed that Virginia Hill’s brother had carried out the murder. The brother, a marine stationed at Camp Pendleton named Bob or Bill, had seen Siegel and Virginia fighting outside the Flamingo as well as the bruises Siegel had left on her and threatened to kill him. Another of Virginia’s brothers, Chuck, was also at the Beverly Hills house when Siegel was murdered.
Virginia herself has also been the subject of suspicion. Nicknamed the “Queen of the Mob,” Hill worked, among other powerful jobs, as a cash courier, laundering money and stolen goods as well as blackmailing high-ranking men through sexual liaisons. Her relationship with Siegel was tempestuous at best, and she may have been embezzling from the Flamingo. She’s also been accused of two-timing with rival mob operations, though this is unconfirmed. Eventually fleeing to Europe permanently, Hill died of an overdose in 1966, though some have alleged that she was actually murdered after she, completely broke, attempted to leverage her intimate knowledge of the Mob.
Rival Mobs: Unfortunately, I can’t find much concrete information about this theory (note: story of my life researching these posts haha), but some believe that rival mob operatives wanted Siegel gone. He was a powerful—and very public—figure, which made him something of an obvious target in the cut-throat world of Mafia politics.
Moe Sedway: This is a relatively new theory, emerging after Robbie Sedway was interviewed for LA Magazine after his mother’s death. Here, he alleged that Siegel’s murder was ordered by his mother Bee, the wife of powerful mobster—and childhood friend of Siegel’s—Moe Sedway. According to Bee, who wrote and scrapped a book proposal called Bugsy's Little Lunatic (Siegel’s nickname for her), Siegel had threatened her husband, who was the Flamingo’s numbers man, and therefore watching Siegel—who, remember, had been accused of skimming—closely. So Bee contacted Mathew “Moose” Pandza, a truck driver whom Bee married after Moe’s death. Moose, the perfect killer, since he had no connection to the Mob, then shot Siegel to death. The problem with this theory, however, is that Bee is the only source; as she herself said, anyone who could contradict her was dead. She also squandered most of the fortune left to her by Moe over the course of her life, and died almost penniless.
All of the above: Some believe that almost all the suspects were involved. Usually, it goes something like this: “Virginia supplied the location and received some reward. Cohen knew Bugsy's schedule for the evening, but happened to not be watching him that night…Dragna ordered the hit, with the approval of Lansky and Luciano.” It’s unlikely, but it certainly has its believers, if only for the convenience of it.
Final Thoughts & Questions:
This case is interesting to me because of the sheer number of suspects. In the end, a mob hit seems the simplest and most likely explanation. But there were so many people with means, motive, and opportunity. So:

• Why was Siegel killed and who killed him? The Syndicate, rival mobs, Virginia Hall, her brother, Mickey Cohen, Jack Dragna, Mathew Pandza (as ordered by Moe and/or Bee Sedway), several of the suspects, or someone else entirely?

Sources:
https://www.lamag.com/longform/mobster-murder-moll-secret/
https://www.pbs.org/wgbh/americanexperience/features/lasvegas-bugsy/
https://themobmuseum.org/blog/killed-benjamin-bugsy-siegel/
https://unsolvedmysteries.fandom.com/wiki/Bugsy_Siegel
https://en.wikipedia.org/wiki/Bugsy_Siegel
https://themobmuseum.org/blog/virginia-hill-queen-of-the-mob-was-no-ones-pushove
To many, Siegel’s legacy exceeds his mob connections, and in some ways, even his death; without him, many believe, there would be no Vegas. So if you take anything away from this write-up, let it be this: The Blue Man group’s Vegas residency is Bugsy Siegel’s fault.

I saw someone else share their one year streak and figured you all might find my inspirational as well.
Up until age 35, I never ran more then a mile in my life. I just didn't think it was enjoyable to force myself to run that distance (or longer). But after gaining about 70 lbs from age 18-35 I realized I needed to do something.
So my wife and I started running. Over the next six years we worked ourselves up to running a marathon. And I lost about 50lbs of that 70 I have gained since HS. But not being satisfied with my accomplishment, I searched for something else to do. So on January 1, 2016 I started my streak of at least one mile every day.
Overall, it has been a huge positive to my life. I tell people all of the time that it is easier then you think. Getting up in the morning knowing you need to run at least a mile, takes so much pressure off of your life. Get up, run, feel better.
Over the past five years I have been lucky enough to do most of my runs in Florida, with great (hot) weather. But here are some of the highlights if you will.
​

• Have run on three different continents
• One ocean - cruise ship
• 12 different countries
• 15 different states
• Ran outside during two different hurricanes
• Ran one week when the temperature was about 5 degrees Fahrenheit
• 13 marathons - 9 of them different (Ran Disney a lot)
• I get migraines a lot, so my best guess is I have run with a migraine about 80-100 times. The running actually helps with the pain, but it comes right back after I stop
• I have run over 2,000 miles in a year twice (that I tracked) and my guess is about 9,000 miles in total
• I have run with a fever (cold/flu) about a dozen times.
• Ran with a broken hand and cast for 6 weeks. Ran with a broken hand and no cast for one day. Also ran a marathon during this time (against the opinion of my Dr)
• Ran before a surgery on broken hand (above) and then again 24 hours later with a numb arm after the surgery.

The best runs during this period were those runs on vacation in new areas. Going someplace you have never been before and waking up before the rest of the world and seeing "everything". Here are some of my most vivid memories
​

• Historic Anacostia - Waking up early enough that it is just me and a few remaining drug dealers left on the street. As a white male in a predominately black neighborhood, the number of times I heard someone mention the cops when I was running past was very humerous.
• Vegas strip - Similar to Anacostia, but with prostitutes. At 5am you tend to see a lot of women walking out of the casinos by themselves. They are all dressed well, and are carrying handbags with high heel shoes sticking out of the top of the bags
• Salzburg Austria - had the opportunity to run through the hills and see sheep wandering around
• Munich Germany - Outside of Munich had the opportunity to run through a few small villages and talk to a few locals that early. Also found a cemetery that overlooked three different villages. It was a spectacular view in a very serene environment
• Paris - This is the city I have run the second most miles in. During runs you can go from parks to quaint little streets with bakeries that have been there for hundreds of years. The smell of flowers to flour be prepared. Everything about all of these runs has been spectacular.
• NYC - This is the city that I have run most in. This is the only place I have run were I have been overwhelmed with people and distractions. It is one of my favorite places to run for that reason, but not somewhere I could run every day (that is relegated to my rural home in Florida).

Edit to add...
Thanks for all the love. So here is a little bit more backstory to this.
In my profession (Actuary) we have a professional journal that used to be printed on a bi-monthly basis. Years ago (maybe 2005) they did a feature on an actuary who had a running streak for 40+ years. At the time I was not a runner. But the story has stuck with me. His story was obviously much more extraordinary then mine. I do hope that I could encourage someone to take a similar journey.

Ima just leave the link here incase anyone else wants to leave an anonymous secret so that I can maybe post more? Hehe this is fun
https://docs.google.com/forms/d/e/1FAIpQLSfe5DwCBkMHu2jvbru0e_KmWTScuMN2y7OG3EO_OT_kd6qlxw/viewform?usp=sf_link
76)My crush left me on read lmao
-awh that sucks
77)( ͡ᵔ ͜ʖ ͡ᵔ) I'm calling reinforcements
-👀
78)I am so in love with him it hurts and I can't even do anything about it
-:/ im sorry, if u ever want to rant hmu:)
79)i’m seriously getting sick of my girlfriend, she’s kinda nice sometimes but she’s mostly just an ass, she also isn’t happy that i’m a femboy
-if she doesn’t like you for who u r, end it. Ik ik emotional attachment but it’ll be better in the long run to end it now if u don’t think she will learn to be happy soon yk?
80)I love you
-no idea who u r, but ily2
81)i am stuck in a relationship i do not want to be in
-stuck? Fr don’t deal with that shit. If he/she/they aren’t worth it, end it even if it’ll hurt you now
82)I strive to be lonely just so I can make new friends after (its like the circle of life except with emotions)
-dang :(
83) I'm pretty erm how do I say this I searched up dick size for 13 year olds mine just grew a bit earlier so anyway it was like 1 am me and this dude we were watching movies and hes like wanna watch porn? so we watch porn and my big brain says wanna do a jackoff competition? who can finish later wins full jacking So we both whipped our dicks out and jacked to some blonde chick I won but it was so cringe to think about you ever done some dumb shit before?
-nope, can’t say I have but also damn 13 y/o’s
84) I like country music.
-neat
85) I simp for 500+ fictional characters
-simping for fictional characters is better than simping for irl people
86) I have a chastity fetish
-dang
87) I... I... Fuck it, I didn't read the terms and service conditions >~<
-does anyone ever? >~<
88) I have an odd attraction to creepy horror-romance stories that I don't think is good for me
-you do you boo
89) i am the horny police. I SENSE HORNY IN ONE OF THESE SECRETS, PUT YOUR HANDS UP
-if you sense it now wait till later secrets, my god
90) Donald John Trump (born June 14, 1946) is an American politician who was the 45th president of the United States from 2017 to 2021. Before entering politics, he was a businessman and television personality.
Born and raised in Queens, New York City, Trump attended Fordham University for two years and received a bachelor's degree in economics from the Wharton School of the University of Pennsylvania. He became the president of his father Fred Trump's real estate business in 1971, which he renamed The Trump Organization; he expanded the company's operations to building and renovating skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. Trump and his businesses have been involved in more than 4,000 state and federal legal actions, including six bankruptcies. He owned the Miss Universe brand of beauty pageants from 1996 to 2015, and produced and hosted the reality television series The Apprentice from 2004 to 2015.
Trump's political positions have been described as populist, protectionist, isolationist and nationalist. He entered the 2016 presidential race as a Republican and was elected in an upset victory over Democratic nominee Hillary Clinton while losing the popular vote. He became the first U.S. president without prior military or government service. His election and policies have sparked numerous protests. Trump made many false and misleading statements during his campaigns and presidency, to a degree unprecedented in American politics. Many of his comments and actions have been characterized as racially charged or racist.
During his presidency, Trump ordered a travel ban on citizens from several Muslim-majority countries, citing security concerns; after legal challenges, the Supreme Court upheld the policy's third revision. He enacted a tax-cut package for individuals and businesses, rescinding the individual health insurance mandate penalty of the Affordable Care Act (ACA). He appointed Neil Gorsuch, Brett Kavanaugh and Amy Coney Barrett to the Supreme Court. During the COVID-19 pandemic, he downplayed the threat, ignored or contradicted many recommendations from health officials, and promoted false information about unproven treatments and the availability of testing. In foreign policy, Trump pursued an America First agenda: he renegotiated the North American Free Trade Agreement (NAFTA) as the United States–Mexico–Canada Agreement (USMCA) and withdrew the U.S. from the Trans-Pacific Partnership trade negotiations, the Paris Agreement on climate change and the Iran nuclear deal. He imposed import tariffs which triggered a trade war with China, moved the U.S. embassy in Israel to Jerusalem and withdrew U.S. troops from northern Syria. He met three times with North Korean leader Kim Jong-un, but negotiations on denuclearization eventually broke down.
A special counsel investigation led by Robert Mueller found that Trump and his campaign benefited from Russian interference in the 2016 presidential election, but did not find sufficient evidence to press charges of criminal conspiracy or coordination with Russia. Mueller also investigated Trump for obstruction of justice and his report neither indicted nor exonerated Trump on that offense. Trump later pardoned five people who were convicted as a result of the Russia investigation. After Trump solicited Ukraine to investigate his political rival Joe Biden, the House of Representatives impeached him in December 2019 for abuse of power and obstruction of Congress. The Senate, after refusing to hear witness testimony, acquitted him of both charges in February 2020.
Trump lost the 2020 presidential election to Biden, but refused to concede defeat. He attempted to overturn the results by making false claims of electoral fraud, pressuring government officials, mounting dozens of unsuccessful legal challenges and obstructing the presidential transition. Hours before Congress was to tally the electoral votes on January 6, 2021, Trump rallied his supporters. After he exhorted them to march to the Capitol, they then stormed it, causing five deaths and forcing Congress to evacuate. Seven days later, the House of Representatives impeached him again, for "incitement of insurrection", making him the only federal officeholder in American history to be impeached twice.
-ngl I didn’t read all of that but seem like u got em faxxx
and we’re going to end it on that, there are now 131, hold ur horses

What's that bro? You're seriously making another Yockey post? Yes, fuck off.
One of the strangest things about Yockey looking through his files, about tied with his bizare popularity amongst women, was his Jewish friend of about a year before his death: Alexander Benjamin Scharf, who was in many ways as enigmatic as Yockey was. The bulk of the following information was gleamed from Kerry Bolton's Yockey: A Fascist Odyssey and from the FBI files*.*
Background
First things first, it's highly likely his name was not Alexander Benjamin Scharf, but infact; Benjamin Junger. Exactly why he changed his name is unclear, possibly maybe because his new name was less obviously Jewish and so he would encounter less anti-Semitism? Either that or he was involved in shady shit and having multiple names would help him avoid pursuers, this seems more likely as Junger had a history of, like Yockey, employing multiple aliases, including: Britt Phillips, David Chappelle and Benjamin Younger. But any guess is as good as mine. Born in Czechoslovakia on December 12 1923, Junger and his family settled in Argentina when he was 9 and later moved with his mother to Paraguay at the age of 15. He later attended Columbia University, which he was later found to have not graduated from, as well as various Jewish theological schools.
Personality
Described by his ex as having a "Deep feeling for Orthodox Jewry", Junger was a "Very serious and Very sad" man who was "distant" with people and was very hard to get to know, yet he was "a decent man" despite being "scared as a rabbit", he "would never become friendly with a person unless he was sure he could trust them". Which makes it all the stranger that Yockey, a man widely described as obnoxious, arrogant and irritating, was one of the few able to make a connection with him; although this may have been one of the rare occassions where Yockey felt compelled to bring his charm out but who knows why Yockey took a shine to him in particular.
One part of Junger's person that I find deplorable is that he often presented himself, to the media and others, as a survivor of Auchwitz. However, by all accounts he probably faked his status as a holocaust survivor as he hadn't been in Europe since his family moved to the Americas apart from a brief stint in Paris. As a Jew, I peronally find this absolutely discraceful, but I think he may have had mental problems in any case and seems to have later convinced himself that he indeed was a survivor of the death camps.
Junger and Yockey
While visiting Reno to see his girlfriend, he made some poor decicions, as we all do after a few too many, and was left penniless after gambling away all his money. Luckily for Ben, after meeting Yockey at the same casino and he was given $20 by him to make his way home to Oakland. This occurred about a year before Yockey's arrest.
The exact nature of the relationship between the two is not known. They were not incredibly close, they only saw each other ocassionally, but Yockey was not a man prone to friendships anyway and he liked Ben enough that not only had he loaned him an amount that today is worth $175 in order to get home, but he ignored, or tolerated, his Jewishness. That one of his only friends was Jewish is very confusing to me. Considering their simmilarities; both were paranoid enough to employ aliases, both had a sense of wanderlust and both had families they had fallen out with, I think they probably saw each other as kindred spirits, despite their obvious differences; a faily devout Jew and a rabid anti-Semite. Although it must be noted that, apparently, Yockey liked to wind Junger up by mentioning that he considered himself a "Pagan" whilst quoting from the Old Testament. Junger never told any of his friends about Yockey.
Junger claimed that he was "naive in thinking Yockey was his friend" as he belives Yockey meerly wanted him to set up a business for him to use as a front. I think this is just him trying to distance himself from someone now outed as a Neo-Fascist. This also goes against information provided by Junger in the FBI files, where he refers to Yockey as a "true and faithful friend". I also do not know why Yockey could not have simply chosen someone else, especially someone more reliable, to use as a front. It also seems that Yockey often loaned Junger money.
Junger tapes
I just want to quickly mention that Bolton found out that one Professor Alexander Scharf of Lexington published a VHS tape on his "experiences" in the camps in 1990 named The Holocaust: When God looked down and wept. This person and Yockey's friend Benjamin Junger are likely one and the same. If anyone is interested in pursuing these tapes there are a few known copies that are freely given by libraries, known copies are in in MA, NH, NJ, Oh, IL and TN, so I, as a Brit, unfortunately cannot pursue them myself:https://www.worldcat.org/title/holocaust-when-god-looked-down-and-wept/oclc/25344561?referer=di&ht=edition
Extra: After reading through the files I found that when Yockey slammed the door on the arresting agent's hand and caused it to bleed he said genuinely "Oh, I'm sorry, I didn't mean to do that."

I avoided Vegas for all of 2020, not because I have any fears whatsoever regarding COVID, but simply because I felt that it was just going to be depressing and annoying combatting the virus hysteria. (Following the Vegas sub didn't help, as those folks pounce on anyone considering visiting as being selfish, despite tourism being the town's only export.)
I was pleasantly surprised that the Strip wasn't as post-apocalyptic as I was expecting. There still appear to be plenty of people visiting... the crowds weren't as thick as they normally would be, which some would say is a plus, but there also wasn't a dearth of people, either.
I was comped at both Caesars and MLife, so I booked at both. I stayed at the Paris and stuck my friend at the Grand. FWIW, the $20 trick worked at Paris (I figured it was an especially good play when the staff's income has taken a hit), and I was upgraded to a corner suite overlooking the Bellagio Fountains.
Onto the craps play... Sunday through MLK at noon, we failed to find anything below $15. I submitted my edits to the minimums spreadsheet that is stickied here. Oddly, Linq and Park MGM just did not open any tables at all... I'm not sure what the rationale is for that. We decided to stick mostly with Caesars properties, as they don't have Plexiglas dividers at the tables. All MGM properties have these, and it makes the casino look like a house of mirrors.
I had brought a $1k bankroll, but bought in for $300 each time...I tend to be very frugal, even while gambling. My strategy was to play the pass line, place the 6/8 for $12 each, and take 1x odds for 4/6/8/10. (I hate taking odds on 5/9.) After a place number hit 3 times, I would press on the 4th hit. That was usually a great way for the next roll to be an SO.
MLK afternoon at Paris I did "OK," but the recently lowered $10 minimum was raised back to $15 again. This depleted my bankroll faster than I expected, but I guess it makes sense, as my strategy went from costing me $44 to $66 per swing. There were a lot of PSOs, too. For reasons I can't understand, my friend and I could never get a good roll going, but there were two shooters at our table that we knew we could count on for recovery. I don't know how that is - the dice are the dice - but these two guys could always go on heaters for a long time. The dice would be passed to us, and after a few 2s and 3s, we'd PSO. After some ups and downs, I finally walked away with $250.
MLK evening, after some Beef Wellington at Gordon Ramsay Steak, the table was back to $10 again, and had no players, so my friend and I opened it. As with the above, our rolls were miserable. PSO after PSO. Other players would come and go, seeing how bad the game was going. I tried to switch to the DP when my friend rolled ("nothing personal"), and then he'd magically start making points. It was awful. I finally got down to my last $10, and bet the line with him, and he caught his second wind. Gradually brought me back to $292, and we colored up at 1am.
Although Paris doesn't have table dividers, they insisted on sanitizing the dice between shooters. Even when it was just my buddy and I, and I said we were in the same party, it wasn't necessary, they responded "well, it's for our safety." I bought that for a few minutes until I realized they hardly touch the dice, yet they don't mind grabbing everybody's chips that are getting intermixed with different people's germs.... whatever, it's all stupid theatre.
Tuesday afternoon, my friend headed back to Phoenix and I was waiting for a late flight. I stumbled upon a $10 table at Aria, and since it was just me, I decided to deal with the Plexiglas (which turned out to be wildly ineffective when I could still fist bump and talk to the player immediately left-of-stick from my catty-corner of the table, 3 feet away). My bad luck shooting dissipated. I hit several good rolls, and since it was my last day, I decided to loosen the wallet a bit, and would go up to 3x odds, particularly on 4s and 10s since they pay 2:1. I would also press 6s and 8s, which I had a real affinity for hitting, earlier than customary for me. (This probably still sounds like low rolling to many of you, but it's a big step for me!) I ended up more than doubling my buy-in, negating my losses from the other two sessions and putting me up slightly on the trip.
MGM has two sets of dice they can rotate between, and one goes in a golf ball washer while the other is in play. This seemed a lot smarter and didn't affect the game's momentum as much as Paris did, scrubbing them down with a ratty cheesecloth and diluted Clorox.
I still had 4 hours until my flight, which was bittersweet, but I'm glad I colored up when I got off of a good high shooting. It felt good, actually, that other players were disappointed that I was leaving, because I was making them some good money, but it was time for me to step back and enjoy my winnings. I bought my kiddo a T-shirt at the ABC store, waited an hour for the Centennial Express (told you I was frugal), and sat in The Club LAS until my flight boarded.
Both MGM and Caesars sent me e-mails asking me to book another complimentary trip before either room's folio arrived. I'm considering it.

Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.
I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.
I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).
As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.
So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.

Ranking	Title	Overall Score	Critics	Domestic	International	Year	Director
1	The Godfather	93.89	97.73	90.50	89.36	1972	Francis Ford Coppola
2	The Godfather: Part II	91.93	93.30	89.04	88.06	1974	Francis Ford Coppola
3	Seven Samurai	91.05	97.38	87.63	85.90	1954	Akira Kurosawa
4	12 Angry Men	90.45	95.45	88.74	88.62	1957	Sidney Lumet
5	City Lights	89.94	96.75	85.67	85.93	1931	Charlie Chaplin
6	The Good, the Bad and the Ugly	89.45	91.20	87.81	86.59	1966	Sergio Leone
7	The Shawshank Redemption	89.41	82.95	89.49	89.18	1994	Frank Darabont
8	Psycho	89.29	95.23	85.70	85.01	1960	Alfred Hitchcock
9	Modern Times	89.28	95.55	85.21	85.37	1936	Charlie Chaplin
10	Schindler's List	89.08	93.80	87.22	87.29	1993	Steven Spielberg
11	Pulp Fiction	88.85	92.60	87.69	86.42	1994	Quentin Tarantino
12	Rear Window	88.63	97.65	85.40	83.33	1954	Alfred Hitchcock
13	One Flew Over the Cuckoo's Nest	88.55	87.38	86.28	86.97	1975	Miloš Forman
14	Apocalypse Now	88.54	93.85	85.24	83.48	1979	Francis Ford Coppola
15	Tokyo Story	88.49	98.30	85.16	83.76	1953	Yasujirō Ozu
16	Spirited Away	88.34	93.78	86.80	85.91	2001	Hayao Miyazaki
17	GoodFellas	88.03	91.48	87.00	84.03	1990	Martin Scorsese
18	Vertigo	88.02	95.60	84.05	82.76	1958	Alfred Hitchcock
19	Singin' in the Rain	88.01	97.65	83.95	83.13	1952	Gene Kelly, Stanley Donen
20	Sunset Boulevard	88.00	95.45	85.44	84.22	1950	Billy Wilder
21	Citizen Kane	87.83	99.03	83.06	82.22	1941	Orson Welles
22	Harakiri	87.79	85.83	88.00	86.29	1962	Masaki Kobayashi
23	Rashomon	87.74	96.55	83.52	82.73	1950	Akira Kurosawa
24	Once Upon a Time in the West	87.71	86.65	85.48	84.62	1968	Sergio Leone
25	Fanny and Alexander	87.54	97.30	83.15	83.00	1982	Ingmar Bergman
26	The Lord of the Rings: The Return of the King	87.40	92.59	86.06	85.38	2003	Peter Jackson
27	Andrei Rublev	87.39	91.90	83.80	83.94	1966	Andrei Tarkovsky
28	The Passion of Joan of Arc	87.39	94.65	83.88	83.57	1928	Carl Theodor Dreyer
29	Sherlock Jr.	87.36	96.45	83.64	85.60	1924	Buster Keaton
30	Bicycle Thieves	87.35	94.70	83.91	83.46	1948	Vittorio De Sica
31	Casablanca	87.35	98.00	85.25	82.62	1942	Michael Curtiz
32	Some Like It Hot	87.28	95.30	82.11	83.73	1959	Billy Wilder
33	Persona	87.22	88.20	84.28	83.07	1966	Ingmar Bergman
34	Children of Paradise	87.21	95.33	84.81	83.27	1945	Marcel Carné
35	Taxi Driver	87.14	93.88	83.60	82.06	1976	Martin Scorsese
36	The Dark Knight	87.08	88.81	86.96	84.80	2008	Christopher Nolan
37	Metropolis	87.03	96.00	82.92	84.01	1927	Fritz Lang
38	Sunrise: A Song of Two Humans	87.02	93.95	82.23	84.02	1927	F. W. Murnau
39	Stalker	87.02	92.30	83.86	83.29	1979	Andrei Tarkovsky
40	Pather Panchali	86.96	94.35	84.40	82.80	1955	Satyajit Ray
41	Lawrence of Arabia	86.95	97.65	83.76	81.49	1962	David Lean
42	M	86.91	96.20	84.34	82.92	1931	Fritz Lang
43	Ordet	86.82	98.10	83.08	82.55	1955	Carl Theodor Dreyer
44	It's a Wonderful Life	86.77	90.45	85.17	84.90	1946	Frank Capra
45	Satantango	86.76	90.45	84.58	84.21	1994	Béla Tarr
46	Parasite	86.72	96.34	86.55	83.15	2019	Bong Joon-ho
47	The 400 Blows	86.70	96.70	83.14	82.60	1959	François Truffaut
48	Ikiru	86.56	93.80	85.48	84.29	1952	Akira Kurosawa
49	Mirror	86.50	95.60	82.75	82.34	1975	Andrei Tarkovsky
50	Come and See	86.50	90.50	85.22	83.13	1985	Elem Klimov
51	The Apartment	86.48	92.00	84.09	82.99	1960	Billy Wilder
52	The General	86.45	91.45	82.59	83.87	1926	Buster Keaton, Clyde Bruckman
53	Grave of the Fireflies	86.43	95.13	85.85	82.97	1988	Isao Takahata
54	Le Trou	86.41	89.95	85.46	85.14	1960	Jacques Becker
55	The Battle of Algiers	86.37	95.40	82.64	81.24	1966	Gillo Pontecorvo
56	A Man Escaped	86.34	96.50	83.67	82.03	1956	Robert Bresson
57	Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb	86.34	95.85	84.37	83.03	1964	Stanley Kubrick
58	Paths of Glory	86.25	92.30	84.97	84.48	1957	Stanley Kubrick
59	The Lord of the Rings: The Fellowship of the Ring	86.24	88.75	85.61	84.31	2001	Peter Jackson
60	All About Eve	86.23	96.95	83.69	83.20	1950	Joseph L. Mankiewicz
61	Star Wars: The Empire Strikes Back	86.21	86.93	87.05	83.29	1980	Irvin Kershner
62	High and Low	86.16	86.55	86.08	84.26	1963	Akira Kurosawa
63	The Great Dictator	86.15	91.10	84.25	85.03	1940	Charlie Chaplin
64	The Silence of the Lambs	86.12	88.68	85.29	84.17	1991	Jonathan Demme
65	2001: A Space Odyssey	86.06	88.35	82.93	81.54	1968	Stanley Kubrick
66	North by Northwest	86.03	96.38	83.17	81.74	1959	Alfred Hitchcock
67	Double Indemnity	85.91	94.38	83.84	83.12	1944	Billy Wilder
68	Ugetsu	85.91	97.25	82.69	81.91	1953	Kenji Mizoguchi
69	Woman in the Dunes	85.91	93.95	84.71	83.77	1964	Hiroshi Teshigahara
70	Sansho the Bailiff	85.88	95.50	84.24	82.21	1954	Kenji Mizoguchi
71	Once Upon a Time in America	85.87	86.10	83.84	85.53	1984	Sergio Leone
72	City of God	85.86	84.08	86.39	84.00	2002	Fernando Meirelles, Kátia Lund
73	Late Spring	85.81	94.75	83.74	82.27	1949	Yasujirō Ozu
74	Barry Lyndon	85.80	87.95	82.44	82.30	1975	Stanley Kubrick
75	The Lord of the Rings: The Two Towers	85.78	88.78	85.00	84.29	2002	Peter Jackson
76	Raging Bull	85.77	90.48	82.01	81.80	1980	Martin Scorsese
77	Chinatown	85.72	94.08	83.32	80.69	1974	Roman Polanski
78	Alien	85.69	91.73	84.76	82.62	1979	Ridley Scott
79	Ran	85.68	94.70	83.93	82.52	1985	Akira Kurosawa
80	The Seventh Seal	85.67	92.10	83.52	82.13	1957	Ingmar Bergman
81	The Kid	85.61	92.85	82.91	84.94	1921	Charlie Chaplin
82	Wild Strawberries	85.51	90.05	83.38	82.24	1957	Ingmar Bergman
83	A Brighter Summer Day	85.50	93.38	84.07	81.01	1991	Edward Yang
84	8½	85.48	91.20	82.59	81.09	1963	Federico Fellini
85	The Pianist	85.38	88.69	83.31	84.80	2002	Roman Polanski
86	The World of Apu	85.38	93.20	84.38	83.09	1959	Satyajit Ray
87	La Dolce Vita	85.37	94.38	81.40	80.48	1960	Federico Fellini
88	Star Wars	85.33	90.03	85.22	81.92	1977	George Lucas
89	The Best of Youth	85.31	88.78	85.31	83.64	2003	Marco Tullio Giordana
90	The Gold Rush	85.29	94.55	81.93	83.59	1925	Charlie Chaplin
91	The Third Man	85.26	96.50	82.91	80.21	1949	Carol Reed
92	The Treasure of the Sierra Madre	85.20	96.68	82.77	81.81	1948	John Huston
93	I Am Cuba	85.18	93.60	82.00	83.44	1964	Mikhail Kalatozov
94	The Lives of Others	85.14	89.03	84.12	82.73	2006	Florian Henckel von Donnersmarck
95	Witness for the Prosecution	85.13	92.65	83.67	84.99	1957	Billy Wilder
96	Touch of Evil	85.11	95.70	81.36	79.65	1958	Orson Welles
97	WALL-E	85.10	92.09	82.82	82.64	2008	Andrew Stanton
98	Scenes from a Marriage	85.02	86.85	84.80	83.06	1974	Ingmar Bergman
99	To Be or Not to Be	84.99	89.58	82.52	83.39	1942	Ernst Lubitsch
100	A Separation	84.92	94.24	83.34	80.90	2011	Asghar Farhadi
101	The Night of the Hunter	84.91	96.93	81.17	79.06	1955	Charles Laughton
102	Three Colors: Red	84.87	96.78	83.32	80.78	1994	Krzysztof Kieślowski
103	Yojimbo	84.87	91.55	83.85	82.99	1961	Akira Kurosawa
104	Back to the Future	84.85	89.38	84.47	81.94	1985	Robert Zemeckis
105	My Neighbor Totoro	84.84	87.53	83.44	83.17	1988	Hayao Miyazaki
106	In the Mood for Love	84.84	83.87	82.55	81.20	2000	Wong Kar-wai
107	Princess Mononoke	84.83	81.18	85.02	84.24	1999	Hayao Miyazaki
108	Saving Private Ryan	84.82	90.35	83.94	82.50	1998	Steven Spielberg
109	Cinema Paradiso	84.78	82.30	84.73	83.43	1988	Giuseppe Tornatore
110	La Jetée	84.75	89.25	83.27	81.80	1962	Chris Marker
111	The Wages of Fear	84.71	94.60	82.99	82.80	1953	Henri-Georges Clouzot
112	Das Boot	84.68	90.13	83.62	82.71	1981	Wolfgang Petersen
113	Fight Club	84.65	71.18	86.39	84.95	1999	David Fincher
114	Nights of Cabiria	84.64	92.25	82.72	83.13	1957	Federico Fellini
115	La Strada	84.61	92.60	80.79	82.78	1954	Federico Fellini
116	Amadeus	84.53	89.55	82.88	82.59	1984	Miloš Forman
117	Forrest Gump	84.50	76.90	83.06	86.12	1994	Robert Zemeckis
118	Spider-Man: Into the Spider-Verse	84.49	90.41	85.03	81.69	2018	Peter Ramsey, Rodney Rothman, Bob Persichetti
119	The Lion King	84.45	88.28	77.22	84.09	1994	Rob Minkoff, Roger Allers
120	Inception	84.43	82.07	84.18	84.17	2010	Christopher Nolan
121	Whiplash	84.42	89.53	84.87	81.96	2014	Damien Chazelle
122	The Shop Around the Corner	84.40	94.43	80.85	82.37	1940	Ernst Lubitsch
123	Rififi	84.38	92.00	83.03	81.58	1955	Jules Dassin
124	Umberto D.	84.38	92.63	82.20	81.75	1952	Vittorio De Sica
125	Army of Shadows	84.37	95.30	82.98	80.50	1969	Jean-Pierre Melville
126	Blade Runner	84.34	85.85	82.57	80.29	1982	Ridley Scott
127	Samurai Rebellion	84.33	89.05	82.85	83.84	1967	Masaki Kobayashi
128	Close-Up	84.31	85.70	81.99	80.69	1990	Abbas Kiarostami
129	The Circus	84.29	90.35	81.69	83.14	1928	Charlie Chaplin
130	Raiders of the Lost Ark	84.19	89.33	84.31	80.57	1981	Steven Spielberg
131	Grand Illusion	84.18	95.35	81.85	79.78	1937	Jean Renoir
132	A Clockwork Orange	84.18	82.78	82.37	82.51	1971	Stanley Kubrick
133	Eternal Sunshine of the Spotless Mind	84.07	89.37	83.36	80.57	2004	Michel Gondry
134	A Woman Under the Influence	84.01	87.40	82.51	80.40	1974	John Cassavetes
135	The Cranes Are Flying	84.00	89.30	82.76	82.40	1957	Mikhail Kalatozov
136	Yi Yi	83.91	91.25	82.48	79.64	2000	Edward Yang
137	To Kill a Mockingbird	83.91	89.13	81.98	82.20	1962	Robert Mulligan
138	The Matrix	83.90	77.78	84.54	83.06	1999	Wachowski Sisters
139	The Sting	83.90	85.73	82.71	83.36	1973	George Roy Hill
140	The Mother and the Whore	83.87	94.55	81.24	79.82	1973	Jean Eustache
141	Se7en	83.86	72.15	84.91	84.48	1995	David Fincher
142	Early Summer	83.85	94.45	82.19	82.01	1951	Yasujirō Ozu
143	Werckmeister Harmonies	83.80	91.73	80.89	81.93	2000	Béla Tarr, Ágnes Hranitzky
144	Coco	83.80	86.21	82.73	83.66	2017	Adrian Molina, Lee Unkrich
145	Toy Story	83.76	95.03	82.30	80.15	1995	John Lasseter
146	It Happened One Night	83.76	90.83	81.46	81.76	1934	Frank Capra
147	Reservoir Dogs	83.74	84.68	83.12	81.99	1992	Quentin Tarantino
148	Unforgiven	83.73	88.55	82.24	81.59	1992	Clint Eastwood
149	The Deer Hunter	83.73	87.68	80.57	82.06	1978	Michael Cimino
150	The Young and the Damned	83.72	87.10	82.58	80.82	1950	Luis Buñuel
151	The Best Years of Our Lives	83.68	92.63	81.19	81.20	1946	William Wyler
152	The Leopard	83.66	97.30	79.56	79.57	1963	Luchino Visconti
153	Time of the Gypsies	83.65	86.05	83.31	82.29	1988	Emir Kusturica
154	Ali: Fear Eats the Soul	83.61	96.70	80.51	79.97	1974	Rainer Werner Fassbinder
155	Raise the Red Lantern	83.57	90.25	82.37	81.81	1991	Zhang Yimou
156	Terminator 2: Judgment Day	83.57	82.00	84.11	81.83	1991	James Cameron
157	The Shining	83.55	75.35	84.08	81.80	1980	Stanley Kubrick
158	Viridiana	83.54	92.95	80.68	80.81	1961	Luis Buñuel
159	Portrait of a Lady on Fire	83.52	93.59	83.08	80.02	2019	Céline Sciamma
160	Greed	83.51	97.05	80.65	80.64	1924	Erich von Stroheim
161	Gone with the Wind	83.48	92.90	80.01	81.68	1939	Victor Fleming
162	There Will Be Blood	83.48	89.65	81.91	79.02	2007	Paul Thomas Anderson
163	L.A. Confidential	83.46	91.63	82.08	80.81	1997	Curtis Hanson
164	Paris, Texas	83.46	83.95	82.89	81.66	1984	Wim Wenders
165	Throne of Blood	83.45	91.30	82.18	81.49	1957	Akira Kurosawa
166	Toy Story 3	83.43	93.55	81.61	80.32	2010	Lee Unkrich
167	Memento	83.43	85.20	83.78	80.76	2000	Christopher Nolan
168	On the Waterfront	83.37	93.00	82.23	79.52	1954	Elia Kazan
169	Trip to the Moon	83.37	94.70	79.96	82.83	1902	Georges Méliès
170	The Rules of the Game	83.33	96.55	80.45	78.02	1939	Jean Renoir
171	Red Beard	83.32	74.15	83.41	83.27	1965	Akira Kurosawa
172	The Grapes of Wrath	83.32	95.45	80.42	80.34	1940	John Ford
173	Au Hasard Balthazar	83.29	98.08	77.93	77.54	1966	Robert Bresson
174	Autumn Sonata	83.29	84.85	83.09	82.66	1978	Ingmar Bergman
175	Annie Hall	83.28	93.18	80.58	80.58	1977	Woody Allen
176	The Conformist	83.27	96.68	79.92	78.58	1970	Bernardo Bertolucci
177	Rocco and His Brothers	83.24	84.73	81.95	81.68	1960	Luchino Visconti
178	Dersu Uzala	83.23	74.75	82.35	83.37	1975	Akira Kurosawa
179	Cool Hand Luke	83.21	93.05	82.22	79.83	1967	Stuart Rosenberg
180	Monty Python and the Holy Grail	83.18	91.98	82.96	79.30	1975	Terry Gilliam, Terry Jones
181	Le Samouraï	83.18	92.35	82.45	79.40	1967	Jean-Pierre Melville
182	Aliens	83.18	88.73	83.29	79.61	1986	James Cameron
183	PlayTime	83.16	93.50	80.22	78.80	1967	Jacques Tati
184	The Bridge on the River Kwai	83.14	90.58	81.93	80.24	1957	David Lean
185	The Red Shoes	83.13	93.15	82.82	79.96	1948	Michael Powell, Emeric Pressburger
186	American Beauty	83.10	87.15	81.93	81.13	1999	Sam Mendes
187	To Live	83.10	84.00	82.16	82.46	1994	Zhang Yimou
188	Battleship Potemkin	83.10	95.85	77.81	80.41	1925	Sergei Eisenstein
189	Day of Wrath	83.09	93.40	81.07	81.29	1943	Carl Theodor Dreyer
190	All Quiet on the Western Front	83.07	92.85	80.05	81.48	1930	Lewis Milestone
191	It's Such a Beautiful Day	83.07	91.25	83.62	79.77	2012	Don Hertzfeldt
192	Full Metal Jacket	83.06	81.53	82.21	82.54	1987	Stanley Kubrick
193	The Cabinet of Dr. Caligari	83.05	96.40	79.84	81.83	1920	Robert Wiene
194	Kes	83.03	97.80	79.59	80.55	1969	Ken Loach
195	The Usual Suspects	83.02	80.23	84.08	81.48	1995	Bryan Singer
196	The Cameraman	83.00	93.90	80.77	81.57	1928	Edward Segdwick, Buster Keaton
197	Aparajito	83.00	90.90	81.81	81.20	1956	Satyajit Ray
198	The Elephant Man	83.00	83.00	82.10	81.87	1980	David Lynch
199	Rebecca	82.98	90.08	81.08	80.93	1940	Alfred Hitchcock
200	Make Way for Tomorrow	82.97	95.80	81.72	80.14	1937	Leo McCarey
201	The Great Escape	82.97	87.68	82.29	80.66	1963	John Sturges
202	Your Name	82.97	84.55	84.07	81.29	2016	Makoto Shinkai
203	Limelight	82.92	88.00	79.85	83.02	1952	Charlie Chaplin
204	Breathless	82.92	91.95	78.88	79.10	1960	Jean-Luc Godard
205	Underground	82.91	80.75	81.26	82.64	1995	Emir Kusturica
206	The Man Who Shot Liberty Valance	82.88	91.90	81.08	79.53	1962	John Ford
207	Aguirre: The Wrath of God	82.87	94.55	80.46	78.62	1972	Werner Herzog
208	Oldboy	82.86	78.98	84.00	81.27	2003	Park Chan-wook
209	Up	82.84	90.28	81.32	80.86	2009	Pete Docter
210	Anatomy of a Murder	82.84	94.00	80.57	80.02	1959	Otto Preminger
211	The Wild Bunch	82.84	90.35	79.45	80.12	1969	Sam Peckinpah
212	The Hunt	82.75	82.08	82.79	82.62	2012	Thomas Vinterberg
213	Il Sorpasso	82.74	95.75	82.84	79.57	1962	Dino Risi
214	The Last Laugh	82.74	95.25	79.47	81.61	1924	F. W. Murnau
215	A Streetcar Named Desire	82.73	94.60	79.89	80.26	1951	Elia Kazan
216	Life Is Beautiful	82.73	68.45	83.60	85.57	1997	Roberto Benigni
217	A Short Film About Love	82.71	87.10	81.90	81.89	1988	Krzysztof Kieślowski
218	The Shop on Main Street	82.71	94.45	82.15	80.43	1965	Ján Kadár, Elmar Klos
219	Rio Bravo	82.71	92.10	80.46	79.80	1959	Howard Hawks
220	Roman Holiday	82.70	84.55	80.74	82.42	1953	William Wyler
221	Ivan's Childhood	82.69	94.80	81.25	80.37	1962	Andrei Tarkovsky
222	The Exterminating Angel	82.68	91.10	81.66	80.17	1962	Luis Buñuel
223	Trainspotting	82.68	85.20	81.57	81.21	1996	Danny Boyle
224	The Last Picture Show	82.67	94.15	79.90	79.56	1971	Peter Bogdanovich
225	The Truman Show	82.64	89.63	79.70	82.15	1998	Peter Weir
226	Memories of Murder	82.64	82.88	82.68	80.94	2003	Bong Joon-ho
227	Faust	82.62	89.70	80.23	81.94	1926	F. W. Murnau
228	Sans Soleil	82.62	83.90	79.45	80.51	1983	Chris Marker
229	Song of the Sea	82.57	87.63	80.59	82.23	2014	Tomm Moore
230	Léon: The Professional	82.55	67.38	84.05	84.07	1994	Luc Besson
231	Fargo	82.54	87.45	82.36	79.19	1996	Coen Brothers
232	Solaris	82.54	89.95	80.91	79.69	1972	Andrei Tarkovsky
233	Sweet Smell of Success	82.52	96.53	80.81	77.62	1957	Alexander Mackendrick
234	For a Few Dollars More	82.52	79.28	82.38	83.15	1965	Sergio Leone
235	White Heat	82.51	90.65	80.77	81.24	1949	Raoul Walsh
236	Brief Encounter	82.50	88.35	80.81	81.03	1945	David Lean
237	Wings of Desire	82.49	85.70	81.30	80.42	1987	Wim Wenders
238	Diabolique	82.47	90.70	81.27	80.73	1955	Henri-Georges Clouzot
239	An Autumn Afternoon	82.45	91.95	81.68	79.85	1962	Yasujirō Ozu
240	The Tale of the Princess Kaguya	82.44	90.63	81.16	80.43	2013	Isao Takahata
241	Amarcord	82.41	85.95	79.26	80.73	1973	Federico Fellini
242	Heat	82.40	79.08	82.03	81.73	1995	Michael Mann
243	L'Atalante	82.40	95.60	78.32	78.10	1934	Jean Vigo
244	Django Unchained	82.39	83.44	82.23	81.94	2012	Quentin Tarantino
245	Jeanne Dielman, 23 Commerce Quay, 1080 Brussels	82.38	95.50	78.73	79.69	1975	Chantal Akerman
246	Kind Hearts and Coronets	82.38	95.60	80.80	79.72	1949	Robert Hamer
247	Dog Day Afternoon	82.37	88.40	81.11	79.80	1975	Sidney Lumet
248	Forbidden Games	82.37	93.75	80.36	80.99	1952	René Clément
249	The Crowd	82.35	93.35	79.21	81.23	1928	King Vidor
250	Notorious	82.35	96.78	79.96	78.21	1946	Alfred Hitchcock
251	Mary and Max	82.35	88.05	80.95	82.42	2009	Adam Elliot
252	Persepolis	82.34	88.95	80.09	80.77	2007	Marjane Satrapi, Vincent Paronnaud
253	Howl's Moving Castle	82.33	78.71	82.63	83.10	2004	Hayao Miyazaki
254	Nausicaä of the Valley of the Wind	82.33	85.10	81.54	82.03	1984	Hayao Miyazaki
255	Safety Last!	82.33	92.25	80.95	81.10	1923	Fred C. Newmeyer, Sam Taylor
256	Rosemary's Baby	82.32	94.78	79.99	78.69	1968	Roman Polanski
257	L'Avventura	82.32	92.10	79.08	78.03	1960	Michelangelo Antonioni
258	The Searchers	82.32	93.90	78.16	76.66	1956	John Ford
259	La Haine	82.30	90.60	82.38	79.56	1995	Mathieu Kassovitz
260	Three Colors: Blue	82.30	88.28	81.55	79.23	1993	Krzysztof Kieślowski
261	Chungking Express	82.30	79.95	82.29	80.73	1994	Wong Kar-wai
262	Inside Out	82.29	93.66	80.27	79.85	2015	Pete Docter
263	Where is the Friend's Home?	82.28	89.25	81.22	80.21	1987	Abbas Kiarostami
264	Cries and Whispers	82.27	85.45	81.02	80.80	1972	Ingmar Bergman
265	Napoleon	82.22	93.25	81.89	78.99	1927	Abel Gance
266	Paper Moon	82.19	83.08	81.37	81.29	1973	Peter Bogdanovich
267	The Spirit of the Beehive	82.17	89.83	79.31	78.91	1973	Víctor Erice
268	A Special Day	82.16	90.20	81.11	81.25	1977	Ettore Scola
269	Nostalghia	82.15	83.00	80.91	81.23	1983	Andrei Tarkovsky
270	Network	82.13	85.45	82.36	79.08	1976	Sidney Lumet
271	L'Eclisse	82.11	84.70	79.78	78.81	1962	Michelangelo Antonioni
272	Mr. Smith Goes to Washington	82.09	80.83	81.78	81.15	1939	Frank Capra
273	Sanjuro	82.09	91.90	81.67	80.85	1962	Akira Kurosawa
274	Badlands	82.06	93.38	79.77	77.21	1973	Terrence Malick
275	Vivre Sa Vie	82.06	85.20	80.12	79.83	1962	Jean-Luc Godard
276	Nobody Knows	82.06	87.18	81.12	81.15	2004	Hirokazu Koreeda
277	No Country for Old Men	82.05	90.68	80.56	78.47	2007	Coen Brothers
278	Spring, Summer, Fall, Winter... and Spring	82.05	86.05	80.76	80.62	2003	Kim Ki-duk
279	La Notte	82.04	78.35	81.45	81.11	1961	Michelangelo Antonioni
280	The Celebration	82.04	84.23	81.34	80.08	1998	Thomas Vinterberg
281	In the Name of the Father	82.04	84.90	81.14	81.85	1993	Jim Sheridan
282	I Am a Fugitive from a Chain Gang	82.02	89.55	80.18	81.56	1932	Mervyn LeRoy
283	Shoplifters	82.01	92.39	80.60	79.31	2018	Hirokazu Koreeda
284	Finding Nemo	82.01	92.60	80.13	78.76	2003	Andrew Stanton, Lee Unkrich
285	Z	81.98	87.55	82.21	79.59	1969	Costa-Gavras
286	The Phantom Carriage	81.96	95.00	80.01	80.32	1921	Victor Sjöström
287	Manhattan	81.95	86.23	80.50	79.81	1979	Woody Allen
288	Rome, Open City	81.94	95.40	80.45	79.27	1945	Robert Rossellini
289	Children of Heaven	81.93	80.15	81.24	82.01	1997	Majid Majidi
290	The Green Mile	81.92	71.93	82.95	84.38	1999	Frank Darabont
291	The Iron Giant	81.91	86.61	80.88	79.95	1999	Brad Bird
292	The Sacrifice	81.90	80.30	80.47	81.37	1986	Andrei Tarkovsky
293	The Philadelphia Story	81.90	94.95	79.79	77.86	1940	George Cukor
294	The Twilight Samurai	81.90	86.10	81.07	81.13	2002	Yôji Yamada
295	Before Sunset	81.88	87.79	81.42	78.41	2004	Richard Linklater
296	Before Sunrise	81.86	84.40	82.24	79.44	1995	Richard Linklater
297	Castle in the Sky	81.85	81.63	81.49	82.06	1986	Hayao Miyazaki
298	The Departed	81.84	86.92	82.82	79.04	2006	Martin Scorsese
299	Brazil	81.83	90.23	80.61	78.37	1985	Terry Gilliam
300	Incendies	81.81	83.85	81.88	80.74	2011	Denis Villenueve
301	The Maltese Falcon	81.81	95.65	80.24	77.28	1941	John Huston
302	The Wizard of Oz	81.77	98.03	79.38	77.17	1939	Victor Fleming
303	Le Cercle Rouge	81.76	90.03	80.81	78.54	1970	Jean-Pierre Melville
304	Monsieur Verdoux	81.76	89.80	78.55	81.34	1947	Charlie Chaplin
305	The Return	81.72	84.85	80.02	80.96	2003	Andrey Zvyagintsev
306	Secrets & Lies	81.71	90.73	80.29	78.66	1996	Mike Leigh
307	The Hidden Fortress	81.70	91.25	80.79	80.72	1958	Akira Kurosawa
308	Pan's Labyrinth	81.69	92.59	81.60	76.08	2006	Guillermo del Toro
309	Amélie	81.69	79.64	81.96	80.27	2004	Jean-Pierre Jeunet
310	Ben-Hur	81.67	86.93	79.86	80.22	1959	William Wyler
311	Fitzcarraldo	81.67	75.80	81.06	81.21	1982	Werner Herzog
312	American History X	81.63	70.13	83.58	83.00	1998	Tony Kaye
313	Ace in the Hole	81.62	79.10	80.88	81.36	1951	Billy Wilder
314	Capernaum	81.62	81.83	80.52	82.18	2018	Nadine Labaki
315	Still Walking	81.61	90.30	80.92	79.48	2008	Hirokazu Koreeda
316	All About My Mother	81.61	88.77	79.56	78.80	1999	Pedro Almodóvar
317	The Discreet Charm of the Bourgeoisie	81.60	92.28	78.82	78.83	1972	Luis Buñuel
318	Platoon	81.60	88.70	79.52	80.45	1986	Oliver Stone
319	Farewell My Concubine	81.60	80.50	80.49	81.04	1993	Chen Kaige
320	Letter from an Unknown Woman	81.59	93.10	79.84	79.31	1948	Max Ophüls
321	The Grand Budapest Hotel	81.58	87.64	80.72	79.19	2014	Wes Anderson
322	The Virgin Spring	81.58	82.45	80.70	80.66	1960	Ingmar Bergman
323	The Red Balloon	81.57	90.20	79.93	80.30	1956	Albert Lamorisse
324	Stagecoach	81.57	94.58	77.69	78.94	1939	John Ford
325	Mulholland Drive	81.56	80.61	79.60	77.87	2001	David Lynch
326	A Matter of Life and Death	81.49	92.60	81.91	76.27	1946	Michael Powell, Emeric Pressburger
327	High Noon	81.48	90.58	79.27	78.94	1952	Fred Zinnemann
328	Orpheus	81.48	96.20	79.88	78.90	1950	Jean Cocteau
329	Life of Brian	81.47	82.98	80.78	79.81	1979	Terry Jones
330	Casino	81.46	74.23	81.54	81.75	1995	Martin Scorsese
331	Kagemusha	81.44	82.93	80.01	80.43	1980	Akira Kurosawa
332	Butch Cassidy and the Sundance Kid	81.43	76.08	80.53	81.85	1969	George Roy Hill
333	In a Lonely Place	81.43	92.45	80.42	78.77	1950	Nicholas Ray
334	Scarface	81.43	71.30	81.97	82.18	1983	Brian De Palma
335	A Short Film About Killing	81.42	87.35	79.89	80.38	1988	Krzysztof Kieślowski
336	Beauty and the Beast	81.41	92.05	79.28	78.32	1946	Jean Cocteau
337	The Hustler	81.39	92.45	80.43	78.97	1961	Robert Rossen
338	Cléo from 5 to 7	81.38	91.65	80.03	79.11	1962	Agnès Varda
339	Fireworks	81.37	90.15	80.01	79.63	1997	Takeshi Kitano
340	Room	81.36	88.41	80.43	79.48	2015	Lenny Abrahamson
341	Mad Max: Fury Road	81.35	90.39	79.76	77.80	2015	George Miller
342	Steamboat Bill, Jr.	81.32	95.75	79.30	79.23	1928	Charles Reisner, Buster Keaton
343	Judgment at Nuremberg	81.31	71.58	82.24	83.03	1961	Stanley Kramer
344	The Straight Story	81.30	87.15	79.64	79.88	1999	David Lynch
345	Meshes of the Afternoon	81.29	96.25	77.91	79.99	1943	Maya Deren, Alexandr Hackenschmied
346	Alice in the Cities	81.28	86.70	79.60	80.20	1974	Wim Wenders
347	Akira	81.28	80.90	81.12	79.98	1988	Katsuhiro Otomo
348	Good Will Hunting	81.27	79.38	81.97	81.05	1997	Gus Van Sant
349	The Miracle Worker	81.25	85.15	78.88	81.55	1962	Arthur Penn
350	Talk to Her	81.25	87.48	79.33	78.71	2002	Pedro Almodóvar
351	The Graduate	81.24	85.58	78.91	79.97	1967	Mike Nichols
352	Beauty and the Beast	81.22	92.28	79.20	78.77	1991	Gary Trousdale, Kirk Wise
353	The Heiress	81.19	94.45	80.20	79.76	1949	William Wyler
354	Fantasia	81.18	93.03	76.76	79.95	1940	Samuel Armstrong, James Algar
355	Au Revoir les Enfants	81.18	94.25	80.14	78.92	1987	Louis Malle
356	Three Billboards Outside Ebbing, Missouri	81.18	88.62	79.36	79.90	2017	Martin McDonagh
357	Inglourious Basterds	81.17	79.05	81.06	80.51	2009	Quentin Tarantino
358	Elevator to the Gallows	81.16	90.45	79.31	78.56	1958	Louis Malle
359	Gladiator	81.16	75.39	81.69	81.52	2000	Ridley Scott
360	Through a Glass Darkly	81.15	93.60	81.11	78.86	1961	Ingmar Bergman
361	Million Dollar Baby	81.15	87.41	77.43	80.72	2004	Clint Eastwood
362	Days of Heaven	81.15	90.75	80.19	77.08	1978	Terrence Malick
363	Do the Right Thing	81.15	90.78	80.26	77.04	1989	Spike Lee
364	Out of the Past	81.14	91.40	80.73	77.92	1947	Jacques Tourneur
365	Strangers on a Train	81.11	93.30	80.01	78.68	1951	Alfred Hitchcock
366	Blue Velvet	81.11	83.48	78.98	77.09	1986	David Lynch
367	That Obscure Object of Desire	81.09	89.40	79.59	78.11	1977	Luis Buñuel
368	What Ever Happened to Baby Jane?	81.08	80.23	80.74	80.75	1962	Robert Aldrich
369	My Night at Maud's	81.07	88.15	79.51	79.42	1969	Éric Rohmer
370	The Earrings of Madame de…	81.07	92.15	80.36	77.05	1953	Max Ophüls
371	The Conversation	81.04	89.23	80.03	77.44	1974	Francis Ford Coppola
372	The Killing	81.03	91.50	79.51	79.21	1956	Stanley Kubrick
373	The Servant	81.03	87.83	79.45	78.57	1963	Joseph Losey
374	The Intouchables	81.03	67.15	82.13	84.70	2011	Olivier Nakache, Éric Toledano
375	The Life and Death of Colonel Blimp	81.01	94.15	81.57	75.44	1943	Michael Powell, Emeric Pressburger
376	Jaws	81.01	90.98	79.91	75.70	1975	Steven Spielberg
377	Winter Light	81.01	73.55	81.51	79.95	1963	Ingmar Bergman
378	Love Exposure	81.01	80.88	82.23	79.55	2008	Sion Sono
379	Hiroshima Mon Amour	81.00	92.95	80.13	77.99	1959	Alain Resnais
380	Day for Night	80.98	92.55	80.21	78.27	1973	François Truffaut
381	Ratatouille	80.97	92.73	78.72	78.68	2007	Brad Bird
382	Ghost in the Shell	80.97	81.43	79.98	81.15	1995	Mamoru Oshii
383	Germany Year Zero	80.95	92.00	77.80	80.03	1948	Roberto Rossellini
384	Spotlight	80.93	93.00	79.75	77.55	2015	Tom McCarthy
385	Die Hard	80.93	79.58	81.11	79.43	1988	John McTiernan
386	Laura	80.93	93.80	79.70	78.47	1944	Otto Preminger
387	Sleuth	80.93	89.95	79.16	80.87	1972	Joseph L. Mankiewicz
388	The Diving Bell and the Butterfly	80.92	88.64	79.69	77.84	2007	Julian Schnabel
389	The Handmaiden	80.92	85.99	82.55	77.41	2016	Park Chan-wook
390	Stand by Me	80.90	80.20	81.28	79.54	1986	Rob Reiner
391	Wolf Children	80.90	80.15	80.40	81.27	2012	Mamoru Hosoda
392	Marriage Story	80.88	92.86	79.40	77.75	2019	Noam Baumbach
393	Shoeshine	80.87	93.75	79.02	79.38	1946	Vittorio De Sica
394	Freaks	80.85	84.70	77.66	80.31	1932	Tod Browning
395	Nosferatu	80.85	93.75	78.29	79.14	1922	F. W. Murnau
396	Dial M for Murder	80.84	77.60	81.17	81.31	1954	Alfred Hitchcock
397	Amour	80.81	90.90	77.74	78.19	2012	Michael Haneke
398	12 Years a Slave	80.80	94.00	79.74	76.94	2013	Steve McQueen
399	The Nightmare Before Christmas	80.77	85.38	79.26	79.69	1993	Henry Selick
400	Cabaret	80.77	84.68	77.34	80.69	1972	Bob Fosse
401	Central Station	80.77	83.28	80.91	78.52	1998	Walter Salles
402	Landscape in the Mist	80.74	71.35	80.76	80.28	1988	Theo Angelopoulos
403	1917	80.73	84.37	80.65	79.33	2019	Sam Mendes
404	Intolerance: Love's Struggle Throughout the Ages	80.71	93.98	75.69	78.01	1916	D. W. Griffith
405	Call Me by Your Name	80.71	91.25	79.43	77.87	2017	Luca Guadagnino
406	Midnight Cowboy	80.71	82.98	79.10	79.50	1969	John Schlesinger
407	Shadow of a Doubt	80.70	94.38	79.31	76.04	1943	Alfred Hitchcock
408	Interstellar	80.70	74.16	81.30	82.25	2014	Christopher Nolan
409	Hannah and Her Sisters	80.69	88.95	79.15	77.98	1986	Woody Allen
410	Monsters, Inc.	80.68	85.29	79.37	80.08	2001	Pete Docter, David Silverman
411	The Testament of Dr. Mabuse	80.65	85.85	79.40	79.38	1933	Fritz Lang
412	Downfall	80.64	83.53	81.54	78.55	2004	Oliver Hirschbiegel
413	Being There	80.64	87.30	79.42	78.06	1979	Hal Ashby
414	The Killer	80.63	92.60	79.27	78.66	1989	John Woo
415	My Left Foot: The Story of Christy Brown	80.63	93.23	78.13	79.15	1989	Jim Sheridan
416	Jean de Florette	80.60	88.40	80.18	79.69	1986	Claude Berri
417	The Big Lebowski	80.57	74.80	82.28	78.57	1998	Coen Brothers
418	The King's Speech	80.57	90.86	78.50	78.59	2010	Tom Hooper
419	Whisper of the Heart	80.55	79.98	80.80	80.31	1995	Yoshifumi Kondō
420	E.T. the Extra-Terrestrial	80.54	93.08	77.22	77.82	1982	Steven Spielberg
421	Infernal Affairs	80.54	79.83	79.92	80.22	2002	Andrew Lau, Alan Mak
422	The Prestige	80.54	72.22	82.71	81.38	2006	Christopher Nolan
423	Our Hospitality	80.54	92.85	77.72	79.58	1923	Buster Keaton, John G. Blystone
424	Zootopia	80.53	85.22	78.84	80.18	2016	Byron Howard, Rich Moore
425	Toy Story 2	80.49	92.59	78.51	77.05	1999	John Lasseter, Ash Brannon, Lee Unkrich
426	Klaus	80.48	75.00	81.07	81.41	2019	Sergio Pablos
427	The Big Sleep	80.45	92.10	79.74	77.58	1946	Howard Hawks
428	Ford v Ferrari	80.45	83.94	79.37	80.01	2019	James Mangold
429	Dead Poets Society	80.44	78.70	79.43	80.75	1989	Peter Weir
430	The Terminator	80.43	89.08	78.26	78.13	1984	James Cameron
431	Naked	80.43	84.48	80.39	77.34	1993	Mike Leigh
432	Dangal	80.41	83.00	79.68	80.56	2016	Nitesh Tiwari
433	Kwaidan	80.40	81.80	79.75	79.42	1964	Masaki Kobayashi
434	The Man Who Would Be King	80.40	90.55	78.24	77.79	1975	John Huston
435	Wild Tales	80.38	82.57	80.48	79.22	2014	Damián Szifron
436	Groundhog Day	80.38	80.08	79.31	79.35	1993	Harold Ramis
437	Catch Me If You Can	80.38	83.44	78.74	80.57	2002	Steven Spielberg
438	I Vitelloni	80.36	90.28	77.64	78.06	1953	Federico Fellini
439	The Big Heat	80.35	92.90	79.27	77.87	1953	Fritz Lang
440	The Double Life of Véronique	80.35	82.63	80.19	77.87	1991	Krzysztof Kieślowski
441	Who's Afraid of Virginia Woolf?	80.35	82.58	80.19	78.43	1966	Mike Nichols
442	Requiem for a Dream	80.33	71.39	81.39	80.93	2000	Darren Aronofsky
443	Rope	80.33	79.20	80.31	79.30	1948	Alfred Hitchcock
444	Love and Death	80.33	89.83	77.55	78.50	1975	Woody Allen
445	The Remains of the Day	80.29	86.88	78.75	78.80	1993	James Ivory
446	Jules and Jim	80.28	93.70	78.30	77.94	1962	François Truffaut
447	The Gospel According to Matthew	80.28	88.30	76.50	78.52	1964	Pier Paolo Pasolini
448	How to Train Your Dragon	80.27	81.97	79.45	80.24	2010	Chris Sanders, Dean DeBlois
449	Harry Potter and the Deathly Hallows: Part 2	80.27	88.50	78.81	78.53	2011	David Yates
450	Cat on a Hot Tin Roof	80.26	87.05	79.46	79.79	1958	Richard Brooks
451	The French Connection	80.26	93.35	78.04	76.89	1971	William Friedkin
452	Opening Night	80.25	78.05	80.50	79.25	1977	John Cassavetes
453	Hotel Rwanda	80.24	84.54	79.34	79.40	2004	Terry George
454	4 Months, 3 Weeks and 2 Days	80.22	92.51	77.76	76.22	2007	Cristian Mungiu
455	Tampopo	80.22	92.40	81.20	77.01	1985	Juzo Itami
456	Scarface	80.22	93.50	76.43	79.55	1932	Howard Hawks, Howard Hughes
457	The Face of Another	80.21	87.50	79.61	79.34	1966	Hiroshi Teshigahara
458	The Roaring Twenties	80.21	86.20	77.79	80.68	1939	Raoul Walsh
459	Pickpocket	80.20	93.80	76.41	76.47	1959	Robert Bresson
460	Kiki's Delivery Service	80.20	85.45	79.87	78.84	1989	Hayao Miyazaki
461	A Prophet	80.19	89.61	79.53	76.14	2009	Jacques Audiard
462	Zelig	80.19	90.00	76.50	80.29	1983	Woody Allen
463	Trouble in Paradise	80.18	88.20	79.35	77.62	1932	Ernst Lubitsch
464	Gran Torino	80.17	76.27	78.57	82.36	2008	Clint Eastwood
465	Last Year at Marienbad	80.16	88.25	78.29	77.37	1961	Alain Resnais
466	All the President's Men	80.15	85.95	80.48	76.46	1976	Alan J. Pakula
467	Breaking the Waves	80.15	79.85	78.46	79.55	1996	Lars von Trier
468	Indiana Jones and the Last Crusade	80.14	74.28	81.44	80.57	1989	Steven Spielberg
469	Divorce Italian Style	80.12	91.00	79.28	78.26	1961	Pietro Germi
470	Edward Scissorhands	80.12	78.65	78.09	80.73	1990	Tim Burton
471	The Thing	80.12	67.98	82.60	79.34	1982	John Carpenter
472	Perfect Blue	80.11	74.05	80.91	80.09	1997	Satoshi Kon
473	Down by Law	80.10	79.03	78.98	79.61	1986	Jim Jarmusch
474	Bringing Up Baby	80.10	90.75	78.25	76.45	1938	Howard Hawks
475	The Phantom of Liberty	80.09	85.10	78.89	78.66	1974	Luis Buñuel
476	Bonnie and Clyde	80.07	85.38	78.16	78.23	1967	Arthur Penn
477	The Incredibles	80.07	89.69	79.77	75.78	2004	Brad Bird
478	Rocky	80.04	79.73	79.17	79.29	1976	John G. Avildsen
479	His Girl Friday	80.03	94.15	79.24	76.72	1940	Howard Hawks
480	Mommy	80.03	80.79	80.39	79.13	2014	Xavier Dolan
481	Mon Oncle	80.03	88.00	78.03	78.76	1958	Jacques Tati
482	My Fair Lady	79.99	91.85	77.53	78.00	1964	George Cukor
483	Charade	79.98	85.55	79.37	78.72	1963	Stanley Donen
484	Stalag 17	79.95	87.13	79.62	77.79	1953	Billy Wilder
485	Boyhood	79.95	97.08	76.08	75.95	2014	Richard Linklater
486	The Secret in Their Eyes	79.95	82.49	81.27	77.67	2009	Juan José Campanella
487	Ninotchka	79.95	90.15	77.99	78.50	1939	Ernst Lubitsch
488	Pierrot le Fou	79.94	81.75	77.84	76.65	1965	Jean-Luc Godard
489	The Enigma of Kaspar Hauser	79.94	89.10	78.30	78.27	1974	Werner Herzog
490	Stroszek	79.94	88.40	79.50	77.77	1977	Werner Herzog
491	A Hard Day's Night	79.93	93.73	76.82	77.08	1964	Richard Lester
492	Onibaba	79.90	74.75	79.42	79.96	1964	Kaneto Shindo
493	Repulsion	79.85	92.68	77.29	76.57	1965	Roman Polanski
494	Like Stars on Earth	79.85	80.50	79.54	79.86	2007	Aamir Khan, Amole Gupte
495	Duck Soup	79.84	92.33	79.01	74.92	1933	Leo McCarey
496	Carlito's Way	79.83	70.28	79.16	82.01	1993	Brian De Palma
497	Nashville	79.82	93.23	76.89	74.92	1975	Robert Altman
498	The Triplets of Belleville	79.82	88.97	76.57	78.66	2003	Sylvain Chomet
499	Dr. Mabuse the Gambler	79.81	85.10	76.88	79.98	1922	Fritz Lang
500	Gone Girl	79.79	83.03	79.32	78.87	2014	David Fincher

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